Leica SL2 vs Nikon Z50
The Leica SL2 and the Nikon Z50 are two digital cameras that were officially introduced, respectively, in November 2019 and October 2019. Both the SL2 and the Z50 are mirrorless interchangeable lens cameras that are based on a full frame (SL2) and an APS-C (Z50) sensor. The Leica has a resolution of 46.7 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica SL2 and the Nikon Z50? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica SL2 and the Nikon Z50 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z50 is notably smaller (24 percent) than the Leica SL2. Moreover, the Z50 is substantially lighter (53 percent) than the SL2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Leica SL2||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999|
|2.||Nikon Z50||127 mm||94 mm||60 mm||450 g||320||Y||Oct 2019||859|
|3.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|4.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895|
|5.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|6.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|7.||Nikon Z fc||135 mm||94 mm||44 mm||445 g||300||n||Jun 2021||959|
|8.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|9.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899|
|10.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|11.||Olympus E-M1X||144 mm||147 mm||75 mm||997 g||870||Y||Jan 2019||2,999|
|12.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|13.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699|
|14.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999|
|15.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999|
|16.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|17.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Z50 was launched at a markedly lower price (by 86 percent) than the SL2, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica SL2 features a full frame sensor and the Nikon Z50 an APS-C sensor. The sensor area in the Z50 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 46.7MP, the SL2 offers a higher resolution than the Z50 (20.7MP), but the SL2 nevertheless has marginally larger individual pixels (pixel pitch of 4.30μm versus 4.22μm for the Z50) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Leica SL2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL2 for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inches or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inches or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inches or 70.8 x 47.3 cm. The corresponding values for the Nikon Z50 are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.
The Z50 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the Z50, the SL2 has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica SL2 has a native sensitivity range from ISO 100 to ISO 50000, which can be extended to ISO 50-50000. The corresponding ISO settings for the Nikon Z50 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 100-204800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Leica SL2||Full Frame||46.7||8368||5584||4K/60p||25.3||14.3||2866||95|
|4.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|5.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|6.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|7.||Nikon Z fc||APS-C||20.7||5568||3712||4K/30p||24.2||13.8||2131||85|
|8.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|11.||Olympus E-M1X||Four Thirds||20.2||5184||3888||4K/30p||23.2||13.0||1254||75|
|12.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|13.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|14.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|15.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||25.1||14.0||2698||93|
|16.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the SL2 provides a higher frame rate than the Z50. It can shoot video footage at 4K/60p, while the Nikon is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the SL2 offers a substantially higher resolution than the one in the Z50 (5760k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Leica SL2, the Nikon Z50, and comparable cameras.
|1.||Leica SL2||5760||Y||3.2 / 2100||fixed||Y||1/8000s||10.0/s||n||Y|
|2.||Nikon Z50||2360||n||3.2 / 1040||tilting||Y||1/4000s||11.0/s||Y||n|
|3.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|4.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||Y|
|5.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|6.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|7.||Nikon Z fc||2360||Y||3.0 / 1040||swivel||Y||1/4000s||11.0/s||n||n|
|8.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|9.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|10.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0/s||Y||n|
|11.||Olympus E-M1X||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|12.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|13.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|14.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0/s||n||Y|
|15.||Pentax K-1 II||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4/s||n||Y|
|16.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|17.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the SL2, but is missing on the Z50 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The Z50 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SL2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica SL2 and the Nikon Z50 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL2 and the Z50 write their files to SDXC cards. The SL2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z50 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica SL2 and Nikon Z50 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica SL2||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|2.||Nikon Z50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|3.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|5.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|6.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|7.||Nikon Z fc||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|8.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|9.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|10.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|11.||Olympus E-M1X||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|12.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|13.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|14.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|15.||Pentax K-1 II||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|16.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|17.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the SL2 has a headphone jack, which is not present on the Z50 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Leica SL2 (unlike the Z50) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SL2 and the Z50 are recent models that are part of the current product line-up. The SL2 replaced the earlier Leica SL (Typ 601), while the Z50 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Nikon websites.
So how do things add up? Is the Leica SL2 better than the Nikon Z50 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Leica SL2:
- More detail: Offers more megapixels (46.7 vs 20.7MP) with a 50% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.68x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Can take more shots (370 versus 320) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
Reasons to prefer the Nikon Z50:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (127x94mm vs 146x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 503g or 53 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (86 percent cheaper at launch).
If the count of relative strengths (bullet points above) is taken as a measure, the SL2 is the clear winner of the match-up (20 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica SL2 and the Nikon Z50 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SL2 or the Z50. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica SL2||4/5||..||4.5/5||..||4.5/5||4/5||Nov 2019||5,999|
|2.||Nikon Z50||5/5||..||5/5||85/100||4.5/5||4.5/5||Oct 2019||859|
|3.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|4.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895|
|5.||Leica Q2||..||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|6.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|7.||Nikon Z fc||4/5||..||4.5/5||86/100||5/5||4.5/5||Jun 2021||959|
|8.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399|
|9.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|10.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|11.||Olympus E-M1X||4.5/5||o||5/5||85/100||4.5/5||..||Jan 2019||2,999|
|12.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|13.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699|
|14.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999|
|15.||Pentax K-1 II||..||..||4.5/5||79/100||4.5/5||4.5/5||Feb 2018||1,999|
|16.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|17.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 750D vs Nikon Z50
- Canon 90D vs Leica SL2
- Canon R5 vs Nikon Z50
- Canon SX700 vs Leica SL2
- Fujifilm GFX 100S vs Nikon Z50
- Fujifilm X-A1 vs Leica SL2
- Fujifilm X-T4 vs Nikon Z50
- Fujifilm XP130 vs Nikon Z50
- Leica SL2 vs Olympus E-M10 III
- Leica SL2 vs Panasonic G90
- Leica SL2 vs Pentax K-S2
- Nikon Z50 vs Olympus E-M10 IV
Specifications: Leica SL2 vs Nikon Z50
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica SL2||Nikon Z50|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Leica L mount lenses|
|Launch Date||November 2019||October 2019|
|Launch Price||USD 5,999||USD 859|
|Sensor Specs||Leica SL2||Nikon Z50|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.5 x 15.7 mm|
|Sensor Area||864 mm2||368.95 mm2|
|Sensor Diagonal||43.3 mm||28.3 mm|
|Sensor Resolution||46.7 Megapixels||20.7 Megapixels|
|Image Resolution||8368 x 5584 pixels||5568 x 3712 pixels|
|Pixel Pitch||4.30 μm||4.22 μm|
|Pixel Density||5.41 MP/cm2||5.60 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||100 - 50,000 ISO||100 - 51,200 ISO|
|ISO Boost||50 - 50,000 ISO||100 - 204,800 ISO|
|Image Processor||Maestro III||EXPEED 6|
|Screen Specs||Leica SL2||Nikon Z50|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||2100k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica SL2||Nikon Z50|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/40000s||up to 1/4000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-II|
|Connectivity Specs||Leica SL2||Nikon Z50|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Leica SL2||Nikon Z50|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||370 shots per charge||320 shots per charge|
|In-Camera Charging||USB charging||USB charging|
146 x 107 x 42 mm
(5.7 x 4.2 x 1.7 in)
127 x 94 x 60 mm
(5.0 x 3.7 x 2.4 in)
|Camera Weight||953 g (33.6 oz)||450 g (15.9 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.