Leica SL2 vs Pentax K-5 II
The Leica SL2 and the Pentax K-5 II are two enthusiast cameras that were officially introduced, respectively, in November 2019 and September 2012. The SL2 is a mirrorless interchangeable lens camera, while the K-5 II is a DSLR. The cameras are based on a full frame (SL2) and an APS-C (K-5 II) sensor. The Leica has a resolution of 46.7 megapixels, whereas the Pentax provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica SL2 and the Pentax K-5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica SL2 and the Pentax K-5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-5 II is notably smaller (19 percent) than the Leica SL2. Moreover, the K-5 II is markedly lighter (20 percent) than the SL2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the SL2 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica SL2||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999||amazon.com|
|2.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099||ebay.com|
|3.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899||amazon.com|
|4.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895||amazon.com|
|5.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995||amazon.com|
|6.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||ebay.com|
|7.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399||ebay.com|
|8.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499||amazon.com|
|9.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||amazon.com|
|10.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999||amazon.com|
|11.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999||amazon.com|
|12.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099||ebay.com|
|13.||Pentax K-50||130 mm||97 mm||71 mm||650 g||410||Y||Jun 2013||599||ebay.com|
|14.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299||ebay.com|
|15.||Pentax K-30||130 mm||97 mm||71 mm||650 g||410||Y||May 2012||849||ebay.com|
|16.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099||ebay.com|
|17.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The K-5 II was launched at a markedly lower price (by 82 percent) than the SL2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica SL2 features a full frame sensor and the Pentax K-5 II an APS-C sensor. The sensor area in the K-5 II is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 46.7MP, the SL2 offers a higher resolution than the K-5 II (16.1MP), but the SL2 has smaller individual pixels (pixel pitch of 4.30μm versus 4.81μm for the K-5 II). However, the SL2 is a much more recent model (by 7 years and 1 month) than the K-5 II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the SL2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica SL2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL2 for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inches or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inches or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inches or 70.8 x 47.3 cm. The corresponding values for the Pentax K-5 II are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
Unlike the K-5 II, the SL2 has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica SL2 has a native sensitivity range from ISO 100 to ISO 50000, which can be extended to ISO 50-50000. The corresponding ISO settings for the Pentax K-5 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 80-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Leica SL2||Full Frame||46.7||8368||5584||4K/60p||25.3||14.3||2866||95|
|2.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
|3.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|4.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|5.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|6.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|7.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|8.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|9.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|10.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|11.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||25.1||14.0||2698||93|
|12.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|17.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the SL2 provides a higher video resolution than the K-5 II. It can shoot video footage at 4K/60p, while the Pentax is limited to 1080/25p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the SL2 has an electronic viewfinder (5760k dots), while the K-5 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the SL2 has a higher magnification than the one of the K-5 II (0.78x vs 0.61x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Leica SL2 and Pentax K-5 II in connection with corresponding information for a sample of similar cameras.
|1.||Leica SL2||5760||Y||3.2 / 2100||fixed||Y||1/8000s||10.0/s||n||Y|
|2.||Pentax K-5 II||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0/s||Y||Y|
|3.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||Y|
|5.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|6.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|7.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|8.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|9.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|10.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0/s||n||Y|
|11.||Pentax K-1 II||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4/s||n||Y|
|12.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||n||Y|
|13.||Pentax K-50||optical||n||3.0 / 921||fixed||n||1/6000s||6.0/s||Y||Y|
|14.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||Y||Y|
|15.||Pentax K-30||optical||n||3.0 / 921||fixed||n||1/6000s||6.0/s||Y||Y|
|16.||Pentax K-5||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0/s||Y||Y|
|17.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The SL2 has a touchscreen, while the K-5 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the SL2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica SL2 and the Pentax K-5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL2 and the K-5 II write their files to SDXC cards. The SL2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the K-5 II only has one slot. The SL2 supports UHS-II cards (on both slots), while the K-5 II cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica SL2 and Pentax K-5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica SL2||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|2.||Pentax K-5 II||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|3.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|5.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|6.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|7.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|8.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|9.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|10.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|11.||Pentax K-1 II||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|12.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|13.||Pentax K-50||Y||mono / mono||-||-||micro||2.0||-||-||-|
|14.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|15.||Pentax K-30||Y||mono / mono||-||-||-||2.0||-||-||-|
|16.||Pentax K-5||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
It is notable that the SL2 has a headphone jack, which is not present on the K-5 II This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The SL2 is a recent model that features in the current product line-up of Leica. In contrast, the K-5 II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the K-5 II was succeeded by the Pentax K-3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Pentax websites.
So what is the bottom line? Which of the two cameras – the Leica SL2 or the Pentax K-5 II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Leica SL2:
- More detail: Offers more megapixels (46.7 vs 16.1MP) with a 70% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/25p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.61x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 7 years and 1 month of technical progress since the K-5 II launch.
Advantages of the Pentax K-5 II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (131x97mm vs 146x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 193g or 20 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (740 versus 370) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (82 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the SL2 is the clear winner of the match-up (26 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica SL2 and the Pentax K-5 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the SL2 or the K-5 II perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica SL2||4/5||..||4.5/5||..||4.5/5||4/5||Nov 2019||5,999||amazon.com|
|2.||Pentax K-5 II||5/5||..||..||80/100||5/5||4.5/5||Sep 2012||1,099||ebay.com|
|3.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899||amazon.com|
|4.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895||amazon.com|
|5.||Leica Q2||..||..||4.5/5||84/100||4.5/5||4/5||Mar 2019||4,995||amazon.com|
|6.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450||ebay.com|
|7.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399||ebay.com|
|8.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499||amazon.com|
|9.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699||amazon.com|
|10.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999||amazon.com|
|11.||Pentax K-1 II||..||..||4.5/5||79/100||4.5/5||4.5/5||Feb 2018||1,999||amazon.com|
|12.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099||ebay.com|
|13.||Pentax K-50||5/5||..||..||..||5/5||4.5/5||Jun 2013||599||ebay.com|
|14.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299||ebay.com|
|15.||Pentax K-30||4/5||..||..||78/100||4.5/5||4.5/5||May 2012||849||ebay.com|
|16.||Pentax K-5||4/5||..||..||83/100||5/5||4.5/5||Sep 2010||1,099||ebay.com|
|17.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G5 X Mark II vs Pentax K-5 II
- Fujifilm GFX 50R vs Pentax K-5 II
- Fujifilm GFX 50S II vs Leica SL2
- Fujifilm X100V vs Leica SL2
- Leica SL2 vs Panasonic GX850
- Leica SL2 vs Ricoh WG-6
- Leica SL2 vs Sony A99 II
- Leica SL2 vs Sony RX1R II
- Nikon Z5 vs Pentax K-5 II
- Panasonic LX7 vs Pentax K-5 II
- Panasonic ZS200 vs Pentax K-5 II
- Pentax K-5 II vs Sony A1
Specifications: Leica SL2 vs Pentax K-5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica SL2||Pentax K-5 II|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Leica L mount lenses||Pentax K mount lenses|
|Launch Date||November 2019||September 2012|
|Launch Price||USD 5,999||USD 1,099|
|Sensor Specs||Leica SL2||Pentax K-5 II|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.7 x 15.7 mm|
|Sensor Area||864 mm2||372.09 mm2|
|Sensor Diagonal||43.3 mm||28.4 mm|
|Sensor Resolution||46.7 Megapixels||16.1 Megapixels|
|Image Resolution||8368 x 5584 pixels||4928 x 3264 pixels|
|Pixel Pitch||4.30 μm||4.81 μm|
|Pixel Density||5.41 MP/cm2||4.32 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||1080/25p Video|
|ISO Setting||100 - 50,000 ISO||100 - 12,800 ISO|
|ISO Boost||50 - 50,000 ISO||80 - 51,200 ISO|
|Image Processor||Maestro III||PRIME II|
|DXO Sensor Quality (score)||..||82|
|DXO Color Depth (bits)||..||23.8|
|DXO Dynamic Range (EV)||..||14.1|
|DXO Low Light (ISO)||..||1235|
|Screen Specs||Leica SL2||Pentax K-5 II|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Leica SL2||Pentax K-5 II|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||7 shutter flaps/s|
|Shutter Life Expectancy||400 000 actuations||100 000 actuations|
|Electronic Shutter||up to 1/40000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Leica SL2||Pentax K-5 II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Leica SL2||Pentax K-5 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||370 shots per charge||740 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
146 x 107 x 42 mm
(5.7 x 4.2 x 1.7 in)
131 x 97 x 73 mm
(5.2 x 3.8 x 2.9 in)
|Camera Weight||953 g (33.6 oz)||760 g (26.8 oz)|
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