Hasselblad X1D vs Panasonic GM5
The Hasselblad X1D-50c and the Panasonic Lumix DMC-GM5 are two digital cameras that were announced, respectively, in June 2016 and September 2014. Both the X1D and the GM5 are mirrorless interchangeable lens cameras that are based on a medium format (X1D) and a Four Thirds (GM5) sensor. The Hasselblad has a resolution of 51.3 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Hasselblad X1D||Panasonic GM5|
|Mirrorless system camera||Mirrorless system camera|
|Hasselblad X mount lenses||Micro Four Thirds lenses|
|51.3 MP, Medium Format Sensor||15.8 MP, Four Thirds Sensor|
|1080/25p Video||1080/60p Video|
|ISO 100-25600||ISO 200-25600|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (1166k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 921k dots|
|Fixed touchscreen||Fixed touchscreen|
|2.3 shutter flaps per second||5.8 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|150 x 98 x 71 mm, 725 g||99 x 60 x 36 mm, 211 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Hasselblad X1D-50c and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Hasselblad X1D and the Panasonic GM5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GM5 can be obtained in two different colors (black, silver), while the X1D is only available in titanium.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is considerably smaller (60 percent) than the Hasselblad X1D. Moreover, the GM5 is substantially lighter (71 percent) than the X1D. It is worth mentioning in this context that the X1D is splash and dust resistant, while the GM5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Hasselblad X1D»||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995||Hasselblad X1D|
|Panasonic GM5«||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||Panasonic GM5|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Fujifilm GFX 50S« »||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499||Fujifilm GFX 50S|
|Hasselblad X1D II« »||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750||Hasselblad X1D II|
|Leica SL« »||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||Leica SL|
|Nikon D7500« »||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D850« »||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299||Nikon D850|
|Nikon D7200« »||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199||Nikon D7200|
|Panasonic G7« »||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||Panasonic G7|
|Panasonic G6« »||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||Panasonic G6|
|Panasonic GM1« »||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749||Panasonic GM1|
|Panasonic GX1« »||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||Panasonic GX1|
|Panasonic GH2« »||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||Panasonic GH2|
|Sony A7R II« »||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||Sony A7R II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GM5 was launched at a markedly lower price (by 92 percent) than the X1D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Hasselblad X1D features a medium format sensor and the Panasonic GM5 a Four Thirds sensor. The sensor area in the GM5 is 84 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 51.3MP, the X1D offers a higher resolution than the GM5 (15.8MP), but the X1D nevertheless has larger individual pixels (pixel pitch of 5.30μm versus 3.77μm for the GM5) due to its larger sensor. Moreover, the X1D is a somewhat more recent model (by 1 year and 9 months) than the GM5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X1D has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Hasselblad X1D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X1D for good quality output (200 dots per inch) amounts to 41.4 x 31 inch or 105.1 x 78.7 cm, for very good quality (250 dpi) 33.1 x 24.8 inch or 84 x 63 cm, and for excellent quality (300 dpi) 27.6 x 20.7 inch or 70 x 52.5 cm. The corresponding values for the Panasonic GM5 are 23 x 17.2 inch or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inch or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inch or 38.9 x 29.2 cm for excellent quality prints.
The Hasselblad X1D-50c has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-GM5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the X1D provides substantially higher image quality than the GM5, with an overall score that is 36 points higher. This advantage is based on 4.1 bits higher color depth, 3.1 EV in additional dynamic range, and 2.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102||Hasselblad X1D|
|Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..||Fujifilm GFX 50S|
|Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..||Hasselblad X1D II|
|Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Nikon D7500||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Nikon D7200||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..||Panasonic G7|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66||Panasonic GM1|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GM5 provides a faster frame rate than the X1D. It can shoot movie footage at 1080/60p, while the Hasselblad is limited to 1080/25p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X1D offers a substantially higher resolution than the one in the GM5 (2360k vs 1166k dots). The table below summarizes some of the other core capabilities of the Hasselblad X1D and Panasonic GM5 in connection with corresponding information for a sample of similar cameras.
|Hasselblad X1D||2360||n||3.0||920||fixed||Y||1/2000s||2.3||n||n||Hasselblad X1D|
|Panasonic GM5||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 5DS||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n||Fujifilm GFX 50S|
|Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n||Hasselblad X1D II|
|Leica SL||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Nikon D7500||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D850||optical||Y||3.2||2359||tilting||Y||1/8000s||9.0||n||n||Nikon D850|
|Nikon D7200||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Panasonic G7||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GM1||none||n||3.0||1036||fixed||Y||1/500s||5.0||Y||n||Panasonic GM1|
|Panasonic GX1||optional||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Panasonic GH2||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Hasselblad X1D and the Panasonic GM5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X1D and the GM5 write their files to SDXC cards. The X1D features dual card slots, which can be very useful in case a memory card fails. In contrast, the GM5 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Hasselblad X1D-50c and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Hasselblad X1D||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Hasselblad X1D|
|Panasonic GM5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 5DS||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Fujifilm GFX 50S|
|Hasselblad X1D II||Y||stereo||mono||Y||Y||none||3.0||Y||-||-||Hasselblad X1D II|
|Leica SL||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Nikon D7500||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D850||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Nikon D7200||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Panasonic G7||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GM1||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM1|
|Panasonic GX1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Panasonic GH2||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
It is notable that the X1D has a microphone port, which is missing on the GM5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Hasselblad X1D (unlike the GM5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X1D and the GM5 have been discontinued, but can regularly be found used on eBay. The X1D was replaced by the Hasselblad X1D II, while the GM5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Hasselblad and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Hasselblad X1D or the Panasonic GM5 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Hasselblad X1D-50c:
- More detail: Offers more megapixels (51.3 vs 15.8MP) with a 80% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (36 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (4.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (3.1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.6 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1166k dots).
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/500s) to freeze action.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More prestigious: Has the Hasselblad luxury appeal, which ensures a high resale price.
- More modern: Is somewhat more recent (announced 1 year and 9 months after the GM5).
Advantages of the Panasonic Lumix DMC-GM5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/25p).
- Faster burst: Shoots at higher frequency (5.8 vs 2.3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (99x60mm vs 150x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 514g or 71 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the X1D is the clear winner of the match-up (16 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Hasselblad X1D and the Panasonic GM5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X1D or the GM5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon Rebel vs Hasselblad X1D
- Canon SX410 vs Hasselblad X1D
- Fujifilm GFX 50R vs Hasselblad X1D II
- Fujifilm X-T1 vs Hasselblad X1D
- Fujifilm X10 vs Hasselblad X1D II
- Hasselblad X1D II vs Nikon D3X
- Hasselblad X1D II vs Nikon D810
- Hasselblad X1D II vs Nikon Z50
- Hasselblad X1D vs Nikon D3100
- Hasselblad X1D vs Panasonic GX7
- Nikon D1X vs Panasonic GM5
- Panasonic GM5 vs Sony A5100
Specifications: Hasselblad X1D vs Panasonic GM5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Hasselblad X1D||Panasonic GM5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Hasselblad X mount lenses||Micro Four Thirds lenses|
|Launch Date||June 2016||September 2014|
|Launch Price||USD 8995||USD 749|
|Sensor Specs||Hasselblad X1D||Panasonic GM5|
|Sensor Format||Medium Format Sensor||Four Thirds Sensor|
|Sensor Size||43.8 x 32.9 mm||17.3 x 13.0 mm|
|Sensor Area||1441.02 mm2||224.9 mm2|
|Sensor Diagonal||54.8 mm||21.6 mm|
|Sensor Resolution||51.3 Megapixels||15.8 Megapixels|
|Image Resolution||8272 x 6200 pixels||4592 x 3448 pixels|
|Pixel Pitch||5.30 μm||3.77 μm|
|Pixel Density||3.56 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/25p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||200-25600 ISO|
|ISO Boost||no Enhancement||100-25600 ISO|
|DXO Sensor Quality (score)||102||66|
|DXO Color Depth (bits)||26.2||22.1|
|DXO Dynamic Range (EV)||14.8||11.7|
|DXO Low Light (ISO)||4489||721|
|Screen Specs||Hasselblad X1D||Panasonic GM5|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Hasselblad X1D||Panasonic GM5|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/500/s|
|Continuous Shooting||2.3 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Hasselblad X1D||Panasonic GM5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Hasselblad X1D||Panasonic GM5|
|Environmental Sealing||Weathersealed body||Not weather sealed|
150 x 98 x 71 mm
(5.9 x 3.9 x 2.8 in)
99 x 60 x 36 mm
(3.9 x 2.4 x 1.4 in)
|Camera Weight||725 g (25.6 oz)||211 g (7.4 oz)|
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