Fujifilm X-H1 vs Panasonic ZS70
The Fujifilm X-H1 and the Panasonic Lumix DC-ZS70 (labelled Panasonic TZ90 in some countries) are two digital cameras that were officially introduced, respectively, in February 2018 and April 2017. The X-H1 is a mirrorless interchangeable lens camera, while the ZS70 is a fixed lens compact. The cameras are based on an APS-C (X-H1) and a 1/2.3-inch (ZS70) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-H1||Panasonic ZS70|
|Mirrorless system camera||Fixed lens compact camera|
|Fujifilm X mount lenses||24-720mm f/3.3-6.4|
|24 MP, APS-C Sensor||20.2 MP, 1/2.3" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 200-12800 (100-51200)||ISO 80-3200 (80-6400)|
|Electronic viewfinder (3690k dots)||Electronic viewfinder (1166k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Fully flexible touchscreen||Tilting touchscreen|
|14 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|Weathersealed body||Not weather sealed|
|310 shots per battery charge||380 shots per battery charge|
|140 x 97 x 86 mm, 673 g||112 x 67 x 41 mm, 322 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-H1 and the Panasonic Lumix DC-ZS70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-H1 and the Panasonic ZS70 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The ZS70 can be obtained in two different colors (black, silver), while the X-H1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS70 is considerably smaller (45 percent) than the Fujifilm X-H1. It is worth mentioning in this context that the X-H1 is splash and dust resistant, while the ZS70 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS70 has a lens built in, whereas the X-H1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-H1 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the X-H1 gets 310 shots out of its NP-W126S battery, while the ZS70 can take 380 images on a single charge of its DMW-BLG10 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm X-H1»||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Panasonic ZS70«||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||-||Panasonic ZS70|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon SX730« »||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||-||Canon SX730|
|Canon SX720« »||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379||-||Canon SX720|
|Fujifilm X-Pro3« »||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799||Fujifilm X-Pro3|
|Fujifilm X-Pro2« »||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Nikon Z6« »||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999||Nikon Z6|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic ZS80« »||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449||Panasonic ZS80|
|Panasonic G9« »||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ80« »||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399||Panasonic FZ80|
|Panasonic FZ150« »||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||-||Panasonic FZ150|
|Sony A7 III« »||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7 II« »||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The ZS70 was launched at a lower price than the X-H1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-H1 features an APS-C sensor and the Panasonic ZS70 a 1/2.3-inch sensor. The sensor area in the ZS70 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the X-H1 has a native 3:2 aspect ratio, while the one in the ZS70 offers a 4:3 aspect.
With 24MP, the X-H1 offers a higher resolution than the ZS70 (20.2MP), but the X-H1 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 1.18μm for the ZS70) due to its larger sensor. Moreover, the X-H1 is a somewhat more recent model (by 9 months) than the ZS70, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-H1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-H1 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic ZS70 are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.
The X-H1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-H1 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DC-ZS70 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X-H1»||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Panasonic ZS70«||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon SX720« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX720|
|Fujifilm X-Pro3« »||APS-C||26.0||6240||4160||4K/30p||-||-||-||-||Fujifilm X-Pro3|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic ZS80« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic ZS80|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic FZ80« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Panasonic FZ80|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-H1 offers a substantially higher resolution than the one in the ZS70 (3690k vs 1166k dots). The table below summarizes some of the other core capabilities of the Fujifilm X-H1 and Panasonic ZS70 in connection with corresponding information for a sample of similar cameras.
|Fujifilm X-H1»||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Panasonic ZS70«||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon SX720« »||-||n||3.0||922||fixed||n||1/3200s||5.9||Y||Y||Canon SX720|
|Fujifilm X-Pro3« »||3690||n||3.0||1620||tilting||Y||1/8000s||8.0||n||n||Fujifilm X-Pro3|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Panasonic ZS80« »||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS80|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic FZ80« »||1166||n||3.0||1040||fixed||Y||1/2000s||10||Y||Y||Panasonic FZ80|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
One feature that is present on the X-H1, but is missing on the ZS70 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The ZS70 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-H1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-H1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-H1 and the ZS70 write their files to SDXC cards. The X-H1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the ZS70 only has one slot. The X-H1 supports UHS-II cards (on both slots), while the ZS70 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-H1 and Panasonic Lumix DC-ZS70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-H1»||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Panasonic ZS70«||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon SX720« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX720|
|Fujifilm X-Pro3« »||Y||stereo||mono||Y||-||-||3.1||Y||-||Y||Fujifilm X-Pro3|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic ZS80« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS80|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic FZ80« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ80|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
It is notable that the X-H1 has a hotshoe, while the ZS70 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm X-H1 (unlike the ZS70) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The X-H1 is a recent model that features in the current product line-up of Fujifilm. In contrast, the ZS70 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the ZS70 was succeeded by the Panasonic ZS80. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So how do things add up? Is the Fujifilm X-H1 better than the Panasonic ZS70 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X-H1:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.75x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 9 months after the ZS70).
Advantages of the Panasonic Lumix DC-ZS70:
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has an integrated lens, whereas the X-H1 necessitates an extra lens.
- More compact: Is smaller (112x67mm vs 140x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the X-H1).
- Longer lasting: Gets more shots (380 versus 310) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in April 2017).
If the number of relative strengths (bullet points above) is taken as a guide, the X-H1 is the clear winner of the match-up (22 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-H1 and the Panasonic ZS70 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-H1 or the ZS70. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-H1»||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Panasonic ZS70«||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon SX720« »||+||-||4/5||-||4.5/5||Feb 2016||379||-||Canon SX720|
|Fujifilm X-Pro3« »||+||85/100||4/5||-||-||Oct 2019||1,799||Fujifilm X-Pro3|
|Fujifilm X-Pro2« »||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Nikon Z6« »||-||-||4.5/5||4.5/5||5/5||Aug 2018||1,999||Nikon Z6|
|Olympus E-M1 II« »||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic ZS80« »||+ +||-||4.5/5||-||-||Feb 2019||449||Panasonic ZS80|
|Panasonic G9« »||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ80« »||+ +||-||4.5/5||-||4.5/5||Jan 2017||399||Panasonic FZ80|
|Panasonic FZ150« »||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 400D vs Fujifilm X-H1
- Fujifilm X-E2 vs Fujifilm X-H1
- Fujifilm X-H1 vs Fujifilm XF10
- Fujifilm X-H1 vs Olympus E-600
- Fujifilm X-H1 vs Sony A7 III
- Fujifilm X-H1 vs Sony NEX-5
- Fujifilm X-H1 vs Sony RX10
- Fujifilm X-H1 vs Sony WX800
- Nikon D2Xs vs Panasonic ZS70
- Panasonic GF7 vs Panasonic ZS70
- Panasonic GX9 vs Panasonic ZS70
- Panasonic ZS70 vs Sony NEX-C3
Specifications: Fujifilm X-H1 vs Panasonic ZS70
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-H1||Panasonic ZS70|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm X mount lenses||24-720mm f/3.3-6.4|
|Launch Date||February 2018||April 2017|
|Launch Price||USD 1899||USD 449|
|Sensor Specs||Fujifilm X-H1||Panasonic ZS70|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||23.6 x 15.6 mm||6.17 x 4.55 mm|
|Sensor Area||368.16 mm2||28.0735 mm2|
|Sensor Diagonal||28.3 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.92 μm||1.18 μm|
|Pixel Density||6.52 MP/cm2||71.80 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200-12800 ISO||80-3200 ISO|
|ISO Boost||100-51200 ISO||80-6400 ISO|
|Image Processor||X-Processor Pro2||Venus|
|DXO Sensor Quality (score)||..||36|
|DXO Color Depth (bits)||..||19.1|
|DXO Dynamic Range (EV)||..||10.6|
|DXO Low Light (ISO)||..||106|
|Screen Specs||Fujifilm X-H1||Panasonic ZS70|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||1166k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fully flexible screen||Tilting screen|
|Shooting Specs||Fujifilm X-H1||Panasonic ZS70|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/2000/s|
|Continuous Shooting||14 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm X-H1||Panasonic ZS70|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Fujifilm X-H1||Panasonic ZS70|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||310 shots per charge||380 shots per charge|
|In-Camera Charging||USB charging||USB charging|
140 x 97 x 86 mm
(5.5 x 3.8 x 3.4 in)
112 x 67 x 41 mm
(4.4 x 2.6 x 1.6 in)
|Camera Weight||673 g (23.7 oz)||322 g (11.4 oz)|
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