Fujifilm X30 vs Sony A5000
The Fujifilm X30 and the Sony Alpha A5000 are two digital cameras that were announced, respectively, in August 2014 and January 2014. The X30 is a fixed lens compact, while the A5000 is a mirrorless interchangeable lens camera. The cameras are based on a 2/3 (X30) and an APS-C (A5000) sensor. The Fujifilm has a resolution of 12 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X30 and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X30 and the Sony A5000. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X30 can be obtained in two different colors (black, silver), while the A5000 is available in three color-versions (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is notably smaller (19 percent) than the Fujifilm X30. In this context, it is worth noting that neither the X30 nor the A5000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X30 has a lens built in, whereas the A5000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A5000 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the X30 gets 470 shots out of its NP-95 battery, while the A5000 can take 420 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|2.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449|
|3.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|4.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|5.||Fujifilm X100T||127 mm||74 mm||52 mm||440 g||330||n||Sep 2014||1,299|
|6.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|7.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299|
|8.||Fujifilm XQ1||100 mm||59 mm||33 mm||206 g||240||n||Oct 2013||499|
|9.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|10.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|11.||Olympus Stylus 1s||116 mm||87 mm||57 mm||402 g||450||n||Apr 2015||699|
|12.||Olympus Stylus 1||116 mm||87 mm||57 mm||402 g||410||n||Oct 2013||699|
|13.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899|
|14.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|15.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|16.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|17.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X30 features a 2/3 sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 516 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 1.5. The sensor in the X30 has a native 4:3 aspect ratio, while the one in the A5000 offers a 3:2 aspect.
With 19.8MP, the A5000 offers a higher resolution than the X30 (12MP), but the A5000 nevertheless has larger individual pixels (pixel pitch of 4.25μm versus 2.20μm for the X30) due to its larger sensor. However, the X30 is a somewhat more recent model (by 7 months) than the A5000, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X30 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A5000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A5000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Fujifilm X30 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The X30 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X30 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|11.||Olympus Stylus 1s||1/1.7||11.8||3968||2976||1080/30p||..||..||..||..|
|12.||Olympus Stylus 1||1/1.7||11.8||3968||2976||1080/30p||20.7||11.6||179||51|
|13.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|14.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X30 provides a higher frame rate than the A5000. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X30 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the A5000 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X30, the Sony A5000, and comparable cameras.
|1.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0||Y||Y|
|2.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5||Y||n|
|3.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6||Y||n|
|4.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|5.||Fujifilm X100T||2360||n||3.0 / 1040||fixed||n||1/4000s||6.0||Y||n|
|6.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0||Y||Y|
|7.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0||Y||n|
|8.||Fujifilm XQ1||none||n||3.0 / 920||fixed||n||1/4000s||12.0||Y||Y|
|9.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0||Y||Y|
|10.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0||Y||Y|
|11.||Olympus Stylus 1s||1440||n||3.0 / 1040||tilting||Y||1/2000s||7.0||Y||Y|
|12.||Olympus Stylus 1||1440||n||3.0 / 1040||tilting||Y||1/2000s||7.0||Y||Y|
|13.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0||n||Y|
|14.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|15.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0||Y||n|
|16.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|17.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0||Y||n|
The X30 writes its imaging data to SDXC cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X30 and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Fujifilm X100T||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|7.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|8.||Fujifilm XQ1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Olympus Stylus 1s||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Olympus Stylus 1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the X30 has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The X30 is a recent model that features in the current product line-up of Fujifilm. In contrast, the A5000 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A5000 was succeeded by the Sony A5100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So what is the bottom line? Is the Fujifilm X30 better than the Sony A5000 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm X30:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 461k dots).
- Faster burst: Shoots at higher frequency (12 vs 3.5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the A5000 requires a separate lens.
- Longer lasting: Can take more shots (470 versus 420) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More modern: Is somewhat more recent (announced 7 months after the A5000).
Reasons to prefer the Sony Alpha A5000:
- More detail: Has more megapixels (19.8 vs 12MP), which boosts linear resolution by 31%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (110x63mm vs 119x72mm) and will fit more readily into a bag.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in January 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (11 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X30 and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X30 or the A5000 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|2.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449|
|3.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|4.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|5.||Fujifilm X100T||5/5||+||..||81/100||4.5/5||5/5||Sep 2014||1,299|
|6.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599|
|7.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299|
|8.||Fujifilm XQ1||..||..||..||..||4.5/5||4.5/5||Oct 2013||499|
|9.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|10.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|11.||Olympus Stylus 1s||..||..||..||..||..||..||Apr 2015||699|
|12.||Olympus Stylus 1||..||+ +||..||..||4.5/5||4.5/5||Oct 2013||699|
|13.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899|
|14.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|15.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549|
|16.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|17.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X vs Fujifilm X30
- Canon 70D vs Sony A5000
- Canon RP vs Sony A5000
- Canon SX720 vs Sony A5000
- Canon T100 vs Fujifilm X30
- Fujifilm X30 vs Leica D-LUX 6
- Fujifilm X30 vs Leica M8
- Fujifilm X30 vs Leica V-LUX 4
- Fujifilm X30 vs Panasonic GH3
- Olympus E-M1 vs Sony A5000
- Sony A5000 vs Sony A7
- Sony A5000 vs Zeiss ZX1
Specifications: Fujifilm X30 vs Sony A5000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X30||Sony A5000|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.0-2.8||Sony E mount lenses|
|Launch Date||August 2014||January 2014|
|Launch Price||USD 599||USD 449|
|Sensor Specs||Fujifilm X30||Sony A5000|
|Sensor Format||Two Thirds Sensor||APS-C Sensor|
|Sensor Size||8.8 x 6.6 mm||23.2 x 15.4 mm|
|Sensor Area||58.08 mm2||357.28 mm2|
|Sensor Diagonal||11 mm||27.8 mm|
|Sensor Resolution||12 Megapixels||19.8 Megapixels|
|Image Resolution||4000 x 3000 pixels||5456 x 3632 pixels|
|Pixel Pitch||2.20 μm||4.25 μm|
|Pixel Density||20.66 MP/cm2||5.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||100 - 12,800 ISO||100 - 16,000 ISO|
|Image Processor||EXR Processor II||BIONZ X|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||23.8|
|DXO Dynamic Range (EV)||..||13.0|
|DXO Low Light (ISO)||..||1089|
|Screen Specs||Fujifilm X30||Sony A5000|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||461k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Fujifilm X30||Sony A5000|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||3.5 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X30||Sony A5000|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Fujifilm X30||Sony A5000|
|Battery Life (CIPA)||470 shots per charge||420 shots per charge|
|In-Camera Charging||USB charging||USB charging|
119 x 72 x 60 mm
(4.7 x 2.8 x 2.4 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||423 g (14.9 oz)||269 g (9.5 oz)|
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