Leica V-LUX Typ 114 vs Panasonic TZ200
The Leica V-LUX (Typ 114) and the Panasonic Lumix DC-TZ200 (labelled Panasonic ZS200 in some countries) are two digital cameras that were officially introduced, respectively, in September 2014 and February 2018. Both the V-LUX Typ 114 and the TZ200 are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica V-LUX Typ 114||Panasonic TZ200|
|Fixed lens compact camera||Fixed lens compact camera|
|25-400mm f/2.8-4.0||24-360mm f/3.3-6.4|
|20 MP, 1" Sensor||20 MP, 1" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 125-12,800 (80 - 25,600)||ISO 125-12,800 (80 - 25,600)|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (2330k dots)|
|3.0 LCD, 921k dots||3.0 LCD, 1240k dots|
|Swivel screen (not touch-sensitive)||Fixed touchscreen|
|12 shutter flaps per second||10 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|360 shots per battery charge||370 shots per battery charge|
|137 x 99 x 131 mm, 830 g||111 x 65 x 45 mm, 340 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX (Typ 114) and the Panasonic Lumix DC-TZ200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica V-LUX Typ 114 and the Panasonic TZ200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The TZ200 can be obtained in two different colors (black, silver), while the V-LUX Typ 114 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TZ200 is considerably smaller (47 percent) than the Leica V-LUX Typ 114. Moreover, the TZ200 is substantially lighter (59 percent) than the V-LUX Typ 114. In this context, it is worth noting that neither the V-LUX Typ 114 nor the TZ200 are weather-sealed.
Concerning battery life, the V-LUX Typ 114 gets 360 shots out of its BP-DC12 battery, while the TZ200 can take 370 images on a single charge of its DMW-BLG10 power pack. The power pack in the TZ200 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Leica V-LUX Typ 114||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Sep 2014||1,349|
|Panasonic TZ200||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799|
|Leica V-LUX 5||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249|
|Leica Q Typ 116||5.1 in||3.1 in||3.7 in||22.6 oz||300||n||Jun 2015||4,249|
|Leica D-LUX Typ 109||4.6 in||2.6 in||2.2 in||14.3 oz||300||n||Sep 2014||1,195|
|Leica X Vario||5.2 in||2.9 in||3.7 in||24.0 oz||450||n||Jun 2013||2,850|
|Leica V-LUX 4||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Sep 2012||949|
|Panasonic GX9||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849|
|Panasonic TZ90||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449|
|Panasonic FZ2500||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199|
|Panasonic LX15||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699|
|Panasonic TZ100||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699|
|Panasonic FZ1000||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899|
|Sony RX100 VI||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199|
|Sony RX10 II||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299|
|Sony RX10||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TZ200 was launched at a markedly lower price (by 41 percent) than the V-LUX Typ 114, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixels. This similarity in sensor specs implies that both the V-LUX Typ 114 and the TZ200 have the same pixel density, as well as the same pixel size. It should, however, be noted that the TZ200 is much more recent (by 3 years and 5 months) than the V-LUX Typ 114, and its sensor will have benefitted from technological advances during this time.
The Leica V-LUX (Typ 114) has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The Panasonic Lumix DC-TZ200 offers exactly the same ISO settings.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||..||..||..||..|
|Leica X Vario||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78|
|Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the V-LUX Typ 114 offers a slightly higher resolution than the one in the TZ200 (2359k vs 2330k dots). The following table reports on some other key feature differences and similarities of the Leica V-LUX Typ 114, the Panasonic TZ200, and comparable cameras.
|Leica V-LUX Typ 114||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y|
|Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|Leica Q Typ 116||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y|
|Leica D-LUX Typ 109||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y|
|Leica X Vario||optional||n||3.0||920||fixed||n||1/2000s||5.0||Y||n|
|Leica V-LUX 4||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y|
|Sony RX100 VI||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TZ200 has a touchscreen, while the V-LUX Typ 114 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The V-LUX Typ 114 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the TZ200 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica V-LUX Typ 114 and the Panasonic TZ200 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the V-LUX Typ 114 and the TZ200 have zoom lenses built in. The V-LUX Typ 114 has a 25-400mm f/2.8-4.0 optic and the TZ200 offers a 24-360mm f/3.3-6.4 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end than the Leica, but less tele-photo reach at the long end. The V-LUX Typ 114 offers the faster maximum aperture.
Concerning the storage of imaging data, both the V-LUX Typ 114 and the TZ200 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX (Typ 114) and Panasonic Lumix DC-TZ200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica V-LUX Typ 114||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-|
|Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Leica Q Typ 116||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Leica D-LUX Typ 109||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Leica X Vario||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Leica V-LUX 4||Y||stereo||mono||Y||-||mini||2.0||-||-||-|
|Sony RX100 VI||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the V-LUX Typ 114 has a hotshoe, while the TZ200 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The TZ200 is a recent model that features in the current product line-up of Panasonic. In contrast, the V-LUX Typ 114 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the V-LUX Typ 114 was succeeded by the Leica V-LUX 5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Leica V-LUX Typ 114 and the Panasonic TZ200? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica V-LUX (Typ 114):
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.53x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.3).
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Arguments in favor of the Panasonic Lumix DC-TZ200:
- More detailed LCD: Has a higher resolution rear screen (1240k vs 921k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (111x65mm vs 137x99mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 490g or 59 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (41 percent cheaper at launch).
- More modern: Reflects 3 years and 5 months of technical progress since the V-LUX Typ 114 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the V-LUX Typ 114 is the clear winner of the match-up (12 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX Typ 114 and the Panasonic TZ200 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the V-LUX Typ 114 or the TZ200. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica V-LUX Typ 114||..||..||..||..||5/5||Sep 2014||1,349|
|Panasonic TZ200||+ +||81/100||4.5/5||..||4.5/5||Feb 2018||799|
|Leica V-LUX 5||..||..||4/5||..||4/5||Jul 2019||1,249|
|Leica Q Typ 116||..||80/100||4.5/5||..||4.5/5||Jun 2015||4,249|
|Leica D-LUX Typ 109||..||..||4.5/5||..||4.5/5||Sep 2014||1,195|
|Leica X Vario||..||..||4/5||4/5||4/5||Jun 2013||2,850|
|Leica V-LUX 4||..||..||..||..||..||Sep 2012||949|
|Panasonic GX9||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849|
|Panasonic TZ90||+ +||..||4/5||..||4/5||Apr 2017||449|
|Panasonic FZ2500||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Panasonic LX15||+ +||81/100||4/5||4.5/5||4.5/5||Sep 2016||699|
|Panasonic TZ100||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699|
|Panasonic FZ1000||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899|
|Sony RX100 VI||+ +||83/100||4/5||..||4.5/5||Jun 2018||1,199|
|Sony RX10 II||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299|
|Sony RX10||+||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1300D vs Panasonic TZ200
- Canon 5D Mark III vs Leica V-LUX Typ 114
- Canon G1 X Mark II vs Panasonic TZ200
- Canon S120 vs Panasonic TZ200
- Canon T2i vs Leica V-LUX Typ 114
- Fujifilm X-Pro3 vs Panasonic TZ200
- Leica V-LUX Typ 114 vs Nikon B700
- Leica V-LUX Typ 114 vs Nikon D3300
- Leica V-LUX Typ 114 vs Nikon Df
- Leica V-LUX Typ 114 vs Olympus E-M5 III
- Leica V-LUX Typ 114 vs Sony A77
- Panasonic TZ200 vs Sony NEX-5
Specifications: Leica V-LUX Typ 114 vs Panasonic TZ200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica V-LUX Typ 114||Panasonic TZ200|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-400mm f/2.8-4.0||24-360mm f/3.3-6.4|
|Launch Date||September 2014||February 2018|
|Launch Price||USD 1,349||USD 799|
|Sensor Specs||Leica V-LUX Typ 114||Panasonic TZ200|
|Sensor Format||1" Sensor||1" Sensor|
|Sensor Size||13.2 x 8.8 mm||13.2 x 8.8 mm|
|Sensor Area||116.16 mm2||116.16 mm2|
|Sensor Diagonal||15.9 mm||15.9 mm|
|Sensor Resolution||20 Megapixels||20 Megapixels|
|Image Resolution||5472 x 3648 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.41 μm||2.41 μm|
|Pixel Density||17.18 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||125 - 12,800 ISO|
|ISO Boost||80 - 25,600 ISO||80 - 25,600 ISO|
|Screen Specs||Leica V-LUX Typ 114||Panasonic TZ200|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||1240k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica V-LUX Typ 114||Panasonic TZ200|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Leica V-LUX Typ 114||Panasonic TZ200|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica V-LUX Typ 114||Panasonic TZ200|
|Battery Life (CIPA)||360 shots per charge||370 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
137 x 99 x 131 mm
(5.4 x 3.9 x 5.2 in)
111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in)
|Camera Weight||830 g (29.3 oz)||340 g (12.0 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.