Fujifilm GFX 50S versus Fujifilm X-T2
The Fujifilm GFX 50S and the Fujifilm X-T2 are two digital cameras that were officially introduced, respectively, in September 2016 and July 2016. Both the GFX and the X-T2 are mirrorless interchangeable lens cameras that are based on a medium format (GFX) and an APS-C (X-T2) sensor. The GFX has a resolution of 51.1 megapixel, whereas the X-T2 provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Fujifilm GFX 50S vs Fujifilm X-T2
The physical size and weight of the Fujifilm GFX 50S and the Fujifilm X-T2 are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the GFX – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T2 is notably smaller (12 percent) than the Fujifilm GFX 50S. Moreover, the X-T2 is markedly lighter (31 percent) than the GFX. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Fujifilm GFX 50S»||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499|
|Fujifilm X-T2«||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||-|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,699||-|
|Hasselblad X1D« »||5.9 in||3.9 in||2.8 in||25.6 oz||..||Y||Jun 2016||8,995|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||n||Jan 2017||6,595|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450|
|Nikon D850« »||5.7 in||4.9 in||3.1 in||35.5 oz||1840||Y||Jul 2017||3,299|
|Nikon D5« »||6.3 in||6.3 in||3.6 in||49.9 oz||3780||Y||Jan 2016||6,499|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-T2 was launched at a markedly lower price (by 75 percent) than the GFX, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Fujifilm GFX 50S vs Fujifilm X-T2
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Fujifilm X-T2 an APS-C sensor. The sensor area in the X-T2 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX has a native 4:3 aspect ratio, while the one in the X-T2 offers a 3:2 aspect.
With 51.1MP, the GFX offers a higher resolution than the X-T2 (24MP), but the GFX nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.92μm for the X-T2) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm GFX 50S»||MF||51.1||8256||6192||1080/30p||-||-||-||-|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Hasselblad X1D« »||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|Leica M10« »||Full Frame||23.8||5952||3992||-||24.4||13.2||2133||86|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Nikon D850« »||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|Nikon D5« »||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-T2 provides a better video resolution than the GFX. It can shoot movie footage at 4K/30p, while the GFX is limited to 1080/30p.
Feature comparison: Fujifilm GFX 50S vs Fujifilm X-T2
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-T2 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm GFX 50S and Fujifilm X-T2 along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Fujifilm GFX 50S»||-||Y||3.2||2360||tilting||Y||4000||3.0||n||n|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||8000||16.0||n||n|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||4000||8.0||Y||n|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||4000||7.0||Y||n|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||8000||8.0||n||n|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||4000||8.0||n||n|
|Hasselblad X1D« »||2360||n||3.0||920||fixed||Y||2000||2.3||n||n|
|Leica M10« »||optical||n||3.0||1037||fixed||n||4000||5.0||n||n|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||8000||11.0||n||n|
|Nikon D850« »||optical||Y||3.2||2359||tilting||Y||8000||9.0||n||n|
|Nikon D5« »||optical||Y||3.2||2359||fixed||Y||8000||14.0||n||n|
Both the GFX and the X-T2 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-T2 replaced the earlier Fujifilm X-T1, while the GFX does not have a direct predecessor.
Review summary: Fujifilm GFX 50S vs Fujifilm X-T2
So what is the bottom line? Which of the two cameras – the Fujifilm GFX 50S or the Fujifilm X-T2 – has the upper hand? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm GFX 50S:
- More detail: Offers more megapixels (51.1 vs 24MP) with a 43% higher linear resolution.
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Longer lasting: Can take more shots (400 versus 340) on a single battery charge.
Arguments in favor of the Fujifilm X-T2:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (133x92mm vs 148x94mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 233g or 31 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (7 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the GFX or the X-T2. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Fujifilm GFX 50S»||-||85/100||5/5||5/5||4.5/5||Sep 2016||6,499|
|Fujifilm X-T2«||HiRec||86/100||4.5/5||5/5||5/5||Jul 2016||1,599|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999|
|Canon 5DS R« »||Rec||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS« »||Rec||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Fujifilm X100F« »||Rec||83/100||4.5/5||-||4.5/5||Jan 2017||1,299|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-|
|Fujifilm X-Pro2« »||Rec||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699|
|Fujifilm X-T1« »||HiRec||84/100||5/5||4/5||5/5||Jan 2014||1,699||-|
|Hasselblad X1D« »||rev||-||-||-||4/5||Jun 2016||8,995|
|Leica M10« »||-||-||4/5||-||4.5/5||Jan 2017||6,595|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450|
|Nikon D850« »||HiRec||89/100||4.5/5||5/5||5/5||Jul 2017||3,299|
|Nikon D5« »||-||89/100||4.5/5||5/5||5/5||Jan 2016||6,499|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
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