Nikon D1 vs Sony A7 II
The Nikon D1 and the Sony Alpha A7 II are two digital cameras that were announced, respectively, in June 1999 and November 2014. The D1 is a DSLR, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D1) and a full frame (A7 II) sensor. The Nikon has a resolution of 2.6 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D1||Sony A7 II|
|Digital single lens reflex||Mirrorless system camera|
|Nikon F mount lenses||Sony E mount lenses|
|2.6 MP, APS-C Sensor||24 MP, Full Frame Sensor|
|no Video||1080/60p Video|
|ISO 200-1,600 (200 - 6,400)||ISO 100-25,600 (50 - 51,200)|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|2.0 LCD, 120k dots||3.0 LCD, 1230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|1.5 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|157 x 153 x 85 mm, 1100 g||127 x 96 x 60 mm, 599 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D1 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D1 and the Sony A7 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is considerably smaller (49 percent) than the Nikon D1. Moreover, the A7 II is substantially lighter (46 percent) than the D1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D1) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the A7 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
As can be seen in the images above, the D1 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A7 II, Sony provides the VG-C2EM vertical grip as an optional accessory (see here on eBay). The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Nikon D1||6.2 in||6.0 in||3.3 in||38.8 oz||..||Y||Jun 1999||5,499|
|Sony A7 II||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999|
|Nikon D4||6.3 in||6.2 in||3.6 in||47.3 oz||2600||Y||Jan 2012||5,999|
|Nikon D300S||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799|
|Nikon D3||6.3 in||6.2 in||3.5 in||45.9 oz||4300||Y||Aug 2007||4,999|
|Nikon D300||5.8 in||4.5 in||2.9 in||32.6 oz||1000||Y||Aug 2007||1,799|
|Nikon D2Xs||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699|
|Nikon D200||5.8 in||4.4 in||2.9 in||32.5 oz||400||Y||Nov 2005||1,699|
|Nikon D2X||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Sep 2004||4,999|
|Nikon D2H||6.2 in||5.9 in||3.4 in||37.7 oz||2900||Y||Jul 2003||3,499|
|Nikon D1H||6.2 in||6.0 in||3.3 in||38.8 oz||1200||Y||Feb 2001||4,499|
|Nikon D1X||6.2 in||6.0 in||3.3 in||38.8 oz||1200||Y||Feb 2001||5,999|
|Sony A7C||4.9 in||2.8 in||2.4 in||18.0 oz||740||Y||Sep 2020||1,799|
|Sony A9 II||5.1 in||3.8 in||3.0 in||23.9 oz||690||Y||Oct 2019||4,499|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A7||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699|
|Sony A7R||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7 II was launched at a markedly lower price (by 64 percent) than the D1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D1 features an APS-C sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 131 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 II offers a higher resolution than the D1 (2.6MP), but the A7 II has smaller individual pixels (pixel pitch of 5.97μm versus 11.93μm for the D1). Yet, the A7 II is a much more recent model (by 15 years and 5 months) than the D1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D1 are 10 x 6.6 inches or 25.4 x 16.7 cm for good quality, 8 x 5.2 inches or 20.3 x 13.3 cm for very good quality, and 6.7 x 4.4 inches or 16.9 x 11.1 cm for excellent quality prints.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon D1 has a native sensitivity range from ISO 200 to ISO 1600, which can be extended to ISO 200-6400. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|Sony A7C||Full Frame||24.0||6000||4000||4K/30p||..||..||..||..|
|Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
Many modern cameras cannot only take still pictures, but also record videos. The A7 II indeed provides for movie recording, while the D1 does not. The highest resolution format that the A7 II can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the D1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 II offers a wider field of view (100%) than the one in the D1 (96%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7 II has a higher magnification (0.71x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D1 and Sony A7 II along with similar information for a selection of comparators.
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
|Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
One feature that is present on the D1, but is missing on the A7 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The D1 writes its imaging data to Compact Flash cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D1 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the A7 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D1 does not provide wifi capability.
Studio photographers will appreciate that the Nikon D1 (unlike the A7 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D1 and the A7 II have been discontinued, but can regularly be found used on eBay. The D1 was replaced by the Nikon D1X, while the A7 II was followed by the Sony A7 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So how do things add up? Which of the two cameras – the Nikon D1 or the Sony A7 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon D1:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/8000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in June 1999).
Advantages of the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 2.6MP), which boosts linear resolution by 201%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.53x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 120k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (5 vs 1.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (127x96mm vs 157x153mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 501g or 46 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (64 percent cheaper at launch).
- More modern: Reflects 15 years and 5 months of technical progress since the D1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (22 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D1 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D1 and the A7 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D1||..||+ +||..||..||..||Jun 1999||5,499|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Nikon D4||..||..||4.5/5||..||4.5/5||Jan 2012||5,999|
|Nikon D300S||+ +||82/100||4/5||5/5||4.5/5||Jul 2009||1,799|
|Nikon D3||..||+ +||5/5||o||4.5/5||Aug 2007||4,999|
|Nikon D300||+ +||+ +||5/5||o||4.5/5||Aug 2007||1,799|
|Nikon D2Xs||..||..||..||o||..||Jun 2006||4,699|
|Nikon D200||+ +||+ +||o||5/5||..||Nov 2005||1,699|
|Nikon D2X||..||+ +||..||o||..||Sep 2004||4,999|
|Nikon D2H||..||+ +||..||o||..||Jul 2003||3,499|
|Nikon D1H||..||+ +||..||o||..||Feb 2001||4,499|
|Nikon D1X||..||+ +||..||o||..||Feb 2001||5,999|
|Sony A7C||..||86/100||..||..||4/5||Sep 2020||1,799|
|Sony A9 II||..||90/100||5/5||..||5/5||Oct 2019||4,499|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony A7||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699|
|Sony A7R||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1200D vs Sony A7 II
- Canon 4000D vs Nikon D1
- Canon G1 X Mark II vs Nikon D1
- Canon SL3 vs Nikon D1
- Canon SX60 vs Nikon D1
- Fujifilm GFX 50R vs Sony A7 II
- Fujifilm X100F vs Sony A7 II
- Fujifilm X100T vs Sony A7 II
- Leica Digilux 3 vs Nikon D1
- Nikon D1 vs Nikon D3500
- Nikon D1 vs Panasonic GF6
- Nikon D1 vs Sony H300
Specifications: Nikon D1 vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D1||Sony A7 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||June 1999||November 2014|
|Launch Price||USD 5,499||USD 1,999|
|Sensor Specs||Nikon D1||Sony A7 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.7 x 15.6 mm||35.8 x 23.9 mm|
|Sensor Area||369.72 mm2||855.62 mm2|
|Sensor Diagonal||28.4 mm||43 mm|
|Sensor Resolution||2.6 Megapixels||24 Megapixels|
|Image Resolution||2000 x 1312 pixels||6000 x 4000 pixels|
|Pixel Pitch||11.93 μm||5.97 μm|
|Pixel Density||0.71 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||200 - 1,600 ISO||100 - 25,600 ISO|
|ISO Boost||200 - 6,400 ISO||50 - 51,200 ISO|
|DXO Sensor Quality (score)||..||90|
|DXO Color Depth (bits)||..||24.9|
|DXO Dynamic Range (EV)||..||13.6|
|DXO Low Light (ISO)||..||2449|
|Screen Specs||Nikon D1||Sony A7 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||96%||100%|
|Viewfinder Resolution||2400k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||120k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Nikon D1||Sony A7 II|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/16000s||1/8000s|
|Continuous Shooting||1.5 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon D1||Sony A7 II|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||Firewire||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D1||Sony A7 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|In-Camera Charging||no USB charging||USB charging|
157 x 153 x 85 mm
(6.2 x 6.0 x 3.3 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||1100 g (38.8 oz)||599 g (21.1 oz)|
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