Leica D-LUX 6 vs Panasonic FZ330
The Leica D-LUX 6 and the Panasonic Lumix DMC-FZ330 (labelled Panasonic FZ300 in some countries) are two digital cameras that were announced, respectively, in September 2012 and July 2015. Both the D-LUX 6 and the FZ330 are fixed lens compact cameras that are based on a 1/1.7-inch (D-LUX 6) and a 1/2.3-inch (FZ330) sensor. The Leica has a resolution of 10 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 6 and the Panasonic Lumix DMC-FZ330? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica D-LUX 6 and the Panasonic FZ330 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The D-LUX 6 can be obtained in three different colors (black, silver, white), while the FZ330 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ330 is considerably larger (61 percent) than the Leica D-LUX 6. Moreover, the FZ330 is substantially heavier (132 percent) than the D-LUX 6. It is noteworthy in this context that the FZ330 is splash and dust-proof, while the D-LUX 6 does not feature any corresponding weather-sealing.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|2.||Panasonic FZ330||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|3.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|4.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|5.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|6.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|7.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|8.||Leica D-LUX Typ 109||118 mm||66 mm||55 mm||405 g||300||n||Sep 2014||1,195|
|9.||Leica X2||124 mm||69 mm||52 mm||345 g||450||n||May 2012||1,995|
|10.||Leica D-LUX 5||110 mm||65 mm||43 mm||271 g||400||n||Sep 2010||699|
|11.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|12.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|13.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|14.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|15.||Ricoh GR||117 mm||61 mm||35 mm||245 g||290||n||Apr 2013||799|
|16.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ330 was launched at a somewhat lower price (by 14 percent) than the D-LUX 6, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica D-LUX 6 features a 1/1.7-inch sensor and the Panasonic FZ330 a 1/2.3-inch sensor. The sensor area in the FZ330 is 33 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX 6 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the FZ330 offers a higher resolution of 12 megapixels, compared with 10 MP of the D-LUX 6. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.53μm versus 2.05μm for the D-LUX 6). However, it should be noted that the FZ330 is much more recent (by 2 years and 9 months) than the D-LUX 6, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ330 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ330 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ330 for good quality output (200 dots per inch) amounts to 20 x 15 inches or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inches or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inches or 33.9 x 25.4 cm. The corresponding values for the Leica D-LUX 6 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 6 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ330 are ISO 100 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|1.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|3.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|8.||Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||..||..||..||..|
|10.||Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||..||..||..||..|
|16.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ330 provides a better video resolution than the D-LUX 6. It can shoot movie footage at 4K/30p, while the Leica is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ330 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 6 relies on live view and the rear LCD for framing. That said, the D-LUX 6 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The following table reports on some other key feature differences and similarities of the Leica D-LUX 6, the Panasonic FZ330, and comparable cameras.
|1.||Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y|
|3.||Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y|
|8.||Leica D-LUX Typ 109||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y|
|10.||Leica D-LUX 5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y|
|16.||Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ330 has a touchscreen, while the D-LUX 6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ330 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D-LUX 6 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ330 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 6 and the Panasonic FZ330 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the D-LUX 6 and the FZ330 have zoom lenses built in. The D-LUX 6 has a 24-90mm f/1.4-2.3 optic and the FZ330 offers a 25-600mm f/2.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Leica provides a wider angle of view at the short end than the Panasonic, but less tele-photo reach at the long end. The D-LUX 6 offers the faster maximum aperture.
Concerning the storage of imaging data, both the D-LUX 6 and the FZ330 write their files to SDXC cards. The FZ330 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 6 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 6 and Panasonic Lumix DMC-FZ330 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|3.||Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-|
|8.||Leica D-LUX Typ 109||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|10.||Leica D-LUX 5||Y||mono||mono||-||-||mini||2.0||-||-||-|
|16.||Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ330 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D-LUX 6 does not provide wifi capability.
The FZ330 is a recent model that features in the current product line-up of Panasonic. In contrast, the D-LUX 6 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D-LUX 6 was succeeded by the Leica D-LUX Typ 109. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Leica D-LUX 6 and the Panasonic FZ330? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica D-LUX 6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (111x68mm vs 132x92mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 393g or 57 percent) and hence easier to carry around.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2012).
Arguments in favor of the Panasonic Lumix DMC-FZ330:
- More detail: Has more megapixels (12 vs 10MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (380 versus 330) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was released into a lower priced segment (14 percent cheaper at launch).
- More modern: Reflects 2 years and 9 months of technical progress since the D-LUX 6 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ330 is the clear winner of the contest (17 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 6 and the Panasonic FZ330 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D-LUX 6 or the FZ330 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica D-LUX 6||..||..||..||4/5||4/5||Sep 2012||699|
|2.||Panasonic FZ330||..||+ +||..||4.5/5||4.5/5||Jul 2015||599|
|3.||Canon G3 X||3.5/5||+||..||4.5/5||4/5||Jun 2015||999|
|4.||Canon SX60||3/5||+ +||75/100||4/5||4.5/5||Sep 2014||549|
|5.||Canon G16||4/5||+||..||4.5/5||4.5/5||Aug 2013||549|
|6.||Fujifilm X20||4/5||+ +||77/100||4.5/5||5/5||Jan 2013||599|
|7.||Fujifilm X10||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|8.||Leica D-LUX Typ 109||..||..||..||4.5/5||4.5/5||Sep 2014||1,195|
|9.||Leica X2||3/5||..||..||3/5||4/5||May 2012||1,995|
|10.||Leica D-LUX 5||..||..||..||4.5/5||4/5||Sep 2010||699|
|11.||Panasonic FZ200||3/5||+ +||80/100||4.5/5||4.5/5||Jul 2012||599|
|12.||Panasonic LX7||3/5||+ +||75/100||4/5||4.5/5||Jul 2012||499|
|13.||Panasonic FZ150||3/5||+ +||76/100||4/5||4.5/5||Aug 2011||499|
|14.||Panasonic LX5||4/5||+||73/100||4.5/5||4.5/5||Jul 2010||499|
|15.||Ricoh GR||5/5||..||79/100||4.5/5||4.5/5||Apr 2013||799|
|16.||Sony RX100 II||5/5||+ +||79/100||4.5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Leica D-LUX 6 vs Panasonic FZ330
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 6||Panasonic FZ330|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-90mm f/1.4-2.3||25-600mm f/2.8|
|Launch Date||September 2012||July 2015|
|Launch Price||USD 699||USD 599|
|Sensor Specs||Leica D-LUX 6||Panasonic FZ330|
|Sensor Format||1/1.7" Sensor||1/2.3" Sensor|
|Sensor Size||7.44 x 5.58 mm||6.17 x 4.55 mm|
|Sensor Area||41.5152 mm2||28.0735 mm2|
|Sensor Diagonal||9.3 mm||7.7 mm|
|Sensor Resolution||10 Megapixels||12 Megapixels|
|Image Resolution||3648 x 2736 pixels||4000 x 3000 pixels|
|Pixel Pitch||2.05 μm||1.53 μm|
|Pixel Density||24.04 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||80 - 6,400 ISO||100 - 6,400 ISO|
|ISO Boost||80 - 12,800 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||38|
|DXO Color Depth (bits)||..||19.3|
|DXO Dynamic Range (EV)||..||11.0|
|DXO Low Light (ISO)||..||97|
|Screen Specs||Leica D-LUX 6||Panasonic FZ330|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica D-LUX 6||Panasonic FZ330|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||11 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica D-LUX 6||Panasonic FZ330|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Leica D-LUX 6||Panasonic FZ330|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||330 shots per charge||380 shots per charge|
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||298 g (10.5 oz)||691 g (24.4 oz)|
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