Leica V-LUX 2 vs Sony A7 IV

The Leica V-LUX 2 and the Sony Alpha A7 IV are two digital cameras that were revealed to the public, respectively, in September 2010 and October 2021. The V-LUX 2 is a fixed lens compact, while the A7 IV is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (V-LUX 2) and a full frame (A7 IV) sensor. The Leica has a resolution of 14 megapixels, whereas the Sony provides 32.7 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica V-LUX 2		Sony A7 IV
Fixed lens compact camera		Mirrorless system camera
25-600mm f/2.8-5.2		Sony E mount lenses
14 MP – 1/2.3" sensor		32.7 MP – Full Frame sensor
1080/60i Video		4K/60p Video
ISO 100-1,600 (100 - 6,400)		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (202k dots)		Electronic viewfinder (3686k dots)
3.0" LCD – 460k dots		3.0" LCD – 1037k dots
Swivel screen (not touch-sensitive)		Swivel touchscreen
11 shutter flaps per second		10 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
410 shots per battery charge		580 shots per battery charge
124 x 80 x 95 mm, 520 g		131 x 96 x 80 mm, 659 g

Check V-LUX 2 offers at
ebay.com
Check A7 IV price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 2 and the Sony Alpha A7 IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Leica V-LUX 2 and the Sony A7 IV are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 IV is notably larger (27 percent) than the Leica V-LUX 2. It is noteworthy in this context that the A7 IV is splash and dust-proof, while the V-LUX 2 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 2 has a lens built in, whereas the A7 IV is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7 IV and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the V-LUX 2 gets 410 shots out of its Leica BP-DC9 battery, while the A7 IV can take 580 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A7 IV can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Leica V-LUX 2	124 mm	80 mm	95 mm	520 g	410	n	Sep 2010	US$ 849	ebay.com
2.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	US$ 2 499	amazon.com
3.		Canon G1 X Mark II	116 mm	74 mm	66 mm	553 g	240	n	Feb 2014	US$ 799	ebay.com
4.		Canon SX20	123 mm	88 mm	87 mm	600 g	..	n	Aug 2009	US$ 399	ebay.com
5.		Canon SX30	123 mm	92 mm	108 mm	601 g	370	n	Sep 2010	US$ 429	ebay.com
6.		Canon SX40	123 mm	92 mm	108 mm	600 g	380	n	Sep 2011	US$ 429	ebay.com
7.		Leica V-LUX 1	141 mm	86 mm	142 mm	734 g	360	n	Sep 2006	US$ 849	ebay.com
8.		Leica V-LUX 3	124 mm	81 mm	95 mm	540 g	410	n	Dec 2011	US$ 949	ebay.com
9.		Leica V-LUX 4	125 mm	87 mm	110 mm	588 g	540	n	Sep 2012	US$ 949	ebay.com
10.		Leica X Typ 113	133 mm	73 mm	78 mm	486 g	350	n	Sep 2014	US$ 2 299	ebay.com
11.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	US$ 499	ebay.com
12.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	US$ 499	ebay.com
13.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	US$ 6 499	amazon.com
14.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	US$ 1 999	amazon.com
15.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	US$ 3 199	amazon.com
16.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	US$ 3 899	amazon.com
17.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	US$ 3 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The V-LUX 2 was launched at a lower price than the A7 IV, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Leica V-LUX 2 features a 1/2.3-inch sensor and the Sony A7 IV a full frame sensor. The sensor area in the A7 IV is 2964 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the V-LUX 2 has a native 4:3 aspect ratio, while the one in the A7 IV offers a 3:2 aspect.

With 32.7MP, the A7 IV offers a higher resolution than the V-LUX 2 (14MP), but the A7 IV nevertheless has larger individual pixels (pixel pitch of 5.12μm versus 1.41μm for the V-LUX 2) due to its larger sensor. Moreover, the A7 IV is a much more recent model (by 11 years and 1 month) than the V-LUX 2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Sony A7 IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 IV for good quality output (200 dots per inch) amounts to 35 x 23.4 inches or 89 x 59.3 cm, for very good quality (250 dpi) 28 x 18.7 inches or 71.2 x 47.5 cm, and for excellent quality (300 dpi) 23.4 x 15.6 inches or 59.3 x 39.6 cm. The corresponding values for the Leica V-LUX 2 are 21.6 x 16.2 inches or 54.9 x 41.1 cm for good quality, 17.3 x 13 inches or 43.9 x 32.9 cm for very good quality, and 14.4 x 10.8 inches or 36.6 x 27.4 cm for excellent quality prints.

The A7 IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Leica V-LUX 2 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha A7 IV are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

In terms of underlying technology, the V-LUX 2 is build around a CMOS sensor, while the A7 IV uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica V-LUX 2	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	321	39
2.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
3.		Canon G1 X Mark II	1.5-inch	13.0	4160	3120	1080/30p	21.5	10.8	581	58
4.		Canon SX20	1/2.3	12.0	4000	3000	720/30p	19.2	10.5	225	37
5.		Canon SX30	1/2.3	14.0	4320	3240	720/30p	19.4	10.7	320	39
6.		Canon SX40	1/2.3	12.0	4000	3000	1080/24p	19.6	10.9	409	41
7.		Leica V-LUX 1	1/1.8	10.0	3648	2736	480/30p	18.4	9.5	-727	29
8.		Leica V-LUX 3	1/2.3	12.0	4000	3000	1080/60p	19.7	11.0	430	42
9.		Leica V-LUX 4	1/2.3	12.0	4000	3000	1080/60p	19.8	11.1	501	43
10.		Leica X Typ 113	APS-C	16.1	4928	3264	1080/30p	23.6	12.8	1491	78
11.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
12.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
13.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
14.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
15.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
16.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
17.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7 IV provides a better video resolution than the V-LUX 2. It can shoot movie footage at 4K/60p, while the Leica is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 IV offers a substantially higher resolution than the one in the V-LUX 2 (3686k vs 202k dots). The following table reports on some other key feature differences and similarities of the Leica V-LUX 2, the Sony A7 IV, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica V-LUX 2	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
2.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
3.		Canon G1 X Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	5.2/s	Y	Y
4.		Canon SX20	202	n	2.5 / 230	swivel	n	1/3200s	0.7/s	Y	Y
5.		Canon SX30	202	n	2.7 / 230	swivel	n	1/3200s	0.6/s	Y	Y
6.		Canon SX40	202	n	2.7 / 230	swivel	n	1/3200s	10.3/s	Y	Y
7.		Leica V-LUX 1	235	n	2.0 / 207	tilting	n	1/2000s	2.0/s	Y	Y
8.		Leica V-LUX 3	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
9.		Leica V-LUX 4	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
10.		Leica X Typ 113	optional	n	3.0 / 920	fixed	n	1/2000s	5.0/s	Y	n
11.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
12.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
13.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
17.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The V-LUX 2 has one, while the A7 IV does not. While the built-in flash of the V-LUX 2 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7 IV is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The V-LUX 2 writes its imaging data to SDXC cards, while the A7 IV uses CFexpress (type A) or SDXC cards. The A7 IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the V-LUX 2 only has one slot. The A7 IV supports UHS-II cards (on both slots), while the V-LUX 2 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 2 and Sony Alpha A7 IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica V-LUX 2	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon G1 X Mark II	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
4.		Canon SX20	Y	stereo / mono	-	-	YES	2.0	-	-	-
5.		Canon SX30	Y	stereo / mono	-	-	YES	2.0	-	-	-
6.		Canon SX40	Y	stereo / mono	-	-	YES	2.0	-	-	-
7.		Leica V-LUX 1	Y	mono / mono	-	-	-	2.0	-	-	-
8.		Leica V-LUX 3	Y	stereo / -	-	-	mini	2.0	-	-	-
9.		Leica V-LUX 4	Y	stereo / mono	Y	-	mini	2.0	-	-	-
10.		Leica X Typ 113	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
13.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
16.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the A7 IV offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the V-LUX 2 does not provide wifi capability.

The A7 IV is a recent model that features in the current product line-up of Sony. In contrast, the V-LUX 2 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the V-LUX 2 was succeeded by the Leica V-LUX 3. Further information on the features and operation of the V-LUX 2 and A7 IV can be found, respectively, in the Leica V-LUX 2 Manual (free pdf) or the online Sony A7 IV Manual.

Review summary

So how do things add up? Which of the two cameras – the Leica V-LUX 2 or the Sony A7 IV – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Leica V-LUX 2:

• Ready to shoot: Has a lens built-in, whereas the A7 IV requires a separate lens.
• More compact: Is smaller (124x80mm vs 131x96mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7 IV).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in September 2010).

Reasons to prefer the Sony Alpha A7 IV:

• More detail: Has more megapixels (32.7 vs 14MP), which boosts linear resolution by 56%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/60p vs 1080/60i).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 202k dots).
• More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (580 versus 410) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 11 years and 1 month of technical progress since the V-LUX 2 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A7 IV is the clear winner of the contest (25 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica V-LUX 2 and the Sony A7 IV place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the V-LUX 2 or the A7 IV. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Leica V-LUX 2	..	..	..	..	..	..	Sep 2010	US$ 849	ebay.com
2.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	US$ 2 499	amazon.com
3.		Canon G1 X Mark II	3/5	+	..	77/100	4/5	4.5/5	Feb 2014	US$ 799	ebay.com
4.		Canon SX20	..	+ +	..	73/100	..	4/5	Aug 2009	US$ 399	ebay.com
5.		Canon SX30	3/5	+ +	..	..	3.5/5	4/5	Sep 2010	US$ 429	ebay.com
6.		Canon SX40	..	+	..	..	4.5/5	4/5	Sep 2011	US$ 429	ebay.com
7.		Leica V-LUX 1	..	..	..	..	..	..	Sep 2006	US$ 849	ebay.com
8.		Leica V-LUX 3	..	..	..	..	..	..	Dec 2011	US$ 949	ebay.com
9.		Leica V-LUX 4	..	..	..	..	..	..	Sep 2012	US$ 949	ebay.com
10.		Leica X Typ 113	3.5/5	..	..	..	3.5/5	4/5	Sep 2014	US$ 2 299	ebay.com
11.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
12.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	US$ 499	ebay.com
13.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	US$ 6 499	amazon.com
14.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	US$ 1 999	amazon.com
15.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	US$ 3 199	amazon.com
16.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	US$ 3 899	amazon.com
17.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	US$ 3 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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