Nikon 1 V3 vs Panasonic FZ150
The Nikon 1 V3 and the Panasonic Lumix DMC-FZ150 are two digital cameras that were officially introduced, respectively, in March 2014 and August 2011. The V3 is a mirrorless interchangeable lens camera, while the FZ150 is a fixed lens compact. The cameras are based on an one-inch (V3) and a 1/2.3-inch (FZ150) sensor. The Nikon has a resolution of 18.2 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 V3 and the Panasonic Lumix DMC-FZ150? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon 1 V3 and the Panasonic FZ150 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ150 is notably larger (41 percent) than the Nikon 1 V3. In this context, it is worth noting that neither the V3 nor the FZ150 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ150 has a lens built in, whereas the V3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon 1 V3||111 mm||65 mm||33 mm||381 g||310||n||Mar 2014||799||ebay.com|
|2.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||ebay.com|
|3.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799||ebay.com|
|4.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||ebay.com|
|5.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429||ebay.com|
|6.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799||ebay.com|
|7.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699||ebay.com|
|8.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899||ebay.com|
|9.||Nikon 1 J4||100 mm||60 mm||29 mm||232 g||300||n||Apr 2014||549||ebay.com|
|10.||Nikon 1 V2||109 mm||82 mm||46 mm||278 g||310||n||Oct 2012||799||ebay.com|
|11.||Nikon 1 V1||113 mm||76 mm||44 mm||383 g||350||n||Sep 2011||799||ebay.com|
|12.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|13.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|14.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||ebay.com|
|15.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||ebay.com|
|16.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499||ebay.com|
|17.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ150 was launched at a lower price than the V3, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon 1 V3 features an one-inch sensor and the Panasonic FZ150 a 1/2.3-inch sensor. The sensor area in the FZ150 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the V3 has a native 3:2 aspect ratio, while the one in the FZ150 offers a 4:3 aspect.
With 18.2MP, the V3 offers a higher resolution than the FZ150 (12MP), but the V3 nevertheless has larger individual pixels (pixel pitch of 2.52μm versus 1.53μm for the FZ150) due to its larger sensor. Moreover, the V3 is a much more recent model (by 2 years and 6 months) than the FZ150, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon 1 V3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the V3 for good quality output (200 dots per inch) amounts to 26.2 x 17.4 inches or 66.4 x 44.3 cm, for very good quality (250 dpi) 20.9 x 14 inches or 53.2 x 35.4 cm, and for excellent quality (300 dpi) 17.4 x 11.6 inches or 44.3 x 29.5 cm. The corresponding values for the Panasonic FZ150 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The V3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon 1 V3 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ150 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the V3 provides substantially higher image quality than the FZ150, with an overall score that is 12 points higher. This advantage is based on 1.4 bits higher color depth, 0.2 EV of lower dynamic range, and 1.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Nikon 1 V3||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52|
|3.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||471||62|
|9.||Nikon 1 J4||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53|
|10.||Nikon 1 V2||1-inch||14.2||4608||3072||1080/60p||20.2||10.8||403||50|
|11.||Nikon 1 V1||1-inch||10.0||3872||2592||1080/60i||21.3||11.0||346||54|
|12.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|13.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ150 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the V3 relies on live view and the rear LCD for framing. That said, the V3 can be equipped with an optional viewfinder – the DF-N1000. The table below summarizes some of the other core capabilities of the Nikon 1 V3 and Panasonic FZ150 in connection with corresponding information for a sample of similar cameras.
|1.||Nikon 1 V3||optional||n||3.0 / 1037||tilting||Y||1/4000s||60.0/s||Y||n|
|2.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|3.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|4.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|5.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2/s||Y||Y|
|6.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|7.||Fujifilm X-M1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|8.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|9.||Nikon 1 J4||none||n||3.0 / 1037||Fixed||Y||1/4000s||60.0/s||Y||n|
|10.||Nikon 1 V2||1440||n||3.0 / 921||fixed||n||1/4000s||15.0/s||Y||n|
|11.||Nikon 1 V1||1440||n||3.0 / 921||fixed||n||1/4000s||10.0/s||n||n|
|12.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|13.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|14.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|15.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|16.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|17.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The V3 has a touchscreen, while the FZ150 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ150 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the V3 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the V3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon 1 V3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The V3 writes its imaging data to micro SDXC cards, while the FZ150 uses SDXC cards. The V3 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the FZ150 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 V3 and Panasonic Lumix DMC-FZ150 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon 1 V3||-||stereo / mono||Y||-||mini||2.0||Y||-||-|
|2.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|3.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|5.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Fujifilm X-M1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|8.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Nikon 1 J4||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|10.||Nikon 1 V2||-||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Nikon 1 V1||-||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|13.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|14.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
It is notable that the V3 has a microphone port, which is missing on the FZ150. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the V3 and the FZ150 have been discontinued, but can regularly be found used on ebay. The FZ150 was replaced by the Panasonic FZ200, while the V3 does not have a direct successor. Further information on the features and operation of the V3 and FZ150 can be found, respectively, in the Nikon 1 V3 Manual (free pdf) or the online Panasonic FZ150 Manual.
So what conclusions can be drawn? Which of the two cameras – the Nikon 1 V3 or the Panasonic FZ150 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Nikon 1 V3:
- More detail: Offers more megapixels (18.2 vs 12MP) with a 26% higher linear resolution.
- Better image quality: Scores substantially higher (12 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.4 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.5 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (60 vs 12 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (111x65mm vs 124x82mm) and thus needs less room in the bag.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 2 years and 6 months of technical progress since the FZ150 launch.
Reasons to prefer the Panasonic Lumix DMC-FZ150:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has an integrated lens, whereas the V3 necessitates an extra lens.
- Longer lasting: Gets more shots (410 versus 310) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the V3 is the clear winner of the match-up (17 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 V3 and the Panasonic FZ150 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the V3 and the FZ150 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon 1 V3||3/5||..||..||76/100||4.5/5||4/5||Mar 2014||799||ebay.com|
|2.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499||ebay.com|
|3.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799||ebay.com|
|4.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549||ebay.com|
|5.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429||ebay.com|
|6.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799||ebay.com|
|7.||Fujifilm X-M1||3/5||+||..||77/100||4.5/5||4.5/5||Jun 2013||699||ebay.com|
|8.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899||ebay.com|
|9.||Nikon 1 J4||3/5||..||..||..||4.5/5||4/5||Apr 2014||549||ebay.com|
|10.||Nikon 1 V2||3/5||..||..||..||4.5/5||4/5||Oct 2012||799||ebay.com|
|11.||Nikon 1 V1||..||+||..||69/100||4.5/5||4/5||Sep 2011||799||ebay.com|
|12.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|13.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|14.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|15.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499||ebay.com|
|16.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|17.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark II vs Nikon 1 V3
- Canon D30 vs Panasonic FZ150
- Canon G9 X Mark II vs Nikon 1 V3
- Fujifilm X-T20 vs Panasonic FZ150
- Leica M10 vs Panasonic FZ150
- Leica S3 vs Nikon 1 V3
- Nikon 1 V3 vs Panasonic G2
- Nikon 1 V3 vs Panasonic S1H
- Nikon 1 V3 vs Sony A7R III
- Nikon D3500 vs Panasonic FZ150
- Nikon P7800 vs Panasonic FZ150
- Panasonic FZ150 vs Panasonic FZ200
Specifications: Nikon 1 V3 vs Panasonic FZ150
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon 1 V3||Panasonic FZ150|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Nikon 1 mount lenses||25-600mm f/2.8-5.2|
|Launch Date||March 2014||August 2011|
|Launch Price||USD 799||USD 499|
|Sensor Specs||Nikon 1 V3||Panasonic FZ150|
|Sensor Format||1" Sensor||1/2.3" Sensor|
|Sensor Size||13.2 x 8.8 mm||6.17 x 4.55 mm|
|Sensor Area||116.16 mm2||28.0735 mm2|
|Sensor Diagonal||15.9 mm||7.7 mm|
|Sensor Resolution||18.2 Megapixels||12 Megapixels|
|Image Resolution||5232 x 3488 pixels||4000 x 3000 pixels|
|Pixel Pitch||2.52 μm||1.53 μm|
|Pixel Density||15.71 MP/cm2||42.74 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||160 - 12,800 ISO||100 - 3,200 ISO|
|ISO Boost||no Enhancement||100 - 6,400 ISO|
|Image Processor||EXPEED 4||Venus FHD|
|DXO Sensor Quality (score)||52||40|
|DXO Color Depth (bits)||20.8||19.4|
|DXO Dynamic Range (EV)||10.7||10.9|
|DXO Low Light (ISO)||384||132|
|Screen Specs||Nikon 1 V3||Panasonic FZ150|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||460k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon 1 V3||Panasonic FZ150|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Continuous Shooting||60 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||mSDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Nikon 1 V3||Panasonic FZ150|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Nikon 1 V3||Panasonic FZ150|
|Battery Life (CIPA)||310 shots per charge||410 shots per charge|
111 x 65 x 33 mm
(4.4 x 2.6 x 1.3 in)
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
|Camera Weight||381 g (13.4 oz)||528 g (18.6 oz)|
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