Nikon D200 vs Panasonic G9
The Nikon D200 and the Panasonic Lumix DC-G9 are two enthusiast cameras that were officially introduced, respectively, in November 2005 and November 2017. The D200 is a DSLR, while the G9 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D200) and a Four Thirds (G9) sensor. The Nikon has a resolution of 10 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D200 and the Panasonic Lumix DC-G9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D200 and the Panasonic G9 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 is notably smaller (20 percent) than the Nikon D200. Moreover, the G9 is markedly lighter (28 percent) than the D200. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D200) and the Micro Four Thirds Lens Catalog (G9). Mirrorless cameras, such as the G9, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The power pack in the G9 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon D200||147 mm||113 mm||74 mm||920 g||400||Y||Nov 2005||1,699|
|2.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|3.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399|
|4.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499|
|5.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899|
|6.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|7.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|8.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|9.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|10.||Nikon D2Xs||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699|
|11.||Nikon D80||132 mm||103 mm||77 mm||668 g||600||n||Aug 2006||999|
|12.||Nikon D2X||158 mm||150 mm||86 mm||1252 g||3800||Y||Sep 2004||4,999|
|13.||Nikon D100||144 mm||116 mm||81 mm||780 g||370||n||Feb 2002||1,999|
|14.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|15.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699|
|16.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|17.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D200 features an APS-C sensor and the Panasonic G9 a Four Thirds sensor. The sensor area in the G9 is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D200 has a native 3:2 aspect ratio, while the one in the G9 offers a 4:3 aspect.
Despite having a smaller sensor, the G9 offers a higher resolution of 20.2 megapixels, compared with 10 MP of the D200. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 6.11μm for the D200). However, it should be noted that the G9 is much more recent (by 12 years) than the D200, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the G9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic G9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G9 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Nikon D200 are 19.4 x 13 inches or 49.2 x 32.9 cm for good quality, 15.5 x 10.4 inches or 39.3 x 26.3 cm for very good quality, and 12.9 x 8.6 inches or 32.8 x 21.9 cm for excellent quality prints.
Unlike the D200, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon D200 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DC-G9 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|14.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|15.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|16.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|17.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
Many modern cameras are not only capable of taking still images, but can also record movies. The G9 indeed provides for movie recording, while the D200 does not. The highest resolution format that the G9 can use is 4K/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G9 has an electronic viewfinder (3680k dots), while the D200 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G9 offers a wider field of view (100%) than the one in the D200 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G9 has a higher magnification (0.83x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D200, the Panasonic G9, and comparable cameras.
|1.||Nikon D200||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||Y||n|
|2.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0||n||Y|
|3.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||Y||n|
|4.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0||Y||n|
|5.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0||n||Y|
|6.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|7.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0||Y||n|
|8.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0||Y||n|
|9.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0||Y||n|
|10.||Nikon D2Xs||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||n||n|
|11.||Nikon D80||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|12.||Nikon D2X||optical||Y||2.5 / 235||fixed||n||1/8000s||5.0||n||n|
|13.||Nikon D100||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0||Y||n|
|14.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|15.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0||n||Y|
|16.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|17.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The D200 has one, while the G9 does not. While the built-in flash of the D200 is not very powerful, it can at times be useful as a fill-in light.The G9 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D200 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D200 and the Panasonic G9 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D200 writes its imaging data to Compact Flash cards, while the G9 uses SDXC cards. The G9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D200 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D200 and Panasonic Lumix DC-G9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D200||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|3.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|4.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|5.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|6.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|7.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Nikon D2Xs||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Nikon D80||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Nikon D2X||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Nikon D100||Y||- / -||-||-||-||1.1||-||-||-|
|14.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|15.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|16.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|17.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the G9 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D200 does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The G9 is a recent model that features in the current product line-up of Panasonic. In contrast, the D200 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D200 was succeeded by the Nikon D300. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon D200 and the Panasonic G9? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon D200:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in November 2005).
Reasons to prefer the Panasonic Lumix DC-G9:
- More detail: Has more megapixels (20.2 vs 10MP), which boosts linear resolution by 39%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Broader imaging potential: Can capture not only stills but also 4K/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.83x vs 0.63x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (20 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (137x97mm vs 147x113mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 262g or 28 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 12 years of technical progress since the D200 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the G9 is the clear winner of the contest (24 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D200 and the Panasonic G9 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D200 and the G9 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D200||..||+ +||..||+ +||o||..||Nov 2005||1,699|
|2.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|3.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399|
|4.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499|
|5.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899|
|6.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|7.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|8.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|9.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|10.||Nikon D2Xs||..||..||..||..||..||..||Jun 2006||4,699|
|11.||Nikon D80||..||+||..||+ +||o||4.5/5||Aug 2006||999|
|12.||Nikon D2X||..||..||..||+ +||..||..||Sep 2004||4,999|
|13.||Nikon D100||..||..||..||+ +||o||..||Feb 2002||1,999|
|14.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|15.||Panasonic GH5 II||4.5/5||..||4.5/5||..||4.5/5||5/5||May 2021||1,699|
|16.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|17.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 200D vs Nikon D200
- Canon S120 vs Nikon D200
- Canon SX540 vs Panasonic G9
- Canon T3i vs Panasonic G9
- Fujifilm GFX 50S II vs Panasonic G9
- Fujifilm X-A5 vs Nikon D200
- Fujifilm XP120 vs Nikon D200
- Nikon D200 vs Olympus E-410
- Nikon D200 vs Sony A7R IV
- Olympus E-P3 vs Panasonic G9
- Panasonic FZ2500 vs Panasonic G9
- Panasonic G9 vs Panasonic ZS200
Specifications: Nikon D200 vs Panasonic G9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D200||Panasonic G9|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||November 2005||November 2017|
|Launch Price||USD 1,699||USD 1,699|
|Sensor Specs||Nikon D200||Panasonic G9|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.8 mm||17.3 x 13.0 mm|
|Sensor Area||372.88 mm2||224.9 mm2|
|Sensor Diagonal||28.4 mm||21.6 mm|
|Sensor Resolution||10 Megapixels||20.2 Megapixels|
|Image Resolution||3872 x 2592 pixels||5184 x 3888 pixels|
|Pixel Pitch||6.11 μm||3.34 μm|
|Pixel Density||2.69 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/60p Video|
|ISO Setting||100 - 1,600 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 3,200 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||64||..|
|DXO Color Depth (bits)||22.3||..|
|DXO Dynamic Range (EV)||11.5||..|
|DXO Low Light (ISO)||583||..|
|Screen Specs||Nikon D200||Panasonic G9|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D200||Panasonic G9|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||20 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Nikon D200||Panasonic G9|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||no HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Nikon D200||Panasonic G9|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
147 x 113 x 74 mm
(5.8 x 4.4 x 2.9 in)
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
|Camera Weight||920 g (32.5 oz)||658 g (23.2 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.