Leica S2 vs Panasonic TS7

The Leica S2 and the Panasonic Lumix DC-TS7 (labelled Panasonic FT7 in some countries) are two digital cameras that were officially introduced, respectively, in September 2008 and May 2018. The S2 is a DSLR, while the TS7 is a fixed lens compact. The cameras are based on a medium format (S2) and a 1/2.3-inch (TS7) sensor. The Leica has a resolution of 37.5 megapixels, whereas the Panasonic provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica S2		Panasonic TS7
Digital single lens reflex		Fixed lens compact camera
Leica S mount lenses		28-128mm f/3.3-5.9
37.5 MP – Medium Format sensor		20.2 MP – 1/2.3" sensor
no Video		4K/30p Video
ISO 80-1,250		ISO 80-3,200 (80 - 6,400)
Optical viewfinder		Electronic viewfinder (1170k dots)
3.0" LCD – 460k dots		3.0" LCD – 1040k dots
Fixed screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
1.5 shutter flaps per second		10 shutter flaps per second
Weathersealed body		Waterproof body (31m)
160 x 120 x 80 mm, 1410 g		117 x 76 x 37 mm, 319 g

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Check TS7 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Leica S2 and the Panasonic Lumix DC-TS7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Leica S2 and the Panasonic TS7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The TS7 can be obtained in three different colors (black, blue, orange), while the S2 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TS7 is considerably smaller (54 percent) than the Leica S2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TS7 is water-proof up to 31m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TS7 has a lens built in, whereas the S2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the S2 gets .. shots out of its Leica BP-PRO1 battery, while the TS7 can take 300 images on a single charge of its Panasonic DMW-BCM13 power pack. The power pack in the TS7 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Leica S2	160 mm	120 mm	80 mm	1410 g	..	Y	Sep 2008	22,995	ebay.com
2.		Panasonic TS7	117 mm	76 mm	37 mm	319 g	300	Y	May 2018	449	ebay.com
3.		Canon 1Ds Mark III	150 mm	160 mm	80 mm	1385 g	1800	Y	Aug 2007	7,999	ebay.com
4.		Canon SX730	110 mm	64 mm	40 mm	300 g	250	n	Apr 2017	399	ebay.com
5.		Leica S1	339 mm	214 mm	119 mm	2500 g	..	n	Aug 1996	21,490	ebay.com
6.		Leica S3	160 mm	120 mm	80 mm	1260 g	..	Y	Sep 2018	18,995	ebay.com
7.		Leica S Typ 006	160 mm	120 mm	80 mm	1260 g	..	Y	Sep 2012	21,950	ebay.com
8.		Leica S-E Typ 006	160 mm	120 mm	80 mm	1260 g	..	Y	Sep 2014	16,900	ebay.com
9.		Leica S Typ 007	160 mm	120 mm	80 mm	1260 g	..	Y	Sep 2014	24,490	ebay.com
10.		Nikon D3	160 mm	157 mm	88 mm	1300 g	4300	Y	Aug 2007	4,999	ebay.com
11.		Nikon D3S	160 mm	157 mm	88 mm	1240 g	4200	Y	Oct 2009	5,199	ebay.com
12.		Nikon D3X	160 mm	157 mm	88 mm	1260 g	4400	Y	Dec 2008	7,999	ebay.com
13.		Panasonic FZ80	130 mm	94 mm	119 mm	616 g	330	n	Jan 2017	399	ebay.com
14.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
15.		Panasonic ZS80	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	449	ebay.com
16.		Pentax 645D	156 mm	117 mm	119 mm	1480 g	800	Y	Mar 2010	9,995	ebay.com
17.		Ricoh WG-6	118 mm	66 mm	33 mm	246 g	340	Y	Feb 2019	399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TS7 was launched at a lower price than the S2, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Leica S2 features a medium format sensor and the Panasonic TS7 a 1/2.3-inch sensor. The sensor area in the TS7 is 98 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.8 and 5.6. The sensor in the S2 has a native 3:2 aspect ratio, while the one in the TS7 offers a 4:3 aspect.

With 37.5MP, the S2 offers a higher resolution than the TS7 (20.2MP), but the S2 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 1.18μm for the TS7) due to its larger sensor. However, the TS7 is a much more recent model (by 9 years and 7 months) than the S2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Leica S2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S2 for good quality output (200 dots per inch) amounts to 37.5 x 25 inches or 95.3 x 63.5 cm, for very good quality (250 dpi) 30 x 20 inches or 76.2 x 50.8 cm, and for excellent quality (300 dpi) 25 x 16.7 inches or 63.5 x 42.3 cm. The corresponding values for the Panasonic TS7 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The Leica S2 has a native sensitivity range from ISO 80 to ISO 1250. The corresponding ISO settings for the Panasonic Lumix DC-TS7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.

In terms of underlying technology, the S2 is build around a CCD sensor, while the TS7 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica S2	Medium Format	37.5	7500	5000	none	23.9	12.5	2224	82
2.		Panasonic TS7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
3.		Canon 1Ds Mark III	Full Frame	21.0	5616	3744	none	24.0	12.0	1663	80
4.		Canon SX730	1/2.3	20.2	5184	3888	1080/60p	20.5	11.9	924	50
5.		Leica S1	Medium Format	26.4	5140	5140	none	..	..	..	..
6.		Leica S3	Medium Format	64.0	9800	6533	4K/24p	25.6	14.4	3143	98
7.		Leica S Typ 006	Medium Format	37.5	7500	5000	none	23.9	12.2	824	76
8.		Leica S-E Typ 006	Medium Format	37.5	7500	5000	none	25.1	13.7	2763	93
9.		Leica S Typ 007	Medium Format	37.5	7500	5000	4K/24p	25.1	13.7	2763	93
10.		Nikon D3	Full Frame	12.1	4256	2832	none	23.5	12.2	2290	81
11.		Nikon D3S	Full Frame	12.1	4256	2832	720/24p	23.5	12.0	3253	82
12.		Nikon D3X	Full Frame	24.4	6048	4032	none	24.7	13.7	1992	88
13.		Panasonic FZ80	1/2.3	18.0	4896	3672	4K/30p	20.5	11.9	900	49
14.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
15.		Panasonic ZS80	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
16.		Pentax 645D	Medium Format	39.5	7264	5440	none	24.6	12.6	1262	82
17.		Ricoh WG-6	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1104	52
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The TS7 indeed provides for movie recording, while the S2 does not. The highest resolution format that the TS7 can use is 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the TS7 has an electronic viewfinder (1170k dots), while the S2 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the TS7 offers a wider field of view (100%) than the one in the S2 (96%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the S2 has a higher magnification (0.86x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica S2 and Panasonic TS7 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica S2	optical	Y	3.0 / 460	fixed	n	1/4000s	1.5/s	n	n
2.		Panasonic TS7	1170	n	3.0 / 1040	fixed	n	1/1300s	10.0/s	Y	Y
3.		Canon 1Ds Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	5.0/s	n	n
4.		Canon SX730	none	n	3.0 / 922	tilting	n	1/3200s	5.9/s	Y	Y
5.		Leica S1	optical	n	none / none	none	n	..	0.01/s	n	n
6.		Leica S3	optical	Y	3.0 / 922	fixed	n	1/4000s	3.0/s	n	n
7.		Leica S Typ 006	optical	Y	3.0 / 922	fixed	n	1/4000s	1.5/s	n	n
8.		Leica S-E Typ 006	optical	Y	3.0 / 922	fixed	n	1/4000s	1.5/s	n	n
9.		Leica S Typ 007	optical	Y	3.0 / 922	fixed	n	1/4000s	3.5/s	n	n
10.		Nikon D3	optical	Y	3.0 / 922	fixed	n	1/8000s	11.0/s	n	n
11.		Nikon D3S	optical	Y	3.0 / 921	fixed	n	1/8000s	11.0/s	n	n
12.		Nikon D3X	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0/s	n	n
13.		Panasonic FZ80	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
14.		Panasonic ZS70	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
15.		Panasonic ZS80	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
16.		Pentax 645D	optical	Y	3.0 / 921	fixed	n	1/4000s	1.1/s	n	n
17.		Ricoh WG-6	none	n	3.0 / 1040	fixed	n	1/4000s	1.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the S2, but is missing on the TS7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TS7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The S2 writes its imaging data to Compact Flash or SDHC cards, while the TS7 uses SDXC cards. The S2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the TS7 only has one slot. The TS7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the S2 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica S2 and Panasonic Lumix DC-TS7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica S2	Y	- / -	-	-	mini	2.0	-	-	-
2.		Panasonic TS7	-	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Canon 1Ds Mark III	Y	mono / -	-	-	-	2.0	-	-	-
4.		Canon SX730	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
5.		Leica S1	-	- / -	-	-	-	-	-	-	-
6.		Leica S3	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
7.		Leica S Typ 006	Y	- / -	-	-	mini	2.0	-	-	-
8.		Leica S-E Typ 006	Y	- / -	-	-	mini	2.0	-	-	-
9.		Leica S Typ 007	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
10.		Nikon D3	Y	- / -	-	-	mini	2.0	-	-	-
11.		Nikon D3S	Y	stereo / -	-	-	mini	2.0	-	-	-
12.		Nikon D3X	Y	- / -	-	-	mini	2.0	-	-	-
13.		Panasonic FZ80	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Panasonic ZS70	-	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Panasonic ZS80	-	stereo / mono	-	-	micro	2.0	Y	-	Y
16.		Pentax 645D	Y	stereo / -	-	-	-	2.0	-	-	-
17.		Ricoh WG-6	-	mono / mono	-	-	micro	3.0	-	-	-

It is notable that the S2 has a hotshoe, while the TS7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Leica S2 (unlike the TS7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the S2 and the TS7 have been discontinued, but can regularly be found used on ebay. The S2 was replaced by the Leica S Typ 006, while the TS7 does not have a direct successor. Further information on the features and operation of the S2 and TS7 can be found, respectively, in the Leica S2 Manual (free pdf) or the online Panasonic TS7 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Leica S2 and the Panasonic TS7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Leica S2:

• More detail: Offers more megapixels (37.5 vs 20.2MP) with a 39% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.86x vs 0.45x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1300s) to freeze action.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More heavily discounted: Has been available for much longer (launched in September 2008).

Arguments in favor of the Panasonic Lumix DC-TS7:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Broader imaging potential: Can capture not only stills but also 4K/30p video.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
• More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
• Faster burst: Shoots at higher frequency (10 vs 1.5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Ready to shoot: Comes with an integrated lens, while the S2 requires a separate lens.
• More compact: Is smaller (117x76mm vs 160x120mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the S2).
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 9 years and 7 months of technical progress since the S2 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the TS7 emerges as the winner of the match-up (18 : 16 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica S2 and the Panasonic TS7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the S2 and the TS7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Leica S2	..	..	..	..	..	..	Sep 2008	22,995	ebay.com
2.		Panasonic TS7	..	+	..	..	..	3.5/5	May 2018	449	ebay.com
3.		Canon 1Ds Mark III	..	..	..	+ +	4.5/5	..	Aug 2007	7,999	ebay.com
4.		Canon SX730	..	+	..	..	4/5	4/5	Apr 2017	399	ebay.com
5.		Leica S1	..	..	..	..	..	..	Aug 1996	21,490	ebay.com
6.		Leica S3	..	..	..	..	..	..	Sep 2018	18,995	ebay.com
7.		Leica S Typ 006	..	..	..	..	..	..	Sep 2012	21,950	ebay.com
8.		Leica S-E Typ 006	..	..	..	..	..	..	Sep 2014	16,900	ebay.com
9.		Leica S Typ 007	4/5	..	..	..	..	..	Sep 2014	24,490	ebay.com
10.		Nikon D3	..	..	..	+ +	5/5	4.5/5	Aug 2007	4,999	ebay.com
11.		Nikon D3S	5/5	..	..	89/100	4.5/5	5/5	Oct 2009	5,199	ebay.com
12.		Nikon D3X	..	..	..	86/100	4/5	5/5	Dec 2008	7,999	ebay.com
13.		Panasonic FZ80	..	+ +	..	..	4.5/5	4.5/5	Jan 2017	399	ebay.com
14.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	449	ebay.com
15.		Panasonic ZS80	..	+ +	..	..	4.5/5	..	Feb 2019	449	ebay.com
16.		Pentax 645D	5/5	..	..	..	..	..	Mar 2010	9,995	ebay.com
17.		Ricoh WG-6	..	..	..	..	3.5/5	3.5/5	Feb 2019	399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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