Leica Digilux 3 vs Sony A99 II
The Leica Digilux 3 and the Sony Alpha ALT-A99 II are two digital cameras that were revealed to the public, respectively, in September 2006 and September 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a Four Thirds (Digilux 3) and a full frame (A99 II) sensor. The Leica has a resolution of 7.4 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica Digilux 3 and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Leica Digilux 3 and the Sony A99 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is notably larger (17 percent) than the Leica Digilux 3. Moreover, the A99 II is substantially heavier (40 percent) than the Digilux 3. It is noteworthy in this context that the A99 II is splash and dust-proof, while the Digilux 3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica Digilux 3 | 146 mm | 87 mm | 77 mm | 606 g | 750 | n | Sep 2006 | EUR 1 499 | ebay.com | |
2. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | EUR 3 599 | ebay.com | |
3. | Canon 30D | 144 mm | 106 mm | 74 mm | 785 g | 750 | n | Feb 2006 | EUR 1 399 | ebay.com | |
4. | Canon 350D | 127 mm | 94 mm | 64 mm | 540 g | 400 | n | Feb 2005 | EUR 899 | ebay.com | |
5. | Leica M8 | 139 mm | 80 mm | 37 mm | 591 g | 550 | n | Sep 2006 | EUR 4 199 | ebay.com | |
6. | Leica Q Typ 116 | 130 mm | 80 mm | 93 mm | 640 g | 300 | n | Jun 2015 | EUR 3 999 | ebay.com | |
7. | Leica V-LUX 1 | 141 mm | 86 mm | 142 mm | 734 g | 360 | n | Sep 2006 | EUR 799 | ebay.com | |
8. | Olympus E-300 | 147 mm | 85 mm | 64 mm | 624 g | 750 | n | Sep 2004 | EUR 799 | ebay.com | |
9. | Olympus E-330 | 140 mm | 87 mm | 72 mm | 637 g | 750 | n | Jan 2006 | EUR 999 | ebay.com | |
10. | Olympus E-500 | 130 mm | 95 mm | 66 mm | 479 g | 750 | n | Sep 2005 | EUR 599 | ebay.com | |
11. | Panasonic L1 | 146 mm | 87 mm | 64 mm | 606 g | 750 | n | Feb 2006 | EUR 999 | ebay.com | |
12. | Panasonic L10 | 135 mm | 96 mm | 78 mm | 556 g | 450 | n | Aug 2007 | EUR 599 | ebay.com | |
13. | Sony A7R II | 127 mm | 96 mm | 60 mm | 625 g | 290 | Y | Jun 2015 | EUR 3 499 | ebay.com | |
14. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | EUR 3 499 | ebay.com | |
15. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | EUR 3 499 | amazon.com | |
16. | Sony A99 | 147 mm | 111 mm | 78 mm | 812 g | 500 | Y | Sep 2012 | EUR 2 799 | ebay.com | |
17. | Sony A900 | 156 mm | 117 mm | 82 mm | 895 g | 880 | Y | Sep 2008 | EUR 2 799 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Digilux 3 was launched at a markedly lower price (by 53 percent) than the A99 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica Digilux 3 features a Four Thirds sensor and the Sony A99 II a full frame sensor. The sensor area in the A99 II is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the Digilux 3 has a native 4:3 aspect ratio, while the one in the A99 II offers a 3:2 aspect.
With 42.2MP, the A99 II offers a higher resolution than the Digilux 3 (7.4MP), but the A99 II has smaller individual pixels (pixel pitch of 4.52μm versus 5.51μm for the Digilux 3). Yet, the A99 II is a much more recent model (by 10 years) than the Digilux 3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A99 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Leica Digilux 3 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The A99 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica Digilux 3 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
In terms of underlying technology, the Digilux 3 is build around a CMOS sensor, while the A99 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica Digilux 3 | Four Thirds | 7.4 | 3136 | 2352 | none | 21.0 | 10.6 | 127 | 53 | |
2. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
3. | Canon 30D | APS-C | 8.2 | 3504 | 2336 | none | 21.5 | 10.8 | 736 | 59 | |
4. | Canon 350D | APS-C | 8.0 | 3456 | 2304 | none | 21.8 | 10.8 | 637 | 60 | |
5. | Leica M8 | APS-H | 10.4 | 3936 | 2630 | none | 21.1 | 11.3 | 663 | 59 | |
6. | Leica Q Typ 116 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.3 | 12.7 | 2221 | 85 | |
7. | Leica V-LUX 1 | 1/1.8 | 10.0 | 3648 | 2736 | 480/30p | 18.4 | 9.5 | -727 | 29 | |
8. | Olympus E-300 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.4 | 10.1 | -40 | 48 | |
9. | Olympus E-330 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 73 | 52 | |
10. | Olympus E-500 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.7 | 10.3 | 45 | 51 | |
11. | Panasonic L1 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 80 | 52 | |
12. | Panasonic L10 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.3 | 10.8 | 429 | 55 | |
13. | Sony A7R II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 13.9 | 3434 | 98 | |
14. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
15. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
16. | Sony A99 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.0 | 14.0 | 1555 | 89 | |
17. | Sony A900 | Full Frame | 24.4 | 6048 | 4032 | none | 23.7 | 12.3 | 1431 | 79 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The A99 II indeed provides for movie recording, while the Digilux 3 does not. The highest resolution format that the A99 II can use is 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A99 II has an electronic viewfinder (2400k dots), while the Digilux 3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A99 II offers a wider field of view (100%) than the one in the Digilux 3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A99 II has a higher magnification (0.78x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica Digilux 3 and Sony A99 II along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica Digilux 3 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
2. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
3. | Canon 30D | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | Y | n | |
4. | Canon 350D | optical | n | 1.8 / 115 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Leica M8 | optical | n | 2.5 / 230 | fixed | n | 1/8000s | 2.0/s | n | n | |
6. | Leica Q Typ 116 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
7. | Leica V-LUX 1 | 235 | n | 2.0 / 207 | tilting | n | 1/2000s | 2.0/s | Y | Y | |
8. | Olympus E-300 | optical | n | 1.8 / 134 | fixed | n | 1/4000s | 2.5/s | Y | n | |
9. | Olympus E-330 | optical | n | 2.5 / 215 | tilting | n | 1/4000s | 3.0/s | Y | n | |
10. | Olympus E-500 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 2.5/s | Y | n | |
11. | Panasonic L1 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
12. | Panasonic L10 | optical | n | 2.5 / 207 | swivel | n | 1/4000s | 3.0/s | Y | n | |
13. | Sony A7R II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
14. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A99 | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 6.0/s | n | Y | |
17. | Sony A900 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 5.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The Digilux 3 has one, while the A99 II does not. While the built-in flash of the Digilux 3 is not very powerful, it can at times be useful as a fill-in light.
The A99 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the Digilux 3 does not have a selfie-screen.The Digilux 3 writes its imaging data to SDXC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. The A99 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the Digilux 3 only has one slot. The A99 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the Digilux 3 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica Digilux 3 and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica Digilux 3 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
2. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
3. | Canon 30D | Y | - / - | - | - | - | 2.0 | - | - | - | |
4. | Canon 350D | Y | - / - | - | - | - | 2.0 | - | - | - | |
5. | Leica M8 | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Leica Q Typ 116 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
7. | Leica V-LUX 1 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
8. | Olympus E-300 | Y | - / - | - | - | - | 2.0 | - | - | - | |
9. | Olympus E-330 | Y | - / - | - | - | - | 2.0 | - | - | - | |
10. | Olympus E-500 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Panasonic L1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Panasonic L10 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Sony A7R II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
14. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
15. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
16. | Sony A99 | Y | stereo / mono | Y | Y | mini | 2.0 | - | - | - | |
17. | Sony A900 | Y | - / - | - | - | mini | 2.0 | - | - | - |
It is notable that the A99 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the Digilux 3 does not provide wifi capability.
Studio photographers will appreciate that the Sony A99 II (unlike the Digilux 3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the Digilux 3 and the A99 II have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Leica and Sony. Further information on the features and operation of the Digilux 3 and A99 II can be found, respectively, in the Leica Digilux 3 Manual (free pdf) or the online Sony A99 II Manual.
Review summary
So how do things add up? Is there a clear favorite between the Leica Digilux 3 and the Sony A99 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Leica Digilux 3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (146x87mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 243g or 29 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (750 versus 490) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2006).
Arguments in favor of the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 7.4MP), which boosts linear resolution by 144%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.47x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 207k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 10 years of technical progress since the Digilux 3 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A99 II is the clear winner of the contest (27 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica Digilux 3 and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Digilux 3 or the A99 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica Digilux 3 | .. | .. | .. | .. | .. | .. | Sep 2006 | EUR 1 499 | ebay.com | |
2. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | EUR 3 599 | ebay.com | |
3. | Canon 30D | .. | + + | .. | + + | o | .. | Feb 2006 | EUR 1 399 | ebay.com | |
4. | Canon 350D | .. | 80/100 | .. | + + | o | .. | Feb 2005 | EUR 899 | ebay.com | |
5. | Leica M8 | .. | .. | .. | + + | .. | .. | Sep 2006 | EUR 4 199 | ebay.com | |
6. | Leica Q Typ 116 | 5/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Jun 2015 | EUR 3 999 | ebay.com | |
7. | Leica V-LUX 1 | .. | .. | .. | .. | .. | .. | Sep 2006 | EUR 799 | ebay.com | |
8. | Olympus E-300 | .. | .. | .. | + | o | 4.5/5 | Sep 2004 | EUR 799 | ebay.com | |
9. | Olympus E-330 | .. | .. | .. | + | o | .. | Jan 2006 | EUR 999 | ebay.com | |
10. | Olympus E-500 | .. | 76/100 | .. | + + | .. | .. | Sep 2005 | EUR 599 | ebay.com | |
11. | Panasonic L1 | .. | 85/100 | .. | + | .. | 3.5/5 | Feb 2006 | EUR 999 | ebay.com | |
12. | Panasonic L10 | .. | 85/100 | .. | + | 3.5/5 | 4/5 | Aug 2007 | EUR 599 | ebay.com | |
13. | Sony A7R II | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jun 2015 | EUR 3 499 | ebay.com | |
14. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | EUR 3 499 | ebay.com | |
15. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | EUR 3 499 | amazon.com | |
16. | Sony A99 | 5/5 | .. | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2012 | EUR 2 799 | ebay.com | |
17. | Sony A900 | .. | + + | .. | + + | 4.5/5 | 5/5 | Sep 2008 | EUR 2 799 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 7D vs Leica Digilux 3
- Canon G15 vs Leica Digilux 3
- Canon SX420 vs Sony A99 II
- Canon SX540 vs Leica Digilux 3
- Canon T7i vs Sony A99 II
- Fujifilm X-A3 vs Leica Digilux 3
- Fujifilm XP140 vs Sony A99 II
- Leica Digilux 3 vs Olympus E-P2
- Leica Digilux 3 vs Ricoh GR III
- Leica S Typ 007 vs Sony A99 II
- Nikon Df vs Sony A99 II
- Pentax K-1 II vs Sony A99 II
Specifications: Leica Digilux 3 vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica Digilux 3 | Sony A99 II |
---|---|---|
Camera Type | Digital single lens reflex | Digital single lens reflex |
Camera Lens | Four Thirds lenses | Sony A mount lenses |
Launch Date | September 2006 | September 2016 |
Launch Price | USD 1,499 | USD 3,199 |
Sensor Specs | Leica Digilux 3 | Sony A99 II |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Four Thirds Sensor | Full Frame Sensor |
Sensor Size | 17.3 x 13.0 mm | 35.9 x 24.0 mm |
Sensor Area | 224.9 mm2 | 861.6 mm2 |
Sensor Diagonal | 21.6 mm | 43.2 mm |
Crop Factor | 2.0x | 1.0x |
Sensor Resolution | 7.4 Megapixels | 42.2 Megapixels |
Image Resolution | 3136 x 2352 pixels | 7952 x 5304 pixels |
Pixel Pitch | 5.51 μm | 4.52 μm |
Pixel Density | 3.28 MP/cm2 | 4.90 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | no Video | 4K/30p Video |
ISO Setting | 100 - 1,600 ISO | 100 - 25,600 ISO |
ISO Boost | no Enhancement | 50 - 25,600 ISO |
DXO Sensor Quality (score) | .. | 92 |
DXO Color Depth (bits) | .. | 25.4 |
DXO Dynamic Range (EV) | .. | 13.4 |
DXO Low Light (ISO) | .. | 2317 |
Screen Specs | Leica Digilux 3 | Sony A99 II |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.47x | 0.78x |
Viewfinder Resolution | 2400k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 2.5inch | 3.0inch |
LCD Resolution | 207k dots | 1229k dots |
LCD Attachment | Fixed screen | Fully flexible screen |
Shooting Specs | Leica Digilux 3 | Sony A99 II |
Focus System | Phase-detect AF | Phase-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 3 shutter flaps/s | 12 shutter flaps/s |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | no | UHS-I |
Connectivity Specs | Leica Digilux 3 | Sony A99 II |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | no HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Leica Digilux 3 | Sony A99 II |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Leica BP-DC3 | Sony NP-FM500H |
Battery Life (CIPA) | 750 shots per charge | 490 shots per charge |
Body Dimensions |
146 x 87 x 77 mm (5.7 x 3.4 x 3.0 in) |
143 x 104 x 76 mm (5.6 x 4.1 x 3.0 in) |
Camera Weight | 606 g (21.4 oz) | 849 g (29.9 oz) |
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