Leica S2 vs Sony A9
The Leica S2 and the Sony Alpha A9 are two professional cameras that were revealed to the public, respectively, in September 2008 and April 2017. The S2 is a DSLR, while the A9 is a mirrorless interchangeable lens camera. The cameras are based on a medium format (S2) and a full frame (A9) sensor. The Leica has a resolution of 37.5 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica S2||Sony A9|
|Digital single lens reflex||Mirrorless system camera|
|Leica S mount lenses||Sony E mount lenses|
|37.5 MP, Medium Format Sensor||24 MP, Full Frame Sensor|
|no Video||4K/30p Video|
|ISO 80-1250||ISO 100-51200 (50-204800)|
|Optical viewfinder||Electronic viewfinder (3686k dots)|
|3.0" LCD, 460k dots||3.0" LCD, 1440k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|1.5 shutter flaps per second||20 shutter flaps per second|
|No shake reduction||In-body stabilization|
|Weathersealed body||Weathersealed body|
|160 x 120 x 80 mm, 1410 g||127 x 96 x 63 mm, 673 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica S2 and the Sony Alpha A9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica S2 and the Sony A9. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 is considerably smaller (36 percent) than the Leica S2. Moreover, the A9 is substantially lighter (52 percent) than the S2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the A9 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica S2»||6.3 in||4.7 in||3.1 in||49.7 oz||..||Y||Sep 2008||22,995||-||Leica S2|
|Sony A9«||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||-||Sony A9|
|Canon 1D Mark IV« »||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Leica S3« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2018||24,490||Leica S3|
|Leica S-E Typ 006« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2014||16,900||-||Leica S-E Typ 006|
|Leica S Typ 007« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2014||24,490||Leica S Typ 007|
|Leica S Typ 006« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2012||21,950||-||Leica S Typ 006|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Nikon D3S« »||6.3 in||6.2 in||3.5 in||43.7 oz||4200||Y||Oct 2009||5,199||-||Nikon D3S|
|Nikon D3X« »||6.3 in||6.2 in||3.5 in||44.4 oz||4400||Y||Dec 2008||7,999||-||Nikon D3X|
|Nikon D3« »||6.3 in||6.2 in||3.5 in||45.9 oz||4300||Y||Aug 2007||4,999||-||Nikon D3|
|Pentax 645D« »||6.1 in||4.6 in||4.7 in||52.2 oz||800||Y||Mar 2010||9,995||-||Pentax 645D|
|Sony A9 II« »||5.1 in||3.8 in||3.0 in||23.9 oz||690||Y||Oct 2019||4,499||Sony A9 II|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||-||Sony A7R III|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A9 was launched at a markedly lower price (by 80 percent) than the S2, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica S2 features a medium format sensor and the Sony A9 a full frame sensor. The sensor area in the A9 is 37 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.8 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 37.5MP, the S2 offers a higher resolution than the A9 (24MP), but the S2 nevertheless has marginally larger individual pixels (pixel pitch of 6.00μm versus 5.94μm for the A9) due to its larger sensor. However, the A9 is a much more recent model (by 8 years and 6 months) than the S2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica S2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S2 for good quality output (200 dots per inch) amounts to 37.5 x 25 inch or 95.3 x 63.5 cm, for very good quality (250 dpi) 30 x 20 inch or 76.2 x 50.8 cm, and for excellent quality (300 dpi) 25 x 16.7 inch or 63.5 x 42.3 cm. The corresponding values for the Sony A9 are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
The A9 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica S2 has a native sensitivity range from ISO 80 to ISO 1250. The corresponding ISO settings for the Sony Alpha A9 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica S2»||Medium Format||37.5||7500||5000||-||-||-||-||-||Leica S2|
|Sony A9«||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Leica S3« »||Medium Format||64.0||9800||6533||4K/24p||-||-||-||-||Leica S3|
|Leica S-E Typ 006« »||Medium Format||37.5||7500||5000||-||-||-||-||-||Leica S-E Typ 006|
|Leica S Typ 007« »||Medium Format||37.5||7500||5000||4K/24p||-||-||-||-||Leica S Typ 007|
|Leica S Typ 006« »||Medium Format||37.5||7500||5000||-||23.9||12.2||824||76||Leica S Typ 006|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Nikon D3S« »||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82||Nikon D3S|
|Nikon D3X« »||Full Frame||24.4||6048||4032||-||24.7||13.7||1992||88||Nikon D3X|
|Nikon D3« »||Full Frame||12.1||4256||2832||-||23.5||12.2||2290||81||Nikon D3|
|Pentax 645D« »||Medium Format||39.5||7264||5440||-||24.6||12.6||1262||82||Pentax 645D|
|Sony A9 II« »||Full Frame||24.0||6000||4000||4K/30p||-||-||-||-||Sony A9 II|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
Many modern cameras are not only capable of taking still images, but can also record movies. The A9 indeed provides for movie recording, while the S2 does not. The highest resolution format that the A9 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A9 has an electronic viewfinder (3686k dots), while the S2 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A9 offers a wider field of view (100%) than the one in the S2 (96%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the S2 has a higher magnification (0.86x vs 0.78x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Leica S2, the Sony A9, and comparable cameras.
|Leica S2»||optical||Y||3.0||460||fixed||n||1/4000s||1.5||n||n||Leica S2|
|Sony A9«||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Leica S3« »||optical||Y||3.0||922||fixed||n||1/4000s||3.0||n||n||Leica S3|
|Leica S-E Typ 006« »||optical||Y||3.0||922||fixed||n||1/4000s||1.5||n||n||Leica S-E Typ 006|
|Leica S Typ 007« »||optical||Y||3.0||922||fixed||n||1/4000s||3.5||n||n||Leica S Typ 007|
|Leica S Typ 006« »||optical||Y||3.0||922||fixed||n||1/4000s||1.5||n||n||Leica S Typ 006|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Nikon D3S« »||optical||Y||3.0||921||fixed||n||1/8000s||11.0||n||n||Nikon D3S|
|Nikon D3X« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||n||Nikon D3X|
|Nikon D3« »||optical||Y||3.0||922||fixed||n||1/8000s||11.0||n||n||Nikon D3|
|Pentax 645D« »||optical||Y||3.0||921||fixed||n||1/4000s||1.1||n||n||Pentax 645D|
|Sony A9 II« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A9 II|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
One feature that is present on the S2, but is missing on the A9 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The S2 writes its imaging data to Compact Flash or SDHC cards, while the A9 uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The A9 supports UHS-II cards on its first slot and UHS-I on its second one, while the S2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica S2 and Sony Alpha A9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica S2»||Y||-||-||-||-||mini||2.0||-||-||-||Leica S2|
|Sony A9«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Leica S3« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S3|
|Leica S-E Typ 006« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica S-E Typ 006|
|Leica S Typ 007« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S Typ 007|
|Leica S Typ 006« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica S Typ 006|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Nikon D3S« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Nikon D3S|
|Nikon D3X« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3X|
|Nikon D3« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3|
|Pentax 645D« »||Y||stereo||-||-||-||-||2.0||-||-||-||Pentax 645D|
|Sony A9 II« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A9 II|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
It is notable that the A9 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the S2 does not offer wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The A9 is a recent model that features in the current product line-up of Sony. In contrast, the S2 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the S2 was succeeded by the Leica S Typ 006. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what is the bottom line? Is the Leica S2 better than the Sony A9 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Leica S2:
- More detail: Offers more megapixels (37.5 vs 24MP) with a 25% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.86x vs 0.78x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Arguments in favor of the Sony Alpha A9:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (127x96mm vs 160x120mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 737g or 52 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More modern: Reflects 8 years and 6 months of technical progress since the S2 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A9 is the clear winner of the contest (21 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica S2 and the Sony A9 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the S2 or the A9. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica S2»||-||-||-||-||-||Sep 2008||22,995||-||Leica S2|
|Sony A9«||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||-||Sony A9|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Leica S3« »||-||-||-||-||-||Sep 2018||24,490||Leica S3|
|Leica S-E Typ 006« »||-||-||-||-||-||Sep 2014||16,900||-||Leica S-E Typ 006|
|Leica S Typ 007« »||-||-||-||-||-||Sep 2014||24,490||Leica S Typ 007|
|Leica S Typ 006« »||-||-||-||-||-||Sep 2012||21,950||-||Leica S Typ 006|
|Nikon Z6« »||-||-||4.5/5||4.5/5||5/5||Aug 2018||1,999||Nikon Z6|
|Nikon D3S« »||-||89/100||4.5/5||5/5||5/5||Oct 2009||5,199||-||Nikon D3S|
|Nikon D3X« »||-||86/100||4/5||5/5||5/5||Dec 2008||7,999||-||Nikon D3X|
|Nikon D3« »||-||+ +||5/5||o||4.5/5||Aug 2007||4,999||-||Nikon D3|
|Pentax 645D« »||-||-||-||4.5/5||-||Mar 2010||9,995||-||Pentax 645D|
|Sony A9 II« »||-||-||-||-||-||Oct 2019||4,499||Sony A9 II|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||-||Sony A7R III|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Leica S2 vs Sony A9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica S2||Sony A9|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Leica S mount lenses||Sony E mount lenses|
|Launch Date||September 2008||April 2017|
|Launch Price||USD 22995||USD 4499|
|Sensor Specs||Leica S2||Sony A9|
|Sensor Format||Medium Format Sensor||Full Frame Sensor|
|Sensor Size||45.0 x 30.0 mm||35.6 x 23.8 mm|
|Sensor Area||1350 mm2||847.28 mm2|
|Sensor Diagonal||54.1 mm||42.8 mm|
|Sensor Resolution||37.5 Megapixels||24 Megapixels|
|Image Resolution||7500 x 5000 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.00 μm||5.94 μm|
|Pixel Density||2.78 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||80-1250 ISO||100-51200 ISO|
|ISO Boost||no Enhancement||50-204800 ISO|
|DXO Sensor Quality (score)||..||92|
|DXO Color Depth (bits)||..||24.9|
|DXO Dynamic Range (EV)||..||13.3|
|DXO Low Light (ISO)||..||3517|
|Screen Specs||Leica S2||Sony A9|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||96%||100%|
|Viewfinder Resolution||3686k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica S2||Sony A9|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||1.5 shutter flaps/s||20 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Image Stabilization||No shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDHC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Leica S2||Sony A9|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica S2||Sony A9|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|In-Camera Charging||no USB charging||USB charging|
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
127 x 96 x 63 mm
(5.0 x 3.8 x 2.5 in)
|Camera Weight||1410 g (49.7 oz)||673 g (23.7 oz)|
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