Leica S Typ 007 versus Nikon D5
The Leica S (Typ 007) and the Nikon D5 are two professional cameras that were revealed to the public, respectively, in September 2014 and January 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a medium format (S Typ 007) and a full frame sensor. The Leica has a resolution of 37.5 megapixel, whereas the Nikon provides 20.7 MP.
An illustration of the physical size and weight of the Leica S Typ 007 and the Nikon D5 is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the S Typ 007 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5 is notably larger (33 percent) than the Leica S Typ 007. Moreover, the D5 is markedly heavier (12 percent) than the S Typ 007. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Leica S Typ 007 (⇒ rgt)||160 mm||120 mm||80 mm||1260 g||..||YES||2014||24,490||latest||check|
|Nikon D5 (⇒ lft)||160 mm||159 mm||92 mm||1415 g||3780||YES||2016||6,499||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||158 mm||168 mm||83 mm||1530 g||1210||YES||2016||5,999||latest||check|
|Leica SL (⇒ lft | rgt)||147 mm||104 mm||39 mm||847 g||400||YES||2015||7,450||latest||check|
|Leica M Typ 262 (⇒ lft | rgt)||139 mm||80 mm||42 mm||680 g||..||YES||2015||5,195||discont.||check|
|Leica Q Typ 116 (⇒ lft | rgt)||130 mm||80 mm||93 mm||640 g||..||no||2015||4,249||latest||check|
|Leica S-E Typ 006 (⇒ lft | rgt)||160 mm||120 mm||80 mm||1260 g||..||YES||2014||16,900||discont.||check|
|Leica S Typ 006 (⇒ lft | rgt)||160 mm||120 mm||80 mm||1260 g||..||YES||2012||21,950||discont.||check|
|Leica S2 (⇒ lft | rgt)||160 mm||120 mm||80 mm||1410 g||..||YES||2008||22,995||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||136 mm||104 mm||73 mm||720 g||950||YES||2017||1,299||latest||check|
|Nikon D810 (⇒ lft | rgt)||146 mm||123 mm||82 mm||980 g||1200||YES||2014||3,299||discont.||check|
|Nikon D4S (⇒ lft | rgt)||160 mm||157 mm||91 mm||1350 g||3020||YES||2014||6,499||discont.||check|
|Nikon D4 (⇒ lft | rgt)||160 mm||157 mm||91 mm||1340 g||..||YES||2012||5,999||discont.||check|
|Nikon D3X (⇒ lft | rgt)||160 mm||157 mm||88 mm||1260 g||4400||YES||2008||7,999||discont.||check|
|Pentax 645D (⇒ lft | rgt)||156 mm||117 mm||119 mm||1480 g||..||YES||2010||9,995||discont.||check|
|Sony A7R (⇒ lft | rgt)||127 mm||94 mm||48 mm||465 g||340||YES||2013||2,299||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5 was launched at a markedly lower price (by 73 percent) than the S Typ 007, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica S Typ 007 features a medium format sensor and the Nikon D5 a full frame sensor. The sensor area in the D5 is 36 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.8 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 37.5MP, the S Typ 007 offers a higher resolution than the D5 (20.7MP), but the S Typ 007 has smaller individual pixels (pixel pitch of 6.00μm versus 6.44μm for the D5). Moreover, the D5 is a somewhat more recent model (by 1 year and 3 months) than the S Typ 007, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S Typ 007 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Leica S Typ 007 (⇒ rgt)||Medium Format||37.5||7500||5000||4K/24p||-||-||-||-|
|Nikon D5 (⇒ lft)||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Leica SL (⇒ lft | rgt)||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Leica M Typ 262 (⇒ lft | rgt)||Full Frame||23.7||5952||3976||no||-||-||-||-|
|Leica Q Typ 116 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|Leica S-E Typ 006 (⇒ lft | rgt)||Medium Format||37.5||7500||5000||no||-||-||-||-|
|Leica S Typ 006 (⇒ lft | rgt)||Medium Format||37.5||7500||5000||no||23.9||12.2||824||76|
|Leica S2 (⇒ lft | rgt)||Medium Format||37.5||7500||5000||no||-||-||-||-|
|Nikon D7500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.8||13.9||1192||86|
|Nikon D810 (⇒ lft | rgt)||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|Nikon D4S (⇒ lft | rgt)||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|Nikon D4 (⇒ lft | rgt)||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|Nikon D3X (⇒ lft | rgt)||Full Frame||24.4||6048||4032||no||24.7||13.7||1992||88|
|Pentax 645D (⇒ lft | rgt)||Medium Format||39.5||7264||5440||no||24.6||12.6||1262||82|
|Sony A7R (⇒ lft | rgt)||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D5 provides a faster frame rate than the S Typ 007. It can shoot movie footage at 4K/30p, while the Leica is limited to 4K/24p.
Apart from body and sensor, cameras can and do differ across a range of features. The S Typ 007 and the D5 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The table below summarizes some of the other core capabilities of the Leica S Typ 007 and Nikon D5 in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Leica S Typ 007 (⇒ rgt)||optical||YES||3.0||922||fixed||no||4000||3.5||no||no|
|Nikon D5 (⇒ lft)||optical||YES||3.2||2359||fixed||YES||8000||14.0||no||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Leica SL (⇒ lft | rgt)||4400||YES||3.0||1040||fixed||YES||8000||11.0||no||no|
|Leica M Typ 262 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||3.0||no||no|
|Leica Q Typ 116 (⇒ lft | rgt)||3680||no||3.0||1040||fixed||YES||2000||10.0||no||no|
|Leica S-E Typ 006 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||4000||1.5||no||no|
|Leica S Typ 006 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||4000||1.5||no||no|
|Leica S2 (⇒ lft | rgt)||optical||YES||3.0||460||fixed||no||4000||1.5||no||no|
|Nikon D7500 (⇒ lft | rgt)||optical||YES||3.2||922||tilting||YES||8000||8.0||12||no|
|Nikon D810 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||4000||5.0||12||no|
|Nikon D4S (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||8000||11.0||no||no|
|Nikon D4 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||8000||11.0||no||no|
|Nikon D3X (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||5.0||no||no|
|Pentax 645D (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||4000||1.1||no||no|
|Sony A7R (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||4.0||no||no|
Both the S Typ 007 and the D5 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The S Typ 007 replaced the earlier Leica S Typ 006, while the D5 followed on from the Nikon D4S.
So what is the bottom line? Which of the two cameras – the Leica S Typ 007 or the Nikon D5 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica S (Typ 007):
- More detail: Offers more megapixels (37.5 vs 20.7MP) with a 34% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More compact: Is smaller (160x120mm vs 160x159mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 155g or 11 percent) and hence easier to carry around.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been on the market for longer (launched in September 2014).
Advantages of the Nikon D5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (4K/30p vs 4K/24p).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3.5 flaps/sec) to capture the decisive moment.
- More affordable: Was introduced into a lower priced category (73 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 3 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the D5 emerges as the winner of the match-up (9 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the S Typ 007 and the D5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Leica S Typ 007 (⇒ rgt)||-||-||-||-||-||2014||24,490||latest||check|
|Nikon D5 (⇒ lft)||-||89/100 Gold||4.5/5||5/5||5/5||2016||6,499||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Leica SL (⇒ lft | rgt)||-||84/100||4.5/5||4/5||4/5||2015||7,450||latest||check|
|Leica M Typ 262 (⇒ lft | rgt)||-||-||-||-||-||2015||5,195||discont.||check|
|Leica Q Typ 116 (⇒ lft | rgt)||-||80/100 Silver||4.5/5||-||4.5/5||2015||4,249||latest||check|
|Leica S-E Typ 006 (⇒ lft | rgt)||-||-||-||-||-||2014||16,900||discont.||check|
|Leica S Typ 006 (⇒ lft | rgt)||-||-||-||-||-||2012||21,950||discont.||check|
|Leica S2 (⇒ lft | rgt)||-||-||-||-||-||2008||22,995||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||HiRec||86/100 Silver||5/5||4.5/5||4.5/5||2017||1,299||latest||check|
|Nikon D810 (⇒ lft | rgt)||-||86/100 Gold||5/5||4.5/5||4.5/5||2014||3,299||discont.||check|
|Nikon D4S (⇒ lft | rgt)||-||-||4.5/5||5/5||4.5/5||2014||6,499||discont.||check|
|Nikon D4 (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2012||5,999||discont.||check|
|Nikon D3X (⇒ lft | rgt)||-||86/100||4/5||5/5||5/5||2008||7,999||discont.||check|
|Pentax 645D (⇒ lft | rgt)||-||-||-||4.5/5||-||2010||9,995||discont.||check|
|Sony A7R (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||5/5||5/5||2013||2,299||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please contact me, and I will try to locate and add the respective data to the application.
- Canon 5D Mark II vs Sony A7S II
- Fujifilm X-T2 vs Fujifilm GFX 50S
- Fujifilm X100S vs Panasonic LX10
- Nikon D3100 vs Nikon D5100
- Nikon D5300 vs Nikon D5500
- Nikon D7100 vs Nikon D7200
- Olympus E-520 vs Olympus E-510
- Panasonic G85 vs Panasonic GX85
- Panasonic LX100 vs Sony A9
- Pentax K-3 vs Canon 1300D
- Pentax KP vs Pentax K-70
- Sony A7 vs Nikon D5600