Fujifilm X-Pro2 versus Leica M9
The Fujifilm X-Pro2 and the Leica M9 are two enthusiast cameras that were revealed to the public, respectively, in January 2016 and September 2009. The X-Pro2 is a mirrorless interchangeable lens camera, while the M9 is a rangefinder-style mirrorless. The cameras are based on an APS-C (X-Pro2) and a full frame (M9) sensor. The Fujifilm has a resolution of 24 megapixel, whereas the Leica provides 18.1 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Fujifilm X-Pro2 vs Leica M9
The physical size and weight of the Fujifilm X-Pro2 and the Leica M9 are illustrated in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the X-Pro2 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica M9 is notably smaller (5 percent) than the Fujifilm X-Pro2. However, the M9 is markedly heavier (18 percent) than the X-Pro2. It is worth mentioning in this context that the X-Pro2 is splash and dust resistant, while the M9 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Leica M Lens Catalog (M9).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Fujifilm X-Pro2 (⇒ rgt)||141 mm||83 mm||46 mm||495 g||350||YES||2016||1,699||latest||check|
|Leica M9 (⇒ lft)||139 mm||80 mm||37 mm||585 g||..||no||2009||7,999||discont.||check|
|Canon 6D Mark II (⇒ lft | rgt)||144 mm||111 mm||75 mm||765 g||1200||YES||2017||1,999||latest||check|
|Canon T2i (⇒ lft | rgt)||129 mm||98 mm||62 mm||530 g||440||no||2010||699||discont.||check|
|Canon T1i (⇒ lft | rgt)||129 mm||98 mm||62 mm||520 g||400||no||2009||799||discont.||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||118 mm||83 mm||41 mm||383 g||350||no||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||117 mm||67 mm||40 mm||339 g||410||no||2016||399||latest||check|
|Fujifilm X-T2 (⇒ lft | rgt)||133 mm||92 mm||49 mm||507 g||340||YES||2016||1,599||latest||check|
|Fujifilm X-T1 (⇒ lft | rgt)||129 mm||90 mm||47 mm||440 g||350||YES||2014||1,699||discont.||check|
|Fujifilm X-Pro1 (⇒ lft | rgt)||140 mm||82 mm||43 mm||450 g||300||no||2012||1,699||discont.||check|
|Leica X Typ 113 (⇒ lft | rgt)||133 mm||73 mm||78 mm||486 g||350||no||2014||2,295||latest||check|
|Leica M Typ 240 (⇒ lft | rgt)||139 mm||80 mm||42 mm||680 g||..||YES||2012||6,950||discont.||check|
|Leica M8 (⇒ lft | rgt)||139 mm||80 mm||37 mm||591 g||..||no||2006||5,499||discont.||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Sony RX10 IV (⇒ lft | rgt)||133 mm||94 mm||145 mm||1095 g||400||YES||2017||1,699||latest||check|
|Sony RX10 III (⇒ lft | rgt)||133 mm||94 mm||127 mm||1051 g||420||YES||2016||1,499||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-Pro2 was launched at a markedly lower price (by 79 percent) than the M9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Fujifilm X-Pro2 vs Leica M9
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Leica M9 a full frame sensor. The sensor area in the M9 is 135 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Fujifilm X-Pro2 offers a higher resolution of 24 megapixel, compared with 18.1 MP of the Leica M9. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 6.91μm for the M9). However, it should be noted that the X-Pro2 is much more recent (by 6 years and 4 months) than the M9, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X-Pro2 (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Leica M9 (⇒ lft)||Full Frame||18.1||5212||3472||no||22.5||11.7||884||69|
|Canon 6D Mark II (⇒ lft | rgt)||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon T2i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66|
|Canon T1i (⇒ lft | rgt)||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T20 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-Pro1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Leica X Typ 113 (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||-||-||-||-|
|Leica M Typ 240 (⇒ lft | rgt)||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|Leica M8 (⇒ lft | rgt)||APS-H||10.4||3936||2630||no||21.1||11.3||663||59|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Sony RX10 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX10 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
Many modern cameras cannot only take still pictures, but also record videos. The X-Pro2 indeed provides movie recording capabilities, while the M9 does not. The highest resolution format that the X-Pro2 can use is 1080/60p.
Feature comparison: Fujifilm X-Pro2 vs Leica M9
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the M9 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Fujifilm X-Pro2 and Leica M9 in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Fujifilm X-Pro2 (⇒ rgt)||2360||no||3.0||1620||fixed||no||8000||8.0||no||no|
|Leica M9 (⇒ lft)||optical||no||2.5||230||fixed||no||4000||2.0||no||no|
|Canon 6D Mark II (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.5||no||no|
|Canon T2i (⇒ lft | rgt)||optical||no||3.0||1040||fixed||no||4000||3.7||13||no|
|Canon T1i (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.4||13||no|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X-T20 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Fujifilm X-T2 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||8000||14.0||no||no|
|Fujifilm X-T1 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||4000||8.0||no||no|
|Fujifilm X-Pro1 (⇒ lft | rgt)||1440||no||3.0||1230||fixed||no||4000||6.0||no||no|
|Leica X Typ 113 (⇒ lft | rgt)||no||no||3.0||920||fixed||no||2000||5.0||YES||no|
|Leica M Typ 240 (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.0||no||no|
|Leica M8 (⇒ lft | rgt)||optical||no||2.5||230||fixed||no||8000||2.0||no||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Sony RX10 IV (⇒ lft | rgt)||2359||YES||3.0||1440||tilting||YES||2000||24.0||10.8||YES|
|Sony RX10 III (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||2000||14.0||10.8||YES|
The X-Pro2 is a current model that online retailers, such as amazon, will have in stock. In contrast, the M9 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the M9 was succeeded by the Leica M Typ 240.
Review summary: Fujifilm X-Pro2 vs Leica M9
So what conclusions can be drawn? Is the Fujifilm X-Pro2 better than the Leica M9 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X-Pro2:
- More detail: Offers more megapixels (24 vs 18.1MP) with a 15% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 230k dots).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 2 flaps/sec) to capture the decisive moment.
- Less heavy: Is lighter (by 90g or 15 percent) and hence easier to carry around.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More affordable: Was introduced into a lower priced category (79 percent cheaper at launch).
- More modern: Reflects 6 years and 4 months of technical progress since the M9 launch.
Advantages of the Leica M9:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2009).
If the count of individual advantages (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the match-up (11 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the X-Pro2 or the M9. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Fujifilm X-Pro2 (⇒ rgt)||Rec||83/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,699||latest||check|
|Leica M9 (⇒ lft)||-||-||4.5/5||4.5/5||-||2009||7,999||discont.||check|
|Canon 6D Mark II (⇒ lft | rgt)||Rec||80/100||4.5/5||4/5||4/5||2017||1,999||latest||check|
|Canon T2i (⇒ lft | rgt)||88/100 HiRec||77/100 Gold||4/5||5/5||4.5/5||2010||699||discont.||check|
|Canon T1i (⇒ lft | rgt)||88/100 HiRec||74/100 HiRec||4.5/5||5/5||4.5/5||2009||799||discont.||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||4.5/5||4.5/5||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Fujifilm X-T2 (⇒ lft | rgt)||HiRec||86/100 Gold||4.5/5||5/5||5/5||2016||1,599||latest||check|
|Fujifilm X-T1 (⇒ lft | rgt)||HiRec||84/100 Gold||5/5||4/5||5/5||2014||1,699||discont.||check|
|Fujifilm X-Pro1 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4/5||4.5/5||2012||1,699||discont.||check|
|Leica X Typ 113 (⇒ lft | rgt)||-||-||3.5/5||-||4/5||2014||2,295||latest||check|
|Leica M Typ 240 (⇒ lft | rgt)||-||-||4/5||-||-||2012||6,950||discont.||check|
|Leica M8 (⇒ lft | rgt)||-||HiRec||-||-||-||2006||5,499||discont.||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Sony RX10 IV (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||5/5||2017||1,699||latest||check|
|Sony RX10 III (⇒ lft | rgt)||Rec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,499||discont.||check|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, please send me an email, and I will try to locate and add the respective data to the application.
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