Leica S2 vs Panasonic G7
The Leica S2 and the Panasonic Lumix DMC-G7 are two digital cameras that were announced, respectively, in September 2008 and May 2015. The S2 is a DSLR, while the G7 is a mirrorless interchangeable lens camera. The cameras are based on a medium format (S2) and a Four Thirds (G7) sensor. The Leica has a resolution of 37.5 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica S2 and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica S2 and the Panasonic G7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The G7 can be obtained in two different colors (black, silver), while the S2 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is considerably smaller (44 percent) than the Leica S2. Moreover, the G7 is substantially lighter (71 percent) than the S2. It is worth mentioning in this context that the S2 is splash and dust resistant, while the G7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica S2||160 mm||120 mm||80 mm||1410 g||..||Y||Sep 2008||22,995||ebay.com|
|2.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||ebay.com|
|3.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999||ebay.com|
|4.||Leica S3||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2018||18,995||amazon.com|
|5.||Leica S-E Typ 006||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||16,900||ebay.com|
|6.||Leica S Typ 007||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||24,490||ebay.com|
|7.||Leica S Typ 006||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2012||21,950||ebay.com|
|8.||Leica S1||339 mm||214 mm||119 mm||2500 g||..||n||Aug 1996||21,490||ebay.com|
|9.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199||ebay.com|
|10.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999||ebay.com|
|11.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999||ebay.com|
|12.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||ebay.com|
|13.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|14.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749||ebay.com|
|15.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||ebay.com|
|16.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|17.||Pentax 645D||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G7 was launched at a markedly lower price (by 97 percent) than the S2, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica S2 features a medium format sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 83 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.8 and 2.0. The sensor in the S2 has a native 3:2 aspect ratio, while the one in the G7 offers a 4:3 aspect.
With 37.5MP, the S2 offers a higher resolution than the G7 (15.8MP), but the S2 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 3.77μm for the G7) due to its larger sensor. However, the G7 is a much more recent model (by 6 years and 7 months) than the S2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica S2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S2 for good quality output (200 dots per inch) amounts to 37.5 x 25 inches or 95.3 x 63.5 cm, for very good quality (250 dpi) 30 x 20 inches or 76.2 x 50.8 cm, and for excellent quality (300 dpi) 25 x 16.7 inches or 63.5 x 42.3 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Leica S2 has a native sensitivity range from ISO 80 to ISO 1250. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).
In terms of underlying technology, the S2 is build around a CCD sensor, while the G7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Leica S2||Medium Format||37.5||7500||5000||none||23.9||12.5||2224||82|
|2.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|3.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|4.||Leica S3||Medium Format||64.0||9800||6533||4K/24p||25.6||14.4||3143||98|
|5.||Leica S-E Typ 006||Medium Format||37.5||7500||5000||none||25.1||13.7||2763||93|
|6.||Leica S Typ 007||Medium Format||37.5||7500||5000||4K/24p||25.1||13.7||2763||93|
|7.||Leica S Typ 006||Medium Format||37.5||7500||5000||none||23.9||12.2||824||76|
|8.||Leica S1||Medium Format||26.4||5140||5140||none||..||..||..||..|
|9.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|10.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|11.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|12.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|13.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|14.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|15.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||21.4||11.6||618||61|
|16.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|17.||Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The G7 indeed provides for movie recording, while the S2 does not. The highest resolution format that the G7 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G7 has an electronic viewfinder (2360k dots), while the S2 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G7 offers a wider field of view (100%) than the one in the S2 (96%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the S2 has a higher magnification (0.86x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Leica S2 and Panasonic G7 in connection with corresponding information for a sample of similar cameras.
|1.||Leica S2||optical||Y||3.0 / 460||fixed||n||1/4000s||1.5/s||n||n|
|2.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|3.||Canon 1Ds Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||5.0/s||n||n|
|4.||Leica S3||optical||Y||3.0 / 922||fixed||n||1/4000s||3.0/s||n||n|
|5.||Leica S-E Typ 006||optical||Y||3.0 / 922||fixed||n||1/4000s||1.5/s||n||n|
|6.||Leica S Typ 007||optical||Y||3.0 / 922||fixed||n||1/4000s||3.5/s||n||n|
|7.||Leica S Typ 006||optical||Y||3.0 / 922||fixed||n||1/4000s||1.5/s||n||n|
|8.||Leica S1||optical||n||none / none||none||n||..||0.01/s||n||n|
|9.||Nikon D3S||optical||Y||3.0 / 921||fixed||n||1/8000s||11.0/s||n||n|
|10.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0/s||n||n|
|11.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0/s||n||n|
|12.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|13.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|14.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|15.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|16.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|17.||Pentax 645D||optical||Y||3.0 / 921||fixed||n||1/4000s||1.1/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the S2, but is missing on the G7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The G7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the S2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S2 writes its imaging data to Compact Flash or SDHC cards, while the G7 uses SDXC cards. The S2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G7 only has one slot. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the S2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica S2 and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica S2||Y||- / -||-||-||mini||2.0||-||-||-|
|2.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon 1Ds Mark III||Y||mono / -||-||-||-||2.0||-||-||-|
|4.||Leica S3||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|5.||Leica S-E Typ 006||Y||- / -||-||-||mini||2.0||-||-||-|
|6.||Leica S Typ 007||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|7.||Leica S Typ 006||Y||- / -||-||-||mini||2.0||-||-||-|
|8.||Leica S1||-||- / -||-||-||-||-||-||-||-|
|9.||Nikon D3S||Y||stereo / -||-||-||mini||2.0||-||-||-|
|10.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|14.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Pentax 645D||Y||stereo / -||-||-||-||2.0||-||-||-|
It is notable that the G7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the S2 does not provide wifi capability.
Studio photographers will appreciate that the Leica S2 (unlike the G7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the S2 and the G7 have been discontinued, but can regularly be found used on ebay. The S2 was replaced by the Leica S Typ 006, while the G7 was followed by the Panasonic G85. Further information on the features and operation of the S2 and G7 can be found, respectively, in the Leica S2 Manual (free pdf) or the online Panasonic G7 Manual.
So what is the bottom line? Is there a clear favorite between the Leica S2 and the Panasonic G7? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Leica S2:
- More detail: Offers more megapixels (37.5 vs 15.8MP) with a 57% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.86x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Advantages of the Panasonic Lumix DMC-G7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (125x86mm vs 160x120mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 1000g or 71 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More affordable: Was introduced into a lower priced category (97 percent cheaper at launch).
- More modern: Reflects 6 years and 7 months of technical progress since the S2 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the G7 is the clear winner of the contest (19 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica S2 and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the S2 and the G7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica S2||..||..||..||..||..||..||Sep 2008||22,995||ebay.com|
|2.||Panasonic G7||4/5||+ +||3.5/5||80/100||5/5||4.5/5||May 2015||649||ebay.com|
|3.||Canon 1Ds Mark III||..||..||..||+ +||4.5/5||..||Aug 2007||7,999||ebay.com|
|4.||Leica S3||..||..||..||..||..||..||Sep 2018||18,995||amazon.com|
|5.||Leica S-E Typ 006||..||..||..||..||..||..||Sep 2014||16,900||ebay.com|
|6.||Leica S Typ 007||4/5||..||..||..||..||..||Sep 2014||24,490||ebay.com|
|7.||Leica S Typ 006||..||..||..||..||..||..||Sep 2012||21,950||ebay.com|
|8.||Leica S1||..||..||..||..||..||..||Aug 1996||21,490||ebay.com|
|9.||Nikon D3S||5/5||..||..||89/100||4.5/5||5/5||Oct 2009||5,199||ebay.com|
|10.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999||ebay.com|
|11.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999||ebay.com|
|12.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749||ebay.com|
|13.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|14.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749||ebay.com|
|15.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|16.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|17.||Pentax 645D||5/5||..||..||..||..||..||Mar 2010||9,995||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Leica S2 vs Panasonic G7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica S2||Panasonic G7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Leica S mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2008||May 2015|
|Launch Price||USD 22,995||USD 649|
|Sensor Specs||Leica S2||Panasonic G7|
|Sensor Format||Medium Format Sensor||Four Thirds Sensor|
|Sensor Size||45.0 x 30.0 mm||17.3 x 13.0 mm|
|Sensor Area||1350 mm2||224.9 mm2|
|Sensor Diagonal||54.1 mm||21.6 mm|
|Sensor Resolution||37.5 Megapixels||15.8 Megapixels|
|Image Resolution||7500 x 5000 pixels||4592 x 3448 pixels|
|Pixel Pitch||6.00 μm||3.77 μm|
|Pixel Density||2.78 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||80 - 1,250 ISO||160 - 25,600 ISO|
|Screen Specs||Leica S2||Panasonic G7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||96%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica S2||Panasonic G7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||1.5 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|UHS card support||no||UHS-II|
|Connectivity Specs||Leica S2||Panasonic G7|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Leica S2||Panasonic G7|
|Environmental Sealing||Weathersealed body||not weather sealed|
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
125 x 86 x 77 mm
(4.9 x 3.4 x 3.0 in)
|Camera Weight||1410 g (49.7 oz)||410 g (14.5 oz)|
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