Leica M Typ 240 versus Pentax K-1
The Leica M (Typ 240) and the Pentax K-1 are two enthusiast cameras that were revealed to the public, respectively, in September 2012 and February 2016. The M Typ 240 is a rangefinder-style mirrorless camera, while the K-1 is a DSLR. Both cameras are equipped with a full frame sensor. The Leica has a resolution of 23.7 megapixel, whereas the Pentax provides 36.2 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Leica M Typ 240 vs Pentax K-1
The side-by-side display below illustrates the physical size and weight of the Leica M Typ 240 and the Pentax K-1. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the M Typ 240 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 is notably larger (36 percent) than the Leica M Typ 240. Moreover, the K-1 is substantially heavier (49 percent) than the M Typ 240. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Leica M Typ 240 (⇒ rgt)||139 mm||80 mm||42 mm||680 g||..||YES||2012||6,950||discont.||check|
|Pentax K-1 (⇒ lft)||137 mm||110 mm||86 mm||1010 g||760||YES||2016||1,799||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||158 mm||168 mm||83 mm||1530 g||1210||YES||2016||5,999||latest||check|
|Canon 6D (⇒ lft | rgt)||145 mm||111 mm||71 mm||770 g||1090||YES||2012||2,099||discont.||check|
|Leica M10 (⇒ lft | rgt)||139 mm||80 mm||39 mm||660 g||210||no||2017||6,595||latest||check|
|Leica SL (⇒ lft | rgt)||147 mm||104 mm||39 mm||847 g||400||YES||2015||7,450||latest||check|
|Leica M Typ 262 (⇒ lft | rgt)||139 mm||80 mm||42 mm||680 g||..||YES||2015||5,195||discont.||check|
|Leica M9 (⇒ lft | rgt)||139 mm||80 mm||37 mm||585 g||..||no||2009||7,999||discont.||check|
|Nikon D5 (⇒ lft | rgt)||160 mm||159 mm||92 mm||1415 g||3780||YES||2016||6,499||latest||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Nikon D7100 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||950||YES||2013||1,199||discont.||check|
|Nikon D610 (⇒ lft | rgt)||141 mm||113 mm||82 mm||850 g||900||YES||2013||1,999||latest||check|
|Olympus E-M1 II (⇒ lft | rgt)||134 mm||91 mm||67 mm||574 g||440||YES||2016||1,999||latest||check|
|Pentax K-1 II (⇒ lft | rgt)||137 mm||110 mm||86 mm||1010 g||670||YES||2018||1,999||latest||check|
|Sony A99 II (⇒ lft | rgt)||143 mm||104 mm||76 mm||849 g||490||YES||2016||3,199||latest||check|
|Sony A7R II (⇒ lft | rgt)||127 mm||96 mm||60 mm||625 g||290||YES||2015||3,199||discont.||check|
|Sony RX10 (⇒ lft | rgt)||129 mm||88 mm||102 mm||813 g||420||YES||2013||1,299||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The K-1 was launched at a markedly lower price (by 74 percent) than the M Typ 240, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Leica M Typ 240 vs Pentax K-1
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the K-1 is 1 percent bigger. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 36.2MP, the K-1 offers a higher resolution than the M Typ 240 (23.7MP), but the K-1 has smaller individual pixels (pixel pitch of 4.88μm versus 6.01μm for the M Typ 240). Yet, the K-1 is a much more recent model (by 3 years and 5 months) than the M Typ 240, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the M Typ 240, the K-1 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the K-1 offers substantially better image quality than the M Typ 240 (overall score 12 points higher). The advantage is based on 1.4 bits higher color depth, 1.3 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica M Typ 240 (⇒ rgt)||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|Pentax K-1 (⇒ lft)||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 6D (⇒ lft | rgt)||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Leica M10 (⇒ lft | rgt)||Full Frame||23.8||5952||3992||no||24.4||13.2||2133||86|
|Leica SL (⇒ lft | rgt)||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Leica M Typ 262 (⇒ lft | rgt)||Full Frame||23.7||5952||3976||no||-||-||-||-|
|Leica M9 (⇒ lft | rgt)||Full Frame||18.1||5212||3472||no||22.5||11.7||884||69|
|Nikon D5 (⇒ lft | rgt)||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D7100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83|
|Nikon D610 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Pentax K-1 II (⇒ lft | rgt)||Full Frame||36.2||7360||4912||1080/60i||..||..||..||..|
|Sony A99 II (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7R II (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony RX10 (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the K-1 provides a faster frame rate than the M Typ 240. It can shoot movie footage at 1080/60i, while the Leica is limited to 1080/25p.
Feature comparison: Leica M Typ 240 vs Pentax K-1
Apart from body and sensor, cameras can and do differ across a range of features. The M Typ 240 and the K-1 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Leica M Typ 240 and Pentax K-1 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Leica M Typ 240 (⇒ rgt)||optical||no||3.0||920||fixed||no||4000||3.0||no||no|
|Pentax K-1 (⇒ lft)||optical||YES||3.2||1037||full-flex||no||8000||4.4||no||YES|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon 6D (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||4000||4.5||no||no|
|Leica M10 (⇒ lft | rgt)||optical||no||3.0||1037||fixed||no||4000||5.0||no||no|
|Leica SL (⇒ lft | rgt)||4400||YES||3.0||1040||fixed||YES||8000||11.0||no||no|
|Leica M Typ 262 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||3.0||no||no|
|Leica M9 (⇒ lft | rgt)||optical||no||2.5||230||fixed||no||4000||2.0||no||no|
|Nikon D5 (⇒ lft | rgt)||optical||YES||3.2||2359||fixed||YES||8000||14.0||no||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Nikon D7100 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Nikon D610 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||4000||6.0||12||no|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Pentax K-1 II (⇒ lft | rgt)||optical||YES||3.2||1037||full-flex||no||8000||4.4||no||YES|
|Sony A99 II (⇒ lft | rgt)||2400||YES||3.0||1229||full-flex||no||8000||12.0||no||YES|
|Sony A7R II (⇒ lft | rgt)||2400||no||3.0||1229||tilting||no||8000||5.0||no||YES|
|Sony RX10 (⇒ lft | rgt)||1440||YES||3.0||1229||tilting||no||3200||10.0||10.2||YES|
The K-1 is a current model that online retailers, such as amazon, will have in stock. In contrast, the M Typ 240 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the M Typ 240 was succeeded by the Leica M Typ 262.
Review summary: Leica M Typ 240 vs Pentax K-1
So what is the bottom line? Which of the two cameras – the Leica M Typ 240 or the Pentax K-1 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Leica M (Typ 240):
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (139x80mm vs 137x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 330g or 33 percent) and hence easier to carry around.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2012).
Advantages of the Pentax K-1:
- More detail: Has more megapixels (36.2 vs 23.7MP), which boosts linear resolution by 24%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (12 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60i versus 1080/25p).
- Easier setting verification: Has a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (4.4 vs 3 flaps/sec) to capture the decisive moment.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (74 percent cheaper at launch).
- More modern: Reflects 3 years and 5 months of technical progress since the M Typ 240 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the K-1 is the clear winner of the contest (17 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the M Typ 240 and the K-1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Leica M Typ 240 (⇒ rgt)||-||-||4/5||-||-||2012||6,950||discont.||check|
|Pentax K-1 (⇒ lft)||-||84/100 Silver||5/5||4.5/5||5/5||2016||1,799||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon 6D (⇒ lft | rgt)||HiRec||83/100 Silver||4.5/5||4.5/5||4.5/5||2012||2,099||discont.||check|
|Leica M10 (⇒ lft | rgt)||-||-||4/5||-||4.5/5||2017||6,595||latest||check|
|Leica SL (⇒ lft | rgt)||-||84/100||4.5/5||4/5||4/5||2015||7,450||latest||check|
|Leica M Typ 262 (⇒ lft | rgt)||-||-||-||-||-||2015||5,195||discont.||check|
|Leica M9 (⇒ lft | rgt)||-||-||4.5/5||4.5/5||-||2009||7,999||discont.||check|
|Nikon D5 (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||5/5||2016||6,499||latest||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Nikon D7100 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2013||1,199||discont.||check|
|Nikon D610 (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,999||latest||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Pentax K-1 II (⇒ lft | rgt)||-||79/100||4.5/5||..||4.5/5||2018||1,999||latest||check|
|Sony A99 II (⇒ lft | rgt)||-||85/100 Silver||4.5/5||4.5/5||4.5/5||2016||3,199||latest||check|
|Sony A7R II (⇒ lft | rgt)||HiRec||90/100 Gold||5/5||4.5/5||5/5||2015||3,199||discont.||check|
|Sony RX10 (⇒ lft | rgt)||Rec||80/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,299||discont.||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
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Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, kindly get in touch, and I will try to update the database with the necessary infos.
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