Fujifilm X-Pro1 vs Leica M-E Typ 240
The Fujifilm X-Pro1 and the Leica M-E (Typ 240) are two enthusiast cameras that were revealed to the public, respectively, in January 2012 and June 2019. The X-Pro1 is a mirrorless interchangeable lens camera, while the M-E Typ 240 is a rangefinder-style mirrorless. The cameras are based on an APS-C (X-Pro1) and a full frame (M-E Typ 240) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Leica provides 23.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-Pro1||Leica M-E Typ 240|
|Mirrorless system camera||Rangefinder camera|
|Fujifilm X mount lenses||Leica M mount lenses|
|16 MP, APS-C Sensor||23.7 MP, Full Frame Sensor|
|1080/24p Video||1080/25p Video|
|ISO 200-6400 (100-25600)||ISO 200-6400|
|Electronic viewfinder (1440k dots)||Optical viewfinder|
|3.0" LCD, 1230k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|6 shutter flaps per second||3 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|140 x 82 x 43 mm, 450 g||139 x 80 x 42 mm, 680 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro1 and the Leica M-E (Typ 240)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-Pro1 and the Leica M-E Typ 240 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica M-E Typ 240 is somewhat smaller (3 percent) than the Fujifilm X-Pro1. However, the M-E Typ 240 is substantially heavier (51 percent) than the X-Pro1. It is noteworthy in this context that the M-E Typ 240 is splash and dust-proof, while the X-Pro1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro1) and the Leica M Lens Catalog (M-E Typ 240).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X-Pro1»||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Leica M-E Typ 240«||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Jun 2019||3,999||Leica M-E Typ 240|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X100S« »||5.0 in||2.9 in||2.1 in||15.7 oz||330||n||Jan 2013||1,299||-||Fujifilm X100S|
|Fujifilm X-A1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Sep 2013||399||-||Fujifilm X-A1|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-M1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699||-||Fujifilm X-M1|
|Fujifilm X-E1« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Sep 2012||999||-||Fujifilm X-E1|
|Leica M10-P« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Aug 2018||7,995||Leica M10-P|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595||Leica M10|
|Leica M Typ 262« »||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Nov 2015||5,195||-||Leica M Typ 262|
|Leica Q Typ 116« »||5.1 in||3.1 in||3.7 in||22.6 oz||300||n||Jun 2015||4,249||-||Leica Q Typ 116|
|Leica M Typ 240« »||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Sep 2012||6,950||-||Leica M Typ 240|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-Pro1 was launched at a markedly lower price (by 58 percent) than the M-E Typ 240, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro1 features an APS-C sensor and the Leica M-E Typ 240 a full frame sensor. The sensor area in the M-E Typ 240 is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 23.7MP, the M-E Typ 240 offers a higher resolution than the X-Pro1 (16MP), but the M-E Typ 240 nevertheless has larger individual pixels (pixel pitch of 6.01μm versus 4.80μm for the X-Pro1) due to its larger sensor. Moreover, the M-E Typ 240 is a much more recent model (by 7 years and 5 months) than the X-Pro1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-Pro1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica M-E Typ 240 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M-E Typ 240 for good quality output (200 dots per inch) amounts to 29.8 x 19.9 inch or 75.6 x 50.5 cm, for very good quality (250 dpi) 23.8 x 15.9 inch or 60.5 x 40.4 cm, and for excellent quality (300 dpi) 19.8 x 13.3 inch or 50.4 x 33.7 cm. The corresponding values for the Fujifilm X-Pro1 are 24.5 x 16.3 inch or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inch or 41.5 x 27.6 cm for excellent quality prints.
The Fujifilm X-Pro1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Leica M-E (Typ 240) are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm X-Pro1»||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Leica M-E Typ 240«||Full Frame||23.7||5952||3976||1080/25p||-||-||-||-||Leica M-E Typ 240|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-T100|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T10|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T1|
|Fujifilm X100S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X100S|
|Fujifilm X-A1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A1|
|Fujifilm X-E2« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2|
|Fujifilm X-M1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-M1|
|Fujifilm X-E1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-E1|
|Leica M10-P« »||Full Frame||23.8||5952||3992||-||-||-||-||-||Leica M10-P|
|Leica M10« »||Full Frame||23.8||5952||3992||-||24.4||13.2||2133||86||Leica M10|
|Leica M Typ 262« »||Full Frame||23.7||5952||3976||-||-||-||-||-||Leica M Typ 262|
|Leica Q Typ 116« »||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85||Leica Q Typ 116|
|Leica M Typ 240« »||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84||Leica M Typ 240|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the M-E Typ 240 provides a faster frame rate than the X-Pro1. It can shoot movie footage at 1080/25p, while the Fujifilm is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro1 has an electronic viewfinder (1440k dots), while the M-E Typ 240 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Fujifilm X-Pro1 and Leica M-E Typ 240 in connection with corresponding information for a sample of similar cameras.
|Fujifilm X-Pro1»||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Leica M-E Typ 240«||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M-E Typ 240|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Fujifilm X100S« »||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100S|
|Fujifilm X-A1« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A1|
|Fujifilm X-E2« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2|
|Fujifilm X-M1« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-M1|
|Fujifilm X-E1« »||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X-E1|
|Leica M10-P« »||optical||n||3.0||1037||fixed||Y||1/4000s||5.0||n||n||Leica M10-P|
|Leica M10« »||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Leica M Typ 262« »||optical||n||3.0||921||fixed||n||1/4000s||3.0||n||n||Leica M Typ 262|
|Leica Q Typ 116« »||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y||Leica Q Typ 116|
|Leica M Typ 240« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M Typ 240|
Concerning the storage of imaging data, both the X-Pro1 and the M-E Typ 240 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro1 and Leica M-E (Typ 240) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-Pro1»||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Leica M-E Typ 240«||Y||mono||-||-||-||-||2.0||-||-||-||Leica M-E Typ 240|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-T100« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T10« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-T1« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Fujifilm X100S« »||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X100S|
|Fujifilm X-A1« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A1|
|Fujifilm X-E2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Fujifilm X-M1« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Fujifilm X-E1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Fujifilm X-E1|
|Leica M10-P« »||Y||-||-||-||-||-||-||Y||-||-||Leica M10-P|
|Leica M10« »||Y||-||-||-||-||-||-||Y||-||-||Leica M10|
|Leica M Typ 262« »||Y||-||-||-||-||-||2.0||-||-||-||Leica M Typ 262|
|Leica Q Typ 116« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica Q Typ 116|
|Leica M Typ 240« »||Y||stereo||mono||-||-||-||2.0||-||-||-||Leica M Typ 240|
Studio photographers will appreciate that the Fujifilm X-Pro1 (unlike the M-E Typ 240) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The M-E Typ 240 is a recent model that features in the current product line-up of Leica. In contrast, the X-Pro1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-Pro1 was succeeded by the Fujifilm X-Pro2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Leica websites.
So what conclusions can be drawn? Which of the two cameras – the Fujifilm X-Pro1 or the Leica M-E Typ 240 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm X-Pro1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 920k dots).
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- Less heavy: Is lighter (by 230g or 34 percent) and hence easier to carry around.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was introduced into a lower priced category (58 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2012).
Reasons to prefer the Leica M-E (Typ 240):
- More detail: Has more megapixels (23.7 vs 16MP), which boosts linear resolution by 22%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (1080/25p versus 1080/24p).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Reflects 7 years and 5 months of technical progress since the X-Pro1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the M-E Typ 240 emerges as the winner of the match-up (11 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-Pro1 or the M-E Typ 240 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-Pro1»||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Leica M-E Typ 240«||-||-||-||-||-||Jun 2019||3,999||Leica M-E Typ 240|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-T100« »||+||79/100||4/5||-||4.5/5||May 2018||599||Fujifilm X-T100|
|Fujifilm X-Pro2« »||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T10« »||+ +||80/100||5/5||4/5||5/5||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-T1« »||+ +||84/100||5/5||4/5||5/5||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X100S« »||+ +||81/100||4.5/5||4/5||5/5||Jan 2013||1,299||-||Fujifilm X100S|
|Fujifilm X-A1« »||-||-||4.5/5||-||4.5/5||Sep 2013||399||-||Fujifilm X-A1|
|Fujifilm X-E2« »||-||80/100||4.5/5||-||5/5||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-M1« »||+||77/100||4.5/5||-||4.5/5||Jun 2013||699||-||Fujifilm X-M1|
|Fujifilm X-E1« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Sep 2012||999||-||Fujifilm X-E1|
|Leica M10-P« »||-||-||-||-||4/5||Aug 2018||7,995||Leica M10-P|
|Leica M10« »||-||-||4/5||-||4.5/5||Jan 2017||6,595||Leica M10|
|Leica M Typ 262« »||-||-||-||-||-||Nov 2015||5,195||-||Leica M Typ 262|
|Leica Q Typ 116« »||-||80/100||4.5/5||-||4.5/5||Jun 2015||4,249||-||Leica Q Typ 116|
|Leica M Typ 240« »||-||-||4/5||-||-||Sep 2012||6,950||-||Leica M Typ 240|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark III vs Fujifilm X-Pro1
- Canon G15 vs Leica M-E Typ 240
- Canon G5 X vs Fujifilm X-Pro1
- Canon RP vs Leica M-E Typ 240
- Canon T4i vs Leica M-E Typ 240
- Fujifilm X-Pro1 vs Fujifilm X-T30
- Fujifilm X-Pro1 vs Nikon D2Xs
- Fujifilm X-Pro1 vs Nikon D60
- Fujifilm X-Pro1 vs Olympus E-PM1
- Fujifilm X-Pro1 vs Panasonic GH3
- Fujifilm X-Pro1 vs Zeiss ZX1
- Leica M-E Typ 240 vs Nikon D800E
Specifications: Fujifilm X-Pro1 vs Leica M-E Typ 240
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro1||Leica M-E Typ 240|
|Camera Type||Mirrorless system camera||Rangefinder camera|
|Camera Lens||Fujifilm X mount lenses||Leica M mount lenses|
|Launch Date||January 2012||June 2019|
|Launch Price||USD 1699||USD 3999|
|Sensor Specs||Fujifilm X-Pro1||Leica M-E Typ 240|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.6 mm||35.8 x 23.9 mm|
|Sensor Area||368.16 mm2||855.62 mm2|
|Sensor Diagonal||28.3 mm||43 mm|
|Sensor Resolution||16 Megapixels||23.7 Megapixels|
|Image Resolution||4896 x 3264 pixels||5952 x 3976 pixels|
|Pixel Pitch||4.80 μm||6.01 μm|
|Pixel Density||4.34 MP/cm2||2.77 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||1080/25p Video|
|ISO Setting||200-6400 ISO||200-6400 ISO|
|ISO Boost||100-25600 ISO||100-6400 ISO|
|Screen Specs||Fujifilm X-Pro1||Leica M-E Typ 240|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1230k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm X-Pro1||Leica M-E Typ 240|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||6 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-Pro1||Leica M-E Typ 240|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Fujifilm X-Pro1||Leica M-E Typ 240|
|Environmental Sealing||Not weather sealed||Weathersealed body|
140 x 82 x 43 mm
(5.5 x 3.2 x 1.7 in)
139 x 80 x 42 mm
(5.5 x 3.1 x 1.7 in)
|Camera Weight||450 g (15.9 oz)||680 g (24.0 oz)|
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