Nikon 1 J5 vs Panasonic LX5

The Nikon 1 J5 and the Panasonic Lumix DMC-LX5 are two digital cameras that were officially introduced, respectively, in April 2015 and July 2010. The J5 is a mirrorless interchangeable lens camera, while the LX5 is a fixed lens compact. The cameras are based on an one-inch (J5) and a 1/1.7-inch (LX5) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon 1 J5		Panasonic LX5
Mirrorless system camera		Fixed lens compact camera
Nikon 1 mount lenses		24-90mm f/2.0-3.3
20.7 MP – 1" sensor		10 MP – 1/1.7" sensor
4K/15p Video		720/60p Video
ISO 160-12,800		ISO 80-3,200 (80 - 12,800)
No viewfinder, LCD framing		Viewfinder optional
3.0" LCD – 1037k dots		3.0" LCD – 460k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
60 shutter flaps per second		2.5 shutter flaps per second
250 shots per battery charge		400 shots per battery charge
98 x 60 x 32 mm, 231 g		110 x 65 x 43 mm, 271 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 J5 and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Nikon 1 J5 and the Panasonic LX5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The J5 can be obtained in three different colors (black, silver, white), while the LX5 is available in two color-versions (black, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is notably larger (22 percent) than the Nikon 1 J5. In this context, it is worth noting that neither the J5 nor the LX5 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX5 has a lens built in, whereas the J5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Nikon 1 J5	98 mm	60 mm	32 mm	231 g	250	n	Apr 2015	US$ 399	ebay.com
2.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	US$ 499	ebay.com
3.		Canon G7 X	103 mm	60 mm	40 mm	304 g	210	n	Sep 2014	US$ 699	ebay.com
4.		Canon G9 X	98 mm	58 mm	31 mm	209 g	220	n	Oct 2015	US$ 529	ebay.com
5.		Canon G9 X Mark II	98 mm	58 mm	31 mm	206 g	235	n	Jan 2017	US$ 529	ebay.com
6.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	US$ 599	ebay.com
7.		Nikon 1 J4	100 mm	60 mm	29 mm	232 g	300	n	Apr 2014	US$ 549	ebay.com
8.		Nikon 1 V3	111 mm	65 mm	33 mm	381 g	310	n	Mar 2014	US$ 799	ebay.com
9.		Olympus XZ-1	111 mm	65 mm	42 mm	275 g	320	n	Jan 2011	US$ 499	ebay.com
10.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	US$ 499	ebay.com
11.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	US$ 899	ebay.com
12.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	US$ 549	ebay.com
13.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	US$ 499	ebay.com
14.		Sony A5000	110 mm	63 mm	36 mm	269 g	420	n	Jan 2014	US$ 449	ebay.com
15.		Sony RX100 III	102 mm	58 mm	41 mm	290 g	320	n	May 2014	US$ 799	ebay.com
16.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	US$ 999	ebay.com
17.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	US$ 999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Nikon 1 J5 features an one-inch sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 60 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 4.4. The sensor in the J5 has a native 3:2 aspect ratio, while the one in the LX5 offers a 4:3 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 20.7MP, the J5 offers a higher resolution than the LX5 (10MP), but the J5 nevertheless has larger individual pixels (pixel pitch of 2.37μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the J5 is a much more recent model (by 4 years and 8 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the J5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Nikon 1 J5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the J5 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The J5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Nikon 1 J5 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.

In terms of underlying technology, the J5 is build around a BSI-CMOS sensor, while the LX5 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the J5 provides substantially higher image quality than the LX5, with an overall score that is 24 points higher. This advantage is based on 1.5 bits higher color depth, 1.2 EV in additional dynamic range, and 1.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon 1 J5	1-inch	20.7	5568	3712	4K/15p	21.1	12.0	479	65
2.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
3.		Canon G7 X	1-inch	20.0	5472	3648	1080/60p	23.0	12.7	556	71
4.		Canon G9 X	1-inch	20.0	5472	3648	1080/60p	21.5	12.3	495	63
5.		Canon G9 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.9	12.5	522	65
6.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
7.		Nikon 1 J4	1-inch	18.2	5232	3488	1080/60p	20.8	10.7	426	53
8.		Nikon 1 V3	1-inch	18.2	5232	3488	1080/60p	20.8	10.7	384	52
9.		Olympus XZ-1	1/1.7	10.1	3664	2752	720/30p	18.8	10.4	117	34
10.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
11.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
12.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
13.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
14.		Sony A5000	APS-C	19.8	5456	3632	1080/60i	23.8	13.0	1089	79
15.		Sony RX100 III	1-inch	20.0	5472	3648	1080/60p	22.4	12.3	495	67
16.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
17.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the J5 provides a higher video resolution than the LX5. It can shoot video footage at 4K/15p, while the Panasonic is limited to 720/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The J5 and the LX5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The following table reports on some other key feature differences and similarities of the Nikon 1 J5, the Panasonic LX5, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon 1 J5	none	n	3.0 / 1037	tilting	Y	1/4000s	60.0/s	Y	n
2.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
3.		Canon G7 X	none	n	3.0 / 1040	tilting	Y	1/2000s	6.5/s	Y	Y
4.		Canon G9 X	none	n	3.0 / 1040	fixed	Y	1/2000s	6.0/s	Y	Y
5.		Canon G9 X Mark II	none	n	3.0 / 1040	fixed	Y	1/2000s	8.2/s	Y	Y
6.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
7.		Nikon 1 J4	none	n	3.0 / 1037	Fixed	Y	1/4000s	60.0/s	Y	n
8.		Nikon 1 V3	optional	n	3.0 / 1037	tilting	Y	1/4000s	60.0/s	Y	n
9.		Olympus XZ-1	optional	n	3.0 / 614	fixed	n	1/2000s	2.0/s	Y	Y
10.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
11.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
12.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
13.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
14.		Sony A5000	none	n	3.0 / 461	tilting	n	1/4000s	3.5/s	Y	n
15.		Sony RX100 III	1440	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
16.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
17.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The J5 has a touchscreen, while the LX5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the J5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon 1 J5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the J5 and the LX5 write their files to SDXC cards. The J5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 J5 and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon 1 J5	-	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
3.		Canon G7 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
4.		Canon G9 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
5.		Canon G9 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
6.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Nikon 1 J4	-	stereo / mono	-	-	mini	2.0	Y	-	-
8.		Nikon 1 V3	-	stereo / mono	Y	-	mini	2.0	Y	-	-
9.		Olympus XZ-1	Y	mono / -	-	-	mini	2.0	-	-	-
10.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
11.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
12.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Sony A5000	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony RX100 III	-	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the J5 offers wifi support, while the LX5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the J5 and the LX5 have been discontinued, but can regularly be found used on ebay. The LX5 was replaced by the Panasonic LX7, while the J5 does not have a direct successor. Further information on the features and operation of the J5 and LX5 can be found, respectively, in the Nikon 1 J5 Manual (free pdf) or the online Panasonic LX5 Manual.

Review summary

So how do things add up? Which of the two cameras – the Nikon 1 J5 or the Panasonic LX5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Nikon 1 J5:

• More detail: Offers more megapixels (20.7 vs 10MP) with a 47% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores substantially higher (24 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (1.5 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.2 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (1.9 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/15p vs 720/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (60 vs 2.5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• More compact: Is smaller (98x60mm vs 110x65mm) and thus needs less room in the bag.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 4 years and 8 months of technical progress since the LX5 launch.

Arguments in favor of the Panasonic Lumix DMC-LX5:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
• Ready to shoot: Has an integrated lens, whereas the J5 necessitates an extra lens.
• Longer lasting: Gets more shots (400 versus 250) out of a single battery charge.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More heavily discounted: Has been around for much longer (launched in July 2010).

If the count of relative strengths (bullet points above) is taken as a measure, the J5 is the clear winner of the match-up (21 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon 1 J5 and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the J5 and the LX5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Nikon 1 J5	..	..	..	..	4.5/5	4.5/5	Apr 2015	US$ 399	ebay.com
2.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
3.		Canon G7 X	4/5	+ +	..	77/100	4.5/5	4.5/5	Sep 2014	US$ 699	ebay.com
4.		Canon G9 X	3.5/5	+ +	..	..	4.5/5	4.5/5	Oct 2015	US$ 529	ebay.com
5.		Canon G9 X Mark II	4/5	..	4/5	75/100	4.5/5	4.5/5	Jan 2017	US$ 529	ebay.com
6.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	US$ 599	ebay.com
7.		Nikon 1 J4	3/5	..	..	..	4.5/5	4/5	Apr 2014	US$ 549	ebay.com
8.		Nikon 1 V3	3/5	..	..	76/100	4.5/5	4/5	Mar 2014	US$ 799	ebay.com
9.		Olympus XZ-1	4/5	..	..	74/100	4.5/5	4.5/5	Jan 2011	US$ 499	ebay.com
10.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	US$ 499	ebay.com
11.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	US$ 899	ebay.com
12.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	US$ 549	ebay.com
13.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	US$ 499	ebay.com
14.		Sony A5000	3/5	+	..	..	4.5/5	4.5/5	Jan 2014	US$ 449	ebay.com
15.		Sony RX100 III	5/5	+ +	..	82/100	4.5/5	5/5	May 2014	US$ 799	ebay.com
16.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	US$ 999	ebay.com
17.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	US$ 999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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