Fujifilm X-T5 vs Nikon Z7 II
The Fujifilm X-T5 and the Nikon Z7 II are two enthusiast cameras that were officially introduced, respectively, in November 2022 and October 2020. Both the X-T5 and the Z7 II are mirrorless interchangeable lens cameras that are based on an APS-C (X-T5) and a full frame (Z7 II) sensor. The Fujifilm has a resolution of 39.8 megapixels, whereas the Nikon provides 45.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T5 and the Nikon Z7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-T5 and the Nikon Z7 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The X-T5 can be obtained in two different colors (black, silver), while the Z7 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z7 II is notably larger (14 percent) than the Fujifilm X-T5. Moreover, the Z7 II is markedly heavier (27 percent) than the X-T5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the X-T5 gets 580 shots out of its Fujifilm NP-W235 battery, while the Z7 II can take 420 images on a single charge of its Nikon EN-EL15c power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-T5 | 130 mm | 91 mm | 64 mm | 557 g | 580 | Y | Nov 2022 | 1,699 | amazon.com | |
2. | Nikon Z7 II | 134 mm | 101 mm | 70 mm | 705 g | 420 | Y | Oct 2020 | 2,999 | amazon.com | |
3. | Fujifilm X-H1 | 140 mm | 97 mm | 86 mm | 673 g | 310 | Y | Feb 2018 | 1,899 | ebay.com | |
4. | Fujifilm X-H2 | 136 mm | 93 mm | 85 mm | 660 g | 680 | Y | Sep 2022 | 1,999 | amazon.com | |
5. | Fujifilm X-H2S | 136 mm | 93 mm | 85 mm | 660 g | 580 | Y | May 2022 | 2,499 | amazon.com | |
6. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | 1,699 | ebay.com | |
7. | Fujifilm X-Pro3 | 141 mm | 83 mm | 46 mm | 497 g | 440 | Y | Oct 2019 | 1,799 | amazon.com | |
8. | Fujifilm X-S20 | 128 mm | 85 mm | 65 mm | 491 g | 750 | n | May 2023 | 1,299 | amazon.com | |
9. | Fujifilm X-T2 | 133 mm | 92 mm | 49 mm | 507 g | 340 | Y | Jul 2016 | 1,599 | ebay.com | |
10. | Fujifilm X-T3 | 133 mm | 93 mm | 59 mm | 539 g | 390 | Y | Sep 2018 | 1,499 | ebay.com | |
11. | Fujifilm X-T4 | 135 mm | 93 mm | 64 mm | 607 g | 500 | Y | Feb 2020 | 1,699 | ebay.com | |
12. | Fujifilm X100VI | 128 mm | 75 mm | 55 mm | 521 g | 450 | Y | Feb 2024 | 1,599 | amazon.com | |
13. | Nikon Z6 II | 134 mm | 101 mm | 70 mm | 705 g | 410 | Y | Oct 2020 | 1,999 | amazon.com | |
14. | Nikon Z7 | 134 mm | 101 mm | 67 mm | 675 g | 330 | Y | Aug 2018 | 3,399 | ebay.com | |
15. | Nikon Z9 | 149 mm | 150 mm | 91 mm | 1340 g | 740 | Y | Oct 2021 | 5,499 | amazon.com | |
16. | Sony A7R II | 127 mm | 96 mm | 60 mm | 625 g | 290 | Y | Jun 2015 | 3,199 | ebay.com | |
17. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-T5 was launched at a markedly lower price (by 43 percent) than the Z7 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-T5 features an APS-C sensor and the Nikon Z7 II a full frame sensor. The sensor area in the Z7 II is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 45.4MP, the Z7 II offers a higher resolution than the X-T5 (39.8MP), but the Z7 II nevertheless has larger individual pixels (pixel pitch of 4.35μm versus 3.04μm for the X-T5) due to its larger sensor. However, the X-T5 is a much more recent model (by 2 years) than the Z7 II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon Z7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 II for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inches or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inches or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inches or 69.9 x 46.6 cm. The corresponding values for the Fujifilm X-T5 are 38.6 x 25.8 inches or 98.1 x 65.4 cm for good quality, 30.9 x 20.6 inches or 78.5 x 52.3 cm for very good quality, and 25.8 x 17.2 inches or 65.4 x 43.6 cm for excellent quality prints.
Unlike the Z7 II, the X-T5 has the capacity to capture high quality composite images (160MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-T5 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 64-51200. The corresponding ISO settings for the Nikon Z7 II are ISO 64 to ISO 25600, with the possibility to increase the ISO range to 32-102400.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. The X-T5 uses Fujifilm's X-Trans layout of photosites, while the Z7 II employs the more common Bayer array.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-T5 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 13.9 | 2264 | 86 | |
2. | Nikon Z7 II | Full Frame | 45.4 | 8256 | 5504 | 4K/60p | 26.3 | 14.7 | 2841 | 100 | |
3. | Fujifilm X-H1 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.3 | 1806 | 82 | |
4. | Fujifilm X-H2 | APS-C | 39.8 | 7728 | 5152 | 8k/30p | 24.3 | 13.9 | 2249 | 86 | |
5. | Fujifilm X-H2S | APS-C | 26.0 | 6240 | 4160 | 6.2k/30p | 24.3 | 13.9 | 2224 | 86 | |
6. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
7. | Fujifilm X-Pro3 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.1 | 13.6 | 1968 | 84 | |
8. | Fujifilm X-S20 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.3 | 14.0 | 2315 | 86 | |
9. | Fujifilm X-T2 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.1 | 1653 | 81 | |
10. | Fujifilm X-T3 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.0 | 13.4 | 1853 | 83 | |
11. | Fujifilm X-T4 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.1 | 13.6 | 1995 | 84 | |
12. | Fujifilm X100VI | APS-C | 39.8 | 7728 | 5152 | 6.2K/30p | 24.3 | 14.1 | 2397 | 86 | |
13. | Nikon Z6 II | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.0 | 14.4 | 3303 | 94 | |
14. | Nikon Z7 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.3 | 14.6 | 2668 | 99 | |
15. | Nikon Z9 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.4 | 2451 | 98 | |
16. | Sony A7R II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 13.9 | 3434 | 98 | |
17. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-T5 provides a higher video resolution than the Z7 II. It can shoot video footage at 6.2k/30p, while the Nikon is limited to 4K/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The X-T5 and the Z7 II are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 3690k dots. The table below summarizes some of the other core capabilities of the Fujifilm X-T5 and Nikon Z7 II in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-T5 | 3690 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 15.0/s | n | Y | |
2. | Nikon Z7 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
3. | Fujifilm X-H1 | 3690 | Y | 3.0 / 1040 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
4. | Fujifilm X-H2 | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
5. | Fujifilm X-H2S | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
6. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
7. | Fujifilm X-Pro3 | 3690 | n | 3.0 / 1620 | tilting | Y | 1/8000s | 8.0/s | n | n | |
8. | Fujifilm X-S20 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/4000s | 8.0/s | Y | Y | |
9. | Fujifilm X-T2 | 2360 | n | 3.0 / 1040 | full-flex | n | 1/8000s | 8.0/s | n | n | |
10. | Fujifilm X-T3 | 3690 | n | 3.0 / 1040 | full-flex | Y | 1/8000s | 11.0/s | n | n | |
11. | Fujifilm X-T4 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
12. | Fujifilm X100VI | 3690 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 11.0/s | n | Y | |
13. | Nikon Z6 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 14.0/s | n | Y | |
14. | Nikon Z7 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 9.0/s | n | Y | |
15. | Nikon Z9 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
16. | Sony A7R II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
17. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the Z7 II, but is missing on the X-T5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The X-T5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the Z7 II does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T5 and the Nikon Z7 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-T5 writes its imaging data to SDXC cards, while the Z7 II uses CFexpress (type B) or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T5 and Nikon Z7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-T5 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
2. | Nikon Z7 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
3. | Fujifilm X-H1 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
4. | Fujifilm X-H2 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
5. | Fujifilm X-H2S | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
6. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
7. | Fujifilm X-Pro3 | Y | stereo / mono | Y | - | - | 3.1 | Y | - | Y | |
8. | Fujifilm X-S20 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
9. | Fujifilm X-T2 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
10. | Fujifilm X-T3 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
11. | Fujifilm X-T4 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
12. | Fujifilm X100VI | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
13. | Nikon Z6 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
14. | Nikon Z7 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
15. | Nikon Z9 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
16. | Sony A7R II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
17. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y |
It is notable that the Z7 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-T5 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm X-T5 (unlike the Z7 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-T5 and the Z7 II are recent models that are part of the current product line-up. The Z7 II replaced the earlier Nikon Z7, while the X-T5 followed on from the Fujifilm X-T4. Further information on the features and operation of the X-T5 and Z7 II can be found, respectively, in the Fujifilm X-T5 Manual (free pdf) or the online Nikon Z7 II Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Fujifilm X-T5 or the Nikon Z7 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm X-T5:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (6.2k/30p vs 4K/60p).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (15 vs 10 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (130x91mm vs 134x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 148g or 21 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (580 versus 420) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More modern: Reflects 2 years of technical progress since the Z7 II launch.
Reasons to prefer the Nikon Z7 II:
- More detail: Has more megapixels (45.4 vs 39.8MP), which boosts linear resolution by 7%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1840k dots).
- More heavily discounted: Has been around for much longer (launched in October 2020).
If the count of relative strengths (bullet points above) is taken as a measure, the X-T5 comes out slightly ahead of the Z7 II (11 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T5 and the Nikon Z7 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the X-T5 and the Z7 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-T5 | 5/5 | + + | 4.5/5 | 90/100 | 4.5/5 | .. | Nov 2022 | 1,699 | amazon.com | |
2. | Nikon Z7 II | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Oct 2020 | 2,999 | amazon.com | |
3. | Fujifilm X-H1 | .. | + | 5/5 | 86/100 | 4.5/5 | 4.5/5 | Feb 2018 | 1,899 | ebay.com | |
4. | Fujifilm X-H2 | 5/5 | + + | 5/5 | 89/100 | 5/5 | 5/5 | Sep 2022 | 1,999 | amazon.com | |
5. | Fujifilm X-H2S | 5/5 | + | 5/5 | 90/100 | 5/5 | 5/5 | May 2022 | 2,499 | amazon.com | |
6. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | 1,699 | ebay.com | |
7. | Fujifilm X-Pro3 | 4/5 | + | 4/5 | 85/100 | 4/5 | .. | Oct 2019 | 1,799 | amazon.com | |
8. | Fujifilm X-S20 | 5/5 | + + | 5/5 | 86/100 | .. | 4.5/5 | May 2023 | 1,299 | amazon.com | |
9. | Fujifilm X-T2 | 5/5 | + + | .. | 86/100 | 4.5/5 | 5/5 | Jul 2016 | 1,599 | ebay.com | |
10. | Fujifilm X-T3 | 5/5 | + + | 4.5/5 | 88/100 | 5/5 | 5/5 | Sep 2018 | 1,499 | ebay.com | |
11. | Fujifilm X-T4 | 5/5 | + + | 5/5 | 88/100 | 5/5 | 5/5 | Feb 2020 | 1,699 | ebay.com | |
12. | Fujifilm X100VI | 5/5 | + + | 4.5/5 | .. | .. | 4.5/5 | Feb 2024 | 1,599 | amazon.com | |
13. | Nikon Z6 II | 4.5/5 | .. | 4/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2020 | 1,999 | amazon.com | |
14. | Nikon Z7 | 5/5 | + | 4.8/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 3,399 | ebay.com | |
15. | Nikon Z9 | 5/5 | .. | 4.5/5 | 94/100 | 5/5 | 5/5 | Oct 2021 | 5,499 | amazon.com | |
16. | Sony A7R II | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jun 2015 | 3,199 | ebay.com | |
17. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G1 X Mark III vs Nikon Z7 II
- Canon R6 vs Nikon Z7 II
- Fujifilm X-T20 vs Fujifilm X-T5
- Fujifilm X-T5 vs Leica M10-P
- Fujifilm X-T5 vs Leica TL2
- Fujifilm X-T5 vs Sigma fp L
- Fujifilm X-T5 vs Sony A1
- Fujifilm X-T5 vs Sony RX100 VII
- Fujifilm X100V vs Nikon Z7 II
- Nikon D600 vs Nikon Z7 II
- Nikon Z7 II vs Panasonic FT7
- Nikon Z7 II vs Panasonic G100
Specifications: Fujifilm X-T5 vs Nikon Z7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm X-T5 | Nikon Z7 II |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Fujifilm X mount lenses | Nikon Z mount lenses |
Launch Date | November 2022 | October 2020 |
Launch Price | USD 1,699 | USD 2,999 |
Sensor Specs | Fujifilm X-T5 | Nikon Z7 II |
Sensor Technology | BSI-CMOS | BSI-CMOS |
Sensor Format | APS-C Sensor | Full Frame Sensor |
Sensor Size | 23.5 x 15.7 mm | 35.9 x 23.9 mm |
Sensor Area | 368.95 mm2 | 858.01 mm2 |
Sensor Diagonal | 28.3 mm | 43.1 mm |
Crop Factor | 1.5x | 1.0x |
Sensor Resolution | 39.8 Megapixels | 45.4 Megapixels |
Image Resolution | 7728 x 5152 pixels | 8256 x 5504 pixels |
Pixel Pitch | 3.04 μm | 4.35 μm |
Pixel Density | 10.79 MP/cm2 | 5.30 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 6.2k/30p Video | 4K/60p Video |
ISO Setting | 125 - 12,800 ISO | 64 - 25,600 ISO |
ISO Boost | 64 - 51,200 ISO | 32 - 102,400 ISO |
Image Processor | X-Processor 5 | DUAL EXPEED 6 |
DXO Sensor Quality (score) | .. | 100 |
DXO Color Depth (bits) | .. | 26.3 |
DXO Dynamic Range (EV) | .. | 14.7 |
DXO Low Light (ISO) | .. | 2841 |
Screen Specs | Fujifilm X-T5 | Nikon Z7 II |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.8x | 0.80x |
Viewfinder Resolution | 3690k dots | 3690k dots |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1840k dots | 2100k dots |
LCD Attachment | Fully flexible screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Fujifilm X-T5 | Nikon Z7 II |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
Continuous Shooting | 15 shutter flaps/s | 10 shutter flaps/s |
Shutter Life Expectancy | 300 000 actuations | 200 000 actuations |
Electronic Shutter | up to 1/180000s | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | CFexB or SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
UHS card support | UHS-II | UHS-II |
Connectivity Specs | Fujifilm X-T5 | Nikon Z7 II |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.2 | USB 3.2 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Fujifilm X-T5 | Nikon Z7 II |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Fujifilm NP-W235 | Nikon EN-EL15c |
Battery Life (CIPA) | 580 shots per charge | 420 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
130 x 91 x 64 mm (5.1 x 3.6 x 2.5 in) |
134 x 101 x 70 mm (5.3 x 4.0 x 2.8 in) |
Camera Weight | 557 g (19.6 oz) | 705 g (24.9 oz) |
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