Leica S-E Typ 006 vs Panasonic GF6
The Leica S-E (Typ 006) and the Panasonic Lumix DMC-GF6 are two digital cameras that were announced, respectively, in September 2014 and April 2013. The S-E Typ 006 is a DSLR, while the GF6 is a mirrorless interchangeable lens camera. The cameras are based on a medium format (S-E Typ 006) and a Four Thirds (GF6) sensor. The Leica has a resolution of 37.5 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica S-E Typ 006||Panasonic GF6|
|Digital single lens reflex||Mirrorless system camera|
|Leica S mount lenses||Micro Four Thirds lenses|
|37.5 MP, Medium Format Sensor||15.8 MP, Four Thirds Sensor|
|no Video||1080/60i Video|
|ISO 100-1600||ISO 160-12800 (160-25600)|
|Optical viewfinder||No viewfinder, LCD framing|
|3.0" LCD, 922k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|1.5 shutter flaps per second||4.2 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|160 x 120 x 80 mm, 1260 g||111 x 65 x 38 mm, 323 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica S-E (Typ 006) and the Panasonic Lumix DMC-GF6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica S-E Typ 006 and the Panasonic GF6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The GF6 can be obtained in four different colors (black, brown, red, white), while the S-E Typ 006 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF6 is considerably smaller (62 percent) than the Leica S-E Typ 006. Moreover, the GF6 is substantially lighter (74 percent) than the S-E Typ 006. It is worth mentioning in this context that the S-E Typ 006 is splash and dust resistant, while the GF6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Leica S-E Typ 006»||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||16,900||Leica S-E Typ 006|
|Panasonic GF6«||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||Panasonic GF6|
|Leica S3« »||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2018||18,995||Leica S3|
|Leica M Typ 262« »||139 mm||80 mm||42 mm||680 g||..||Y||Nov 2015||5,195||Leica M Typ 262|
|Leica SL« »||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||Leica SL|
|Leica S Typ 007« »||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||24,490||Leica S Typ 007|
|Leica S Typ 006« »||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2012||21,950||Leica S Typ 006|
|Leica S2« »||160 mm||120 mm||80 mm||1410 g||..||Y||Sep 2008||22,995||Leica S2|
|Nikon D4S« »||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499||Nikon D4S|
|Nikon D810« »||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299||Nikon D810|
|Panasonic GF7« »||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499||Panasonic GF7|
|Panasonic G6« »||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||Panasonic G6|
|Panasonic GF5« »||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||Panasonic GF5|
|Panasonic G3« »||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||Panasonic G3|
|Panasonic GX1« »||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||Panasonic GX1|
|Pentax 645D« »||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995||Pentax 645D|
|Sony A7R« »||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF6 was launched at a markedly lower price (by 97 percent) than the S-E Typ 006, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica S-E Typ 006 features a medium format sensor and the Panasonic GF6 a Four Thirds sensor. The sensor area in the GF6 is 83 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.8 and 2.0. The sensor in the S-E Typ 006 has a native 3:2 aspect ratio, while the one in the GF6 offers a 4:3 aspect.
With 37.5MP, the S-E Typ 006 offers a higher resolution than the GF6 (15.8MP), but the S-E Typ 006 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 3.77μm for the GF6) due to its larger sensor. Moreover, the S-E Typ 006 is a somewhat more recent model (by 1 year and 5 months) than the GF6, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S-E Typ 006 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica S-E Typ 006 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S-E Typ 006 for good quality output (200 dots per inch) amounts to 37.5 x 25 inch or 95.3 x 63.5 cm, for very good quality (250 dpi) 30 x 20 inch or 76.2 x 50.8 cm, and for excellent quality (300 dpi) 25 x 16.7 inch or 63.5 x 42.3 cm. The corresponding values for the Panasonic GF6 are 23 x 17.2 inch or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inch or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inch or 38.9 x 29.2 cm for excellent quality prints.
The Leica S-E (Typ 006) has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-GF6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica S-E Typ 006||Medium Format||37.5||7500||5000||none||..||..||..||..||Leica S-E Typ 006|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Leica S3||Medium Format||64.0||9800||6533||4K/24p||..||..||..||..||Leica S3|
|Leica M Typ 262||Full Frame||23.7||5952||3976||none||..||..||..||..||Leica M Typ 262|
|Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Leica S Typ 007||Medium Format||37.5||7500||5000||4K/24p||..||..||..||..||Leica S Typ 007|
|Leica S Typ 006||Medium Format||37.5||7500||5000||none||23.9||12.2||824||76||Leica S Typ 006|
|Leica S2||Medium Format||37.5||7500||5000||none||..||..||..||..||Leica S2|
|Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89||Nikon D4S|
|Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97||Nikon D810|
|Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..||Panasonic GF7|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82||Pentax 645D|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras are not only capable of taking still images, but can also record movies. The GF6 indeed provides for movie recording, while the S-E Typ 006 does not. The highest resolution format that the GF6 can use is 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the S-E Typ 006 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF6 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Leica S-E Typ 006 and Panasonic GF6 in connection with corresponding information for a sample of similar cameras.
|Leica S-E Typ 006||optical||Y||3.0||922||fixed||n||1/4000s||1.5||n||n||Leica S-E Typ 006|
|Panasonic GF6||none||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Leica S3||optical||Y||3.0||922||fixed||n||1/4000s||3.0||n||n||Leica S3|
|Leica M Typ 262||optical||n||3.0||921||fixed||n||1/4000s||3.0||n||n||Leica M Typ 262|
|Leica SL||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Leica S Typ 007||optical||Y||3.0||922||fixed||n||1/4000s||3.5||n||n||Leica S Typ 007|
|Leica S Typ 006||optical||Y||3.0||922||fixed||n||1/4000s||1.5||n||n||Leica S Typ 006|
|Leica S2||optical||Y||3.0||460||fixed||n||1/4000s||1.5||n||n||Leica S2|
|Nikon D4S||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4S|
|Nikon D810||optical||Y||3.2||1229||fixed||n||1/8000s||5.0||Y||n||Nikon D810|
|Panasonic GF7||none||n||3.0||1040||tilting||Y||1/500s||5.8||Y||n||Panasonic GF7|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GF5||none||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic G3||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GX1||optional||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Pentax 645D||optical||Y||3.0||921||fixed||n||1/4000s||1.1||n||n||Pentax 645D|
|Sony A7R||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One feature that is present on the S-E Typ 006, but is missing on the GF6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The GF6 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the S-E Typ 006 does not have a selfie-screen.
The S-E Typ 006 writes its imaging data to Compact Flash or SDXC cards, while the GF6 uses SDXC cards. The S-E Typ 006 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF6 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica S-E (Typ 006) and Panasonic Lumix DMC-GF6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica S-E Typ 006||Y||none||none||-||-||mini||2.0||-||-||-||Leica S-E Typ 006|
|Panasonic GF6||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Leica S3||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S3|
|Leica M Typ 262||Y||none||none||-||-||none||2.0||-||-||-||Leica M Typ 262|
|Leica SL||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Leica S Typ 007||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S Typ 007|
|Leica S Typ 006||Y||none||none||-||-||mini||2.0||-||-||-||Leica S Typ 006|
|Leica S2||Y||none||none||-||-||mini||2.0||-||-||-||Leica S2|
|Nikon D4S||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D4S|
|Nikon D810||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Nikon D810|
|Panasonic GF7||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic GF7|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GF5||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic G3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GX1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Pentax 645D||Y||stereo||none||-||-||none||2.0||-||-||-||Pentax 645D|
|Sony A7R||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the S-E Typ 006 has a hotshoe, while the GF6 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Leica S-E Typ 006 (unlike the GF6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the S-E Typ 006 and the GF6 have been discontinued, but can regularly be found used on eBay. The GF6 was replaced by the Panasonic GF7, while the S-E Typ 006 was followed by the Leica S Typ 007. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Leica S-E Typ 006 or the Panasonic GF6 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Leica S-E (Typ 006):
- More detail: Offers more megapixels (37.5 vs 15.8MP) with a 57% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Is somewhat more recent (announced 1 year and 5 months after the GF6).
Reasons to prefer the Panasonic Lumix DMC-GF6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (4.2 vs 1.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (111x65mm vs 160x120mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 937g or 74 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (97 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in April 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the GF6 comes out slightly ahead of the S-E Typ 006 (15 : 14 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica S-E Typ 006 and the Panasonic GF6 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the S-E Typ 006 and the GF6 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 77D vs Leica S-E Typ 006
- Canon RP vs Panasonic GF6
- Canon SL1 vs Panasonic GF6
- Canon T3i vs Panasonic GF6
- Canon T6i vs Leica S-E Typ 006
- Fujifilm X30 vs Leica S-E Typ 006
- Leica S-E Typ 006 vs Samsung NX1
- Leica S-E Typ 006 vs Sony RX1R II
- Leica S-E Typ 006 vs Zeiss ZX1
- Nikon D300S vs Panasonic GF6
- Nikon D5100 vs Panasonic GF6
- Nikon D5200 vs Panasonic GF6
Specifications: Leica S-E Typ 006 vs Panasonic GF6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica S-E Typ 006||Panasonic GF6|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Leica S mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2014||April 2013|
|Launch Price||USD 16900||USD 499|
|Sensor Specs||Leica S-E Typ 006||Panasonic GF6|
|Sensor Format||Medium Format Sensor||Four Thirds Sensor|
|Sensor Size||45.0 x 30.0 mm||17.3 x 13.0 mm|
|Sensor Area||1350 mm2||224.9 mm2|
|Sensor Diagonal||54.1 mm||21.6 mm|
|Sensor Resolution||37.5 Megapixels||15.8 Megapixels|
|Image Resolution||7500 x 5000 pixels||4592 x 3448 pixels|
|Pixel Pitch||6.00 μm||3.77 μm|
|Pixel Density||2.78 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-1600 ISO||160-12800 ISO|
|ISO Boost||no Enhancement||160-25600 ISO|
|DXO Sensor Quality (score)||..||54|
|DXO Color Depth (bits)||..||20.7|
|DXO Dynamic Range (EV)||..||10.6|
|DXO Low Light (ISO)||..||622|
|Screen Specs||Leica S-E Typ 006||Panasonic GF6|
|Viewfinder Type||Optical viewfinder||No viewfinder|
|Viewfinder Field of View||98%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica S-E Typ 006||Panasonic GF6|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||1.5 shutter flaps/s||4.2 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Leica S-E Typ 006||Panasonic GF6|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Leica S-E Typ 006||Panasonic GF6|
|Environmental Sealing||Weathersealed body||Not weather sealed|
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
111 x 65 x 38 mm
(4.4 x 2.6 x 1.5 in)
|Camera Weight||1260 g (44.4 oz)||323 g (11.4 oz)|
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