Leica M Typ 262 vs Olympus E-5
The Leica M (Typ 262) and the Olympus E-5 are two digital cameras that were officially introduced, respectively, in November 2015 and September 2010. The M Typ 262 is a rangefinder-style mirrorless camera, while the E-5 is a DSLR. The cameras are based on a full frame (M Typ 262) and a Four Thirds (E-5) sensor. The Leica has a resolution of 23.7 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica M Typ 262||Olympus E-5|
|Rangefinder camera||Digital single lens reflex|
|Leica M mount lenses||Four Thirds lenses|
|23.7 MP, Full Frame Sensor||12.2 MP, Four Thirds Sensor|
|no Video||720/30p Video|
|ISO 200-6400||ISO 100-6400|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 921k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|3 shutter flaps per second||5 shutter flaps per second|
|No shake reduction||In-body stabilization|
|Weathersealed body||Weathersealed body|
|139 x 80 x 42 mm, 680 g||142 x 117 x 75 mm, 873 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica M (Typ 262) and the Olympus E-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica M Typ 262 and the Olympus E-5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The M Typ 262 can be obtained in two different colors (black, silver), while the E-5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-5 is considerably larger (49 percent) than the Leica M Typ 262. Moreover, the E-5 is markedly heavier (28 percent) than the M Typ 262. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Leica M Lens Catalog (M Typ 262) and the Four Thirds Lens Catalog (E-5).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Leica M Typ 262»||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Nov 2015||5,195||Leica M Typ 262|
|Olympus E-5«||5.6 in||4.6 in||3.0 in||30.8 oz||750||Y||Sep 2010||1,699||Olympus E-5|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Leica Q2« »||5.1 in||3.1 in||3.6 in||25.3 oz||370||Y||Mar 2019||4,995||Leica Q2|
|Leica M-E Typ 240« »||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Jun 2019||3,999||Leica M-E Typ 240|
|Leica M10-P« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Aug 2018||7,995||Leica M10-P|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595||Leica M10|
|Leica Q Typ 116« »||5.1 in||3.1 in||3.7 in||22.6 oz||300||n||Jun 2015||4,249||Leica Q Typ 116|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Leica M Typ 240« »||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Sep 2012||6,950||Leica M Typ 240|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Olympus E-30« »||5.6 in||4.3 in||3.0 in||24.7 oz||750||n||Nov 2008||1,299||Olympus E-30|
|Olympus E-520« »||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699||Olympus E-520|
|Olympus E-3« »||5.6 in||4.6 in||3.0 in||30.9 oz||750||Y||Oct 2007||1,699||Olympus E-3|
|Olympus E-510« »||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799||Olympus E-510|
|Olympus E-1« »||5.6 in||4.1 in||3.2 in||26.0 oz||750||Y||Jun 2003||1,699||Olympus E-1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-5 was launched at a markedly lower price (by 67 percent) than the M Typ 262, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica M Typ 262 features a full frame sensor and the Olympus E-5 a Four Thirds sensor. The sensor area in the E-5 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the M Typ 262 has a native 3:2 aspect ratio, while the one in the E-5 offers a 4:3 aspect.
With 23.7MP, the M Typ 262 offers a higher resolution than the E-5 (12.2MP), but the M Typ 262 nevertheless has larger individual pixels (pixel pitch of 6.01μm versus 4.29μm for the E-5) due to its larger sensor. Moreover, the M Typ 262 is a much more recent model (by 5 years and 2 months) than the E-5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the M Typ 262 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica M Typ 262 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M Typ 262 for good quality output (200 dots per inch) amounts to 29.8 x 19.9 inch or 75.6 x 50.5 cm, for very good quality (250 dpi) 23.8 x 15.9 inch or 60.5 x 40.4 cm, and for excellent quality (300 dpi) 19.8 x 13.3 inch or 50.4 x 33.7 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inch or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inch or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inch or 34.1 x 25.6 cm for excellent quality prints.
The Leica M (Typ 262) has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-6400. The corresponding ISO settings for the Olympus E-5 are ISO 100 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica M Typ 262||Full Frame||23.7||5952||3976||none||..||..||..||..||Leica M Typ 262|
|Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56||Olympus E-5|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 80D||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96||Leica Q2|
|Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||..||..||..||..||Leica M-E Typ 240|
|Leica M10-P||Full Frame||23.8||5952||3992||none||..||..||..||..||Leica M10-P|
|Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86||Leica M10|
|Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85||Leica Q Typ 116|
|Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84||Leica M Typ 240|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55||Olympus E-30|
|Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55||Olympus E-520|
|Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56||Olympus E-3|
|Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52||Olympus E-510|
|Olympus E-1||Four Thirds||4.9||2560||1920||none||..||..||..||..||Olympus E-1|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The E-5 indeed provides for movie recording, while the M Typ 262 does not. The highest resolution format that the E-5 can use is 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The M Typ 262 and the E-5 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the M Typ 262 has a higher magnification than the one of the E-5 (0.68x vs 0.575x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Leica M Typ 262 and Olympus E-5 in connection with corresponding information for a sample of similar cameras.
|Leica M Typ 262||optical||n||3.0||921||fixed||n||1/4000s||3.0||n||n||Leica M Typ 262|
|Olympus E-5||optical||Y||3.0||920||swivel||n||1/8000s||5.0||Y||Y||Olympus E-5|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 80D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Leica Q2||3680||n||3.0||1040||fixed||Y||1/2000s||20.0||n||Y||Leica Q2|
|Leica M-E Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M-E Typ 240|
|Leica M10-P||optical||n||3.0||1037||fixed||Y||1/4000s||5.0||n||n||Leica M10-P|
|Leica M10||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Leica Q Typ 116||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y||Leica Q Typ 116|
|Leica SL||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Leica M Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M Typ 240|
|Nikon D750||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Olympus E-30||optical||Y||2.7||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-30|
|Olympus E-520||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-3||optical||Y||2.5||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-3|
|Olympus E-510||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||Y||Olympus E-510|
|Olympus E-1||optical||Y||1.8||134||fixed||n||1/4000s||3.0||n||n||Olympus E-1|
One feature that is present on the E-5, but is missing on the M Typ 262 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The E-5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the M Typ 262 does not have a selfie-screen.
The M Typ 262 writes its imaging data to SDXC cards, while the E-5 uses Compact Flash or xD Picture cards. The E-5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M Typ 262 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica M (Typ 262) and Olympus E-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica M Typ 262||Y||none||none||-||-||none||2.0||-||-||-||Leica M Typ 262|
|Olympus E-5||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-5|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 80D||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Leica Q2||Y||stereo||mono||-||-||none||none||Y||-||Y||Leica Q2|
|Leica M-E Typ 240||Y||mono||none||-||-||none||2.0||-||-||-||Leica M-E Typ 240|
|Leica M10-P||Y||none||none||-||-||none||none||Y||-||-||Leica M10-P|
|Leica M10||Y||none||none||-||-||none||none||Y||-||-||Leica M10|
|Leica Q Typ 116||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica Q Typ 116|
|Leica SL||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Leica M Typ 240||Y||stereo||mono||-||-||none||2.0||-||-||-||Leica M Typ 240|
|Nikon D750||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Olympus E-30||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-30|
|Olympus E-520||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-520|
|Olympus E-3||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-3|
|Olympus E-510||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-510|
|Olympus E-1||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-1|
Studio photographers will appreciate that the Olympus E-5 (unlike the M Typ 262) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M Typ 262 and the E-5 have been discontinued, but can regularly be found used on eBay. The M Typ 262 was replaced by the Leica M10, while the E-5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Olympus websites.
So how do things add up? Is the Leica M Typ 262 better than the Olympus E-5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Leica M (Typ 262):
- More detail: Offers more megapixels (23.7 vs 12.2MP) with a 42% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.68x vs 0.575x).
- More compact: Is smaller (139x80mm vs 142x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 193g or 22 percent) and hence easier to carry around.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 5 years and 2 months of technical progress since the E-5 launch.
Arguments in favor of the Olympus E-5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Broader imaging potential: Can capture not only stills but also 720/30p video.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the number of relative strengths (bullet points above) is taken as a guide, the E-5 emerges as the winner of the match-up (13 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M Typ 262 or the E-5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1000D vs Olympus E-5
- Canon 1100D vs Leica M Typ 262
- Canon 1D vs Leica M Typ 262
- Fujifilm X-Pro3 vs Leica M Typ 262
- Fujifilm X100F vs Leica M Typ 262
- Leica D-LUX Typ 109 vs Leica M Typ 262
- Leica M Typ 262 vs Leica V-LUX 5
- Leica M Typ 262 vs Nikon D7100
- Leica M Typ 262 vs Olympus TG-4
- Nikon D5 vs Olympus E-5
- Olympus E-5 vs Ricoh WG-60
- Olympus E-5 vs Sony A6600
Specifications: Leica M Typ 262 vs Olympus E-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica M Typ 262||Olympus E-5|
|Camera Type||Rangefinder camera||Digital single lens reflex|
|Camera Lens||Leica M mount lenses||Four Thirds lenses|
|Launch Date||November 2015||September 2010|
|Launch Price||USD 5195||USD 1699|
|Sensor Specs||Leica M Typ 262||Olympus E-5|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||35.8 x 23.9 mm||17.3 x 13.0 mm|
|Sensor Area||855.62 mm2||224.9 mm2|
|Sensor Diagonal||43 mm||21.6 mm|
|Sensor Resolution||23.7 Megapixels||12.2 Megapixels|
|Image Resolution||5952 x 3976 pixels||4032 x 3024 pixels|
|Pixel Pitch||6.01 μm||4.29 μm|
|Pixel Density||2.77 MP/cm2||5.42 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||no Video||720/30p Video|
|ISO Setting||200-6400 ISO||100-6400 ISO|
|ISO Boost||100-6400 ISO||no Enhancement|
|Image Processor||Maestro||TruePic V+|
|DXO Sensor Quality (score)||..||56|
|DXO Color Depth (bits)||..||21.6|
|DXO Dynamic Range (EV)||..||10.5|
|DXO Low Light (ISO)||..||519|
|Screen Specs||Leica M Typ 262||Olympus E-5|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||920k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Leica M Typ 262||Olympus E-5|
|Focus System||Manual Focus||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||No shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Leica M Typ 262||Olympus E-5|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Leica M Typ 262||Olympus E-5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
139 x 80 x 42 mm
(5.5 x 3.1 x 1.7 in)
142 x 117 x 75 mm
(5.6 x 4.6 x 3.0 in)
|Camera Weight||680 g (24.0 oz)||873 g (30.8 oz)|
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