Fujifilm XQ1 vs Sony NEX-5R
The Fujifilm XQ1 and the Sony Alpha NEX-5R are two digital cameras that were revealed to the public, respectively, in October 2013 and August 2012. The XQ1 is a fixed lens compact, while the NEX-5R is a mirrorless interchangeable lens camera. The cameras are based on a 2/3 (XQ1) and an APS-C (NEX-5R) sensor. The Fujifilm has a resolution of 12 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm XQ1 and the Sony Alpha NEX-5R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm XQ1 and the Sony NEX-5R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5R is notably larger (11 percent) than the Fujifilm XQ1. In this context, it is worth noting that neither the XQ1 nor the NEX-5R are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XQ1 has a lens built in, whereas the NEX-5R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-5R and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the XQ1 gets 240 shots out of its Fujifilm NP-48 battery, while the NEX-5R can take 330 images on a single charge of its Sony NP-FW50 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XQ1 | 100 mm | 59 mm | 33 mm | 206 g | 240 | n | Oct 2013 | 499 | ebay.com | |
2. | Sony NEX-5R | 111 mm | 59 mm | 39 mm | 276 g | 330 | n | Aug 2012 | 749 | ebay.com | |
3. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
4. | Canon S120 | 100 mm | 59 mm | 29 mm | 217 g | 230 | n | Aug 2013 | 449 | ebay.com | |
5. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | 549 | ebay.com | |
6. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
7. | Fujifilm X20 | 117 mm | 70 mm | 57 mm | 353 g | 270 | n | Jan 2013 | 599 | ebay.com | |
8. | Fujifilm X30 | 119 mm | 72 mm | 60 mm | 423 g | 470 | n | Aug 2014 | 599 | ebay.com | |
9. | Fujifilm XQ2 | 100 mm | 59 mm | 33 mm | 206 g | 240 | n | Jan 2015 | 399 | ebay.com | |
10. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
11. | Panasonic LF1 | 103 mm | 62 mm | 28 mm | 192 g | 250 | n | Apr 2013 | 499 | ebay.com | |
12. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
13. | Ricoh GR | 117 mm | 61 mm | 35 mm | 245 g | 290 | n | Apr 2013 | 799 | ebay.com | |
14. | Sony NEX-3 | 117 mm | 62 mm | 33 mm | 297 g | 330 | n | May 2010 | 599 | ebay.com | |
15. | Sony NEX-3N | 110 mm | 62 mm | 35 mm | 269 g | 480 | n | Feb 2013 | 499 | ebay.com | |
16. | Sony NEX-5N | 111 mm | 59 mm | 38 mm | 269 g | 460 | n | Aug 2011 | 699 | ebay.com | |
17. | Sony NEX-5T | 111 mm | 59 mm | 39 mm | 276 g | 330 | n | Aug 2013 | 699 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The XQ1 was launched at a lower price than the NEX-5R, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm XQ1 features a 2/3 sensor and the Sony NEX-5R an APS-C sensor. The sensor area in the NEX-5R is 529 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 1.5. The sensor in the XQ1 has a native 4:3 aspect ratio, while the one in the NEX-5R offers a 3:2 aspect.
With 16MP, the NEX-5R offers a higher resolution than the XQ1 (12MP), but the NEX-5R nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 2.20μm for the XQ1) due to its larger sensor. However, the XQ1 is a somewhat more recent model (by 1 year and 1 month) than the NEX-5R, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the XQ1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony NEX-5R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-5R for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Fujifilm XQ1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The XQ1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm XQ1 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha NEX-5R are ISO 100 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The XQ1 uses Fujifilm's X-Trans layout of photosites, while the NEX-5R employs the more common Bayer array.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XQ1 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.3 | 11.0 | -390 | 47 | |
2. | Sony NEX-5R | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.7 | 13.1 | 910 | 78 | |
3. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
4. | Canon S120 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.3 | 11.9 | 246 | 56 | |
5. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
6. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
7. | Fujifilm X20 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.1 | 10.9 | -462 | 46 | |
8. | Fujifilm X30 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.4 | 11.2 | -312 | 49 | |
9. | Fujifilm XQ2 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.5 | 11.2 | -275 | 49 | |
10. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
11. | Panasonic LF1 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60i | 20.8 | 11.6 | 211 | 52 | |
12. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
13. | Ricoh GR | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.6 | 13.5 | 972 | 78 | |
14. | Sony NEX-3 | APS-C | 14.0 | 4592 | 3056 | 720/30p | 22.1 | 12.0 | 830 | 68 | |
15. | Sony NEX-3N | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 22.8 | 12.5 | 1067 | 74 | |
16. | Sony NEX-5N | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.6 | 12.7 | 1079 | 77 | |
17. | Sony NEX-5T | APS-C | 16.0 | 4912 | 3264 | 1080/60p | 23.6 | 13.0 | 1015 | 78 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the XQ1 provides a higher frame rate than the NEX-5R. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The XQ1 and the NEX-5R are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the NEX-5R can be equipped with an optional viewfinder – the FDA-EV1S. The following table reports on some other key feature differences and similarities of the Fujifilm XQ1, the Sony NEX-5R, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XQ1 | none | n | 3.0 / 920 | fixed | n | 1/4000s | 12.0/s | Y | Y | |
2. | Sony NEX-5R | optional | n | 3.0 / 920 | tilting | Y | 1/4000s | 10.0/s | n | n | |
3. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
4. | Canon S120 | none | n | 3.0 / 922 | fixed | Y | 1/2000s | 12.1/s | Y | Y | |
5. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
6. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
7. | Fujifilm X20 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 12.0/s | Y | Y | |
8. | Fujifilm X30 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 12.0/s | Y | Y | |
9. | Fujifilm XQ2 | none | n | 3.0 / 920 | fixed | n | 1/4000s | 12.0/s | Y | Y | |
10. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
11. | Panasonic LF1 | 200 | n | 3.0 / 920 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
12. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
13. | Ricoh GR | optional | n | 3.0 / 1230 | fixed | n | 1/4000s | 4.0/s | Y | n | |
14. | Sony NEX-3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
15. | Sony NEX-3N | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 4.0/s | Y | n | |
16. | Sony NEX-5N | optional | n | 3.0 / 920 | tilting | Y | 1/4000s | 10.0/s | n | n | |
17. | Sony NEX-5T | optional | n | 3.0 / 922 | tilting | Y | 1/4000s | 10.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The XQ1 has one, while the NEX-5R does not. While the built-in flash of the XQ1 is not very powerful, it can at times be useful as a fill-in light.
The NEX-5R has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the XQ1 does not have a selfie-screen.The XQ1 writes its imaging data to SDXC cards, while the NEX-5R uses SDXC or Memory Stick PRO Duo cards. The XQ1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-5R cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm XQ1 and Sony Alpha NEX-5R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XQ1 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
2. | Sony NEX-5R | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
3. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
4. | Canon S120 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
5. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
6. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Fujifilm X20 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
8. | Fujifilm X30 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
9. | Fujifilm XQ2 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
11. | Panasonic LF1 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
12. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Ricoh GR | Y | mono / mono | - | - | micro | 2.0 | - | - | - | |
14. | Sony NEX-3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Sony NEX-3N | - | stereo / mono | - | - | micro | 2.0 | - | - | - | |
16. | Sony NEX-5N | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Sony NEX-5T | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - |
It is notable that the NEX-5R has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The XQ1 does not feature such an accessory-socket.
Both the XQ1 and the NEX-5R have been discontinued, but can regularly be found used on ebay. The NEX-5R was replaced by the Sony NEX-5T, while the XQ1 was followed by the Fujifilm XQ2. Further information on the features and operation of the XQ1 and NEX-5R can be found, respectively, in the Fujifilm XQ1 Manual (free pdf) or the online Sony NEX-5R Manual.
Review summary
So how do things add up? Which of the two cameras – the Fujifilm XQ1 or the Sony NEX-5R – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm XQ1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the NEX-5R requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the NEX-5R).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 1 year and 1 month after the NEX-5R).
Reasons to prefer the Sony Alpha NEX-5R:
- More detail: Has more megapixels (16 vs 12MP), which boosts linear resolution by 18%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (330 versus 240) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in August 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the NEX-5R emerges as the winner of the match-up (14 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XQ1 and the Sony NEX-5R place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the XQ1 or the NEX-5R. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XQ1 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Oct 2013 | 499 | ebay.com | |
2. | Sony NEX-5R | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Aug 2012 | 749 | ebay.com | |
3. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
4. | Canon S120 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 449 | ebay.com | |
5. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | 549 | ebay.com | |
6. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
7. | Fujifilm X20 | 4/5 | + + | .. | 77/100 | 4.5/5 | 5/5 | Jan 2013 | 599 | ebay.com | |
8. | Fujifilm X30 | 4/5 | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Aug 2014 | 599 | ebay.com | |
9. | Fujifilm XQ2 | .. | .. | .. | .. | 4/5 | 4/5 | Jan 2015 | 399 | ebay.com | |
10. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
11. | Panasonic LF1 | 3/5 | + | .. | .. | 4/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
12. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
13. | Ricoh GR | 5/5 | .. | .. | 79/100 | 4.5/5 | 4.5/5 | Apr 2013 | 799 | ebay.com | |
14. | Sony NEX-3 | .. | .. | .. | 70/100 | 4.5/5 | 4/5 | May 2010 | 599 | ebay.com | |
15. | Sony NEX-3N | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2013 | 499 | ebay.com | |
16. | Sony NEX-5N | 3/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Aug 2011 | 699 | ebay.com | |
17. | Sony NEX-5T | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 699 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 800D vs Sony NEX-5R
- Fujifilm X-A1 vs Sony NEX-5R
- Fujifilm X-Pro1 vs Fujifilm XQ1
- Fujifilm X100 vs Sony NEX-5R
- Fujifilm X100V vs Sony NEX-5R
- Fujifilm XP140 vs Fujifilm XQ1
- Fujifilm XQ1 vs Leica V-LUX 1
- Fujifilm XQ1 vs Leica X-U Typ 113
- Fujifilm XQ1 vs Nikon 1 J4
- Fujifilm XQ1 vs Sony A7C
- Nikon P1000 vs Sony NEX-5R
- Panasonic GX7 vs Sony NEX-5R
Specifications: Fujifilm XQ1 vs Sony NEX-5R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm XQ1 | Sony NEX-5R |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 25-100mm f/1.8-4.9 | Sony E mount lenses |
Launch Date | October 2013 | August 2012 |
Launch Price | USD 499 | USD 749 |
Sensor Specs | Fujifilm XQ1 | Sony NEX-5R |
Sensor Technology | CMOS | CMOS |
Sensor Format | Two Thirds Sensor | APS-C Sensor |
Sensor Size | 8.8 x 6.6 mm | 23.4 x 15.6 mm |
Sensor Area | 58.08 mm2 | 365.04 mm2 |
Sensor Diagonal | 11 mm | 28.1 mm |
Crop Factor | 3.9x | 1.5x |
Sensor Resolution | 12 Megapixels | 16 Megapixels |
Image Resolution | 4000 x 3000 pixels | 4912 x 3264 pixels |
Pixel Pitch | 2.20 μm | 4.78 μm |
Pixel Density | 20.66 MP/cm2 | 4.39 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/60i Video |
ISO Setting | 100 - 12,800 ISO | 100 - 25,600 ISO |
DXO Sensor Quality (score) | .. | 78 |
DXO Color Depth (bits) | .. | 23.7 |
DXO Dynamic Range (EV) | .. | 13.1 |
DXO Low Light (ISO) | .. | 910 |
Screen Specs | Fujifilm XQ1 | Sony NEX-5R |
Viewfinder Type | no viewfinder | Viewfinder optional |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 920k dots | 920k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Fujifilm XQ1 | Sony NEX-5R |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 12 shutter flaps/s | 10 shutter flaps/s |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Fujifilm XQ1 | Sony NEX-5R |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Wifi Support | Wifi built-in | Wifi built-in |
Body Specs | Fujifilm XQ1 | Sony NEX-5R |
Battery Type | Fujifilm NP-48 | Sony NP-FW50 |
Battery Life (CIPA) | 240 shots per charge | 330 shots per charge |
Body Dimensions |
100 x 59 x 33 mm (3.9 x 2.3 x 1.3 in) |
111 x 59 x 39 mm (4.4 x 2.3 x 1.5 in) |
Camera Weight | 206 g (7.3 oz) | 276 g (9.7 oz) |
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