Fujifilm X20 vs Sony A5000
The Fujifilm X20 and the Sony Alpha A5000 are two digital cameras that were announced, respectively, in January 2013 and January 2014. The X20 is a fixed lens compact, while the A5000 is a mirrorless interchangeable lens camera. The cameras are based on a 2/3 (X20) and an APS-C (A5000) sensor. The Fujifilm has a resolution of 12 megapixels, whereas the Sony provides 19.8 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Fujifilm X20||Sony A5000|
|Fixed lens compact camera||Mirrorless system camera|
|28-112mm f/2.0-2.8||Sony E mount lenses|
|12 MP, Two Thirds Sensor||19.8 MP, APS-C Sensor|
|1080/60p Video||1080/60i Video|
|ISO 100-12800||ISO 100-16000|
|Optical viewfinder||No viewfinder, LCD framing|
|2.8" LCD, 460k dots||3.0" LCD, 461k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|12 shutter flaps per second||3.5 shutter flaps per second|
|270 shots per battery charge||420 shots per battery charge|
|117 x 70 x 57 mm, 353 g||110 x 63 x 36 mm, 269 g|
Body comparison: Fujifilm X20 vs Sony A5000
The side-by-side display below illustrates the physical size and weight of the Fujifilm X20 and the Sony A5000. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is notably smaller (15 percent) than the Fujifilm X20. In this context, it is worth noting that neither the X20 nor the A5000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X20 has a lens built in, whereas the A5000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A5000 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the X20 gets 270 shots out of its NP-50 battery, while the A5000 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X20»||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599||-||Fujifilm X20|
|Sony A5000«||4.3 in||2.5 in||1.4 in||9.5 oz||420||n||Jan 2014||449||-||Sony A5000|
|Canon M10« »||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499||-||Canon M10|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||-||Canon G15|
|Fujifilm X30« »||4.7 in||2.8 in||2.4 in||14.9 oz||470||n||Aug 2014||599||Fujifilm X30|
|Fujifilm X-M1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699||-||Fujifilm X-M1|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 6« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||-||Leica D-LUX 6|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||-||Nikon D3300|
|Nikon P7800« »||4.7 in||3.1 in||2.0 in||14.1 oz||350||n||Sep 2013||549||-||Nikon P7800|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony A5100« »||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549||Sony A5100|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||-||Sony NEX-3N|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Fujifilm X20 vs Sony A5000
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X20 features a 2/3 sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 516 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 1.5. The sensor in the X20 has a native 4:3 aspect ratio, while the one in the A5000 offers a 3:2 aspect.
With 19.8MP, the A5000 offers a higher resolution than the X20 (12MP), but the A5000 nevertheless has larger individual pixels (pixel pitch of 4.25μm versus 2.20μm for the X20) due to its larger sensor. Moreover, the A5000 is a somewhat more recent model (by 1 year) than the X20, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X20 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The X20 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Fujifilm X20 has a native sensitivity range from ISO 100 to ISO 12800 The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X20»||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm X20|
|Sony A5000«||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79||Sony A5000|
|Canon M10« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Fujifilm X30« »||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm X30|
|Fujifilm X-M1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-M1|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX 6« »||1/1.7||10.0||3648||2736||1080/60p||-||-||-||-||Leica D-LUX 6|
|Nikon D3300« »||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Nikon P7800« »||1/1.7||12.0||4000||3000||1080/30p||21.2||11.7||200||54||Nikon P7800|
|Panasonic LX100« »||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X20 provides a higher frame rate than the A5000. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Feature comparison: Fujifilm X20 vs Sony A5000
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X20 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the A5000 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm X20 and Sony A5000 in connection with corresponding information for a sample of similar cameras.
|Fujifilm X20»||optical||n||2.8||460||fixed||n||4000||12.0||Y||Y||Fujifilm X20|
|Sony A5000«||-||n||3.0||461||tilting||n||4000||3.5||Y||n||Sony A5000|
|Canon M10« »||-||n||3.0||1040||tilting||Y||4000||4.6||Y||n||Canon M10|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||2000||6.5||Y||Y||Canon G7 X|
|Canon G16« »||optical||n||3.0||922||fixed||n||4000||2.2||Y||Y||Canon G16|
|Canon G15« »||optical||n||3.0||922||fixed||n||4000||2.1||Y||Y||Canon G15|
|Fujifilm X30« »||2360||n||3.0||920||tilting||n||4000||12.0||Y||Y||Fujifilm X30|
|Fujifilm X-M1« »||-||n||3.0||920||tilting||n||4000||5.6||Y||n||Fujifilm X-M1|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||4000||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX 6« »||-||n||3.0||920||fixed||n||4000||11.0||Y||Y||Leica D-LUX 6|
|Nikon D3300« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n||Nikon D3300|
|Nikon P7800« »||921||n||3.0||921||swivel||n||4000||8.0||Y||Y||Nikon P7800|
|Panasonic LX100« »||2764||n||3.0||921||fixed||n||4000||11.0||n||Y||Panasonic LX100|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||4000||11.0||Y||Y||Panasonic LX7|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y||Sony RX100 IV|
|Sony A5100« »||-||n||3.0||922||tilting||Y||4000||6.0||Y||n||Sony A5100|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||4000||4.0||Y||n||Sony NEX-3N|
The X20 writes its imaging data to SDXC cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards.
Connectivity comparison: Fujifilm X20 vs Sony A5000
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X20 and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X20»||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Sony A5000«||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5000|
|Canon M10« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Fujifilm X30« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X30|
|Fujifilm X-M1« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX 6« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Nikon D3300« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Nikon P7800« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon P7800|
|Panasonic LX100« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
It is notable that the X20 has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the X20 and the A5000 have been discontinued, but can regularly be found used on eBay. The X20 was replaced by the Fujifilm X30, while the A5000 was followed by the Sony A5100.
Review summary: Fujifilm X20 vs Sony A5000
So how do things add up? Is there a clear favorite between the Fujifilm X20 and the Sony A5000? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X20:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Easier framing: Has an optical viewfinder for image framing and settings control.
- Faster burst: Shoots at higher frequency (12 vs 3.5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the A5000 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in January 2013).
Advantages of the Sony Alpha A5000:
- More detail: Has more megapixels (19.8 vs 12MP), which boosts linear resolution by 31%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: Larger sensor generates images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (110x63mm vs 117x70mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (420 versus 270) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (1 year) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the A5000 is the clear winner of the contest (15 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the X20 or the A5000. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Fujifilm X20 vs Sony A5000
This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Fujifilm X20»||HiRec||77/100||4.5/5||-||5/5||Jan 2013||599||-||Fujifilm X20|
|Sony A5000«||Rec||-||4.5/5||rev||4.5/5||Jan 2014||449||-||Sony A5000|
|Canon M10« »||-||-||-||rev||4/5||Oct 2015||499||-||Canon M10|
|Canon G7 X« »||HiRec||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Canon G16« »||Rec||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon G15« »||Rec||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Fujifilm X30« »||-||76/100||4.5/5||4/5||4.5/5||Aug 2014||599||Fujifilm X30|
|Fujifilm X-M1« »||Rec||77/100||4.5/5||-||4.5/5||Jun 2013||699||-||Fujifilm X-M1|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 6« »||-||-||4/5||-||4/5||Sep 2012||699||-||Leica D-LUX 6|
|Nikon D3300« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499||-||Nikon D3300|
|Nikon P7800« »||-||-||4/5||3.5/5||4.5/5||Sep 2013||549||-||Nikon P7800|
|Panasonic LX100« »||HiRec||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Panasonic LX7« »||HiRec||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony A5100« »||Rec||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D vs Canon SX740
- Canon 200D vs Canon 800D
- Canon M vs Sony RX100 III
- Canon T6 vs Sony A6300
- Canon T7 vs Leica X Typ 113
- Fujifilm X-A3 vs Sony A99 II
- Fujifilm X-E1 vs Sony A7R III
- Fujifilm X-H1 vs Leica M8
- Nikon D800 vs Sony A6300
- Olympus E-M1 II vs Panasonic FZ100
- Panasonic S1R vs Panasonic TZ200
- Panasonic TZ100 vs Canon 5DS
Specifications: Fujifilm X20 vs Sony A5000
|Camera Model||Fujifilm X20||Sony A5000|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.0-2.8||Sony E mount lenses|
|Launch Date||January 2013||January 2014|
|Launch Price||USD 599||USD 449|
|Sensor Format||Two Thirds Sensor||APS-C Sensor|
|Sensor Size||8.8 x 6.6 mm||23.2 x 6.6 mm|
|Sensor Area||58.08 mm2||357.28 mm2|
|Sensor Diagonal||11 mm||27.8 mm|
|Sensor Resolution||12 Megapixels||19.8 Megapixels|
|Image Resolution||4000 x 3000 pixels||5456 x 3632 pixels|
|Pixel Pitch||2.20 μm||4.25 μm|
|Pixel Density||20.66 MP/cm2||5.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||100-12800 ISO||100-16000 ISO|
|Image Processor||EXR Processor II||BIONZ X|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||23.8|
|DXO Dynamic Range (EV)||..||13.0|
|DXO Low Light (ISO)||..||1089|
|Viewfinder Type||Optical viewfinder||No viewfinder|
|Viewfinder Field of View||85%||n/a|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.8 inch||3.0 inch|
|LCD Resolution||460k dots||461k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Autofocus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Maximum Shutter Speed||1/4000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||3.5 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Battery Type||NP-50 power pack||NP-FW50 power pack|
|Battery Life (CIPA)||270 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 70 x 57 mm
(4.6 x 2.8 x 2.2 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||353 g (12.5 oz)||269 g (9.5 oz)|
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