Fujifilm GFX 50R vs Leica TL

The Fujifilm GFX 50R and the Leica TL are two digital cameras that were revealed to the public, respectively, in September 2018 and November 2016. Both the GFX 50R and the TL are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50R) and an APS-C (TL) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Leica provides 16.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 50R		Leica TL
Mirrorless system camera		Mirrorless system camera
Fujifilm G mount lenses		Leica T mount lenses
51.1 MP – Medium Format sensor		16.1 MP – APS-C sensor
1080/30p Video		1080/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 100-12,500
Electronic viewfinder (3690k dots)		Viewfinder optional
3.2" LCD – 2360k dots		3.7" LCD – 1230k dots
Tilting touchscreen		Fixed touchscreen
3 shutter flaps per second		5 shutter flaps per second
Weathersealed body		not weather sealed
400 shots per battery charge		400 shots per battery charge
161 x 97 x 66 mm, 775 g		134 x 69 x 33 mm, 384 g

Check GFX 50R offers at
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Check TL offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Leica TL? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 50R and the Leica TL are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The TL can be obtained in three different colors (black, silver, titanium), while the GFX 50R is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica TL is considerably smaller (41 percent) than the Fujifilm GFX 50R. Moreover, the TL is substantially lighter (50 percent) than the GFX 50R. It is worth mentioning in this context that the GFX 50R is splash and dust resistant, while the TL does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The power pack in the TL can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
2.		Leica TL	134 mm	69 mm	33 mm	384 g	400	n	Nov 2016	US$ 1 695	ebay.com
3.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	US$ 3 699	ebay.com
4.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	US$ 3 699	ebay.com
5.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
6.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
7.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
8.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
9.		Fujifilm X-A2	117 mm	67 mm	40 mm	350 g	410	n	Jan 2015	US$ 399	ebay.com
10.		Fujifilm X-A10	117 mm	67 mm	40 mm	331 g	410	n	Dec 2016	US$ 399	ebay.com
11.		Fujifilm X-Pro1	140 mm	82 mm	43 mm	450 g	300	n	Jan 2012	US$ 1 699	ebay.com
12.		Hasselblad X1D	150 mm	98 mm	71 mm	725 g	..	Y	Jun 2016	US$ 8 995	ebay.com
13.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	US$ 5 749	ebay.com
14.		Leica M-E Typ 240	139 mm	80 mm	42 mm	680 g	500	Y	Jun 2019	US$ 3 999	ebay.com
15.		Leica Q2	130 mm	80 mm	92 mm	718 g	370	Y	Mar 2019	US$ 4 999	amazon.com
16.		Leica T	134 mm	69 mm	33 mm	384 g	400	n	Apr 2014	US$ 1 849	ebay.com
17.		Leica TL2	134 mm	69 mm	33 mm	399 g	250	n	Jul 2017	US$ 1 949	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TL was launched at a markedly lower price (by 62 percent) than the GFX 50R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Leica TL an APS-C sensor. The sensor area in the TL is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50R has a native 4:3 aspect ratio, while the one in the TL offers a 3:2 aspect.

With 51.1MP, the GFX 50R offers a higher resolution than the TL (16.1MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.80μm for the TL) due to its larger sensor. Moreover, the GFX 50R is a somewhat more recent model (by 1 year and 10 months) than the TL, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Leica TL are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.

The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica TL are ISO 100 to ISO 12500 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
2.		Leica TL	APS-C	16.1	4928	3264	1080/30p	23.9	13.2	1690	81
3.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
4.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
5.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
6.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
7.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
8.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
9.		Fujifilm X-A2	APS-C	16.0	4896	3264	1080/30p	23.6	12.8	1515	79
10.		Fujifilm X-A10	APS-C	16.0	4896	3264	1080/30p	23.9	13.2	1691	81
11.		Fujifilm X-Pro1	APS-C	16.0	4896	3264	1080/24p	23.1	12.3	1238	74
12.		Hasselblad X1D	Medium Format	51.3	8272	6200	1080/25p	26.2	14.8	4489	102
13.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
14.		Leica M-E Typ 240	Full Frame	23.7	5952	3976	1080/25p	25.2	14.2	2821	94
15.		Leica Q2	Full Frame	46.7	8368	5584	4K/30p	26.4	13.5	2491	96
16.		Leica T	APS-C	16.2	4944	3278	1080/30p	23.0	12.7	1082	75
17.		Leica TL2	APS-C	24.1	6014	4014	4K/30p	23.9	13.3	1753	82
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the TL relies on live view and the rear LCD for framing. That said, the TL can be equipped with an optional viewfinder – the Visoflex (Typ 020). The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50R, the Leica TL, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
2.		Leica TL	optional	n	3.7 / 1230	fixed	Y	1/4000s	5.0/s	Y	n
3.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
4.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
5.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
6.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
7.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
9.		Fujifilm X-A2	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
10.		Fujifilm X-A10	none	n	3.0 / 1040	tilting	n	1/4000s	6.0/s	Y	n
11.		Fujifilm X-Pro1	1440	n	3.0 / 1230	fixed	n	1/4000s	6.0/s	n	n
12.		Hasselblad X1D	2360	n	3.0 / 920	fixed	Y	1/2000s	2.3/s	n	n
13.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
14.		Leica M-E Typ 240	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	n	n
15.		Leica Q2	3680	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	n	Y
16.		Leica T	optional	n	3.7 / 1230	fixed	Y	1/4000s	5.0/s	Y	n
17.		Leica TL2	optional	n	3.7 / 1230	fixed	Y	1/4000s	7.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The TL has one, while the GFX 50R does not. While the built-in flash of the TL is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50R and the TL write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the TL only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the TL cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Leica TL and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
2.		Leica TL	Y	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
4.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
5.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
6.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
7.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
8.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
9.		Fujifilm X-A2	Y	stereo / mono	-	-	mini	2.0	Y	-	-
10.		Fujifilm X-A10	-	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Fujifilm X-Pro1	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Hasselblad X1D	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
13.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
14.		Leica M-E Typ 240	Y	mono / -	-	-	-	2.0	-	-	-
15.		Leica Q2	Y	stereo / mono	-	-	-	-	Y	-	Y
16.		Leica T	Y	stereo / mono	-	-	-	2.0	Y	-	-
17.		Leica TL2	Y	stereo / mono	-	-	micro	3.0	Y	-	-

It is notable that the GFX 50R has a microphone port, which is missing on the TL. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the TL) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 50R and the TL have been discontinued, but can regularly be found used on ebay. The TL was replaced by the Leica TL2, while the GFX 50R does not have a direct successor. Further information on the features and operation of the GFX 50R and TL can be found, respectively, in the Fujifilm GFX 50R Manual (free pdf) or the online Leica TL Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Fujifilm GFX 50R or the Leica TL – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Fujifilm GFX 50R:

• More detail: Offers more megapixels (51.1 vs 16.1MP) with a 75% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1230k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Is somewhat more recent (announced 1 year and 10 months after the TL).

Reasons to prefer the Leica TL:

• Larger screen: Has a bigger rear LCD (3.7" vs 3.2") for image review and settings control.
• Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (134x69mm vs 161x97mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 391g or 50 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
• More affordable: Was introduced into a lower priced category (62 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in November 2016).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50R is the clear winner of the match-up (19 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Leica TL place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GFX 50R or the TL perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
2.		Leica TL	..	..	..	..	..	4/5	Nov 2016	US$ 1 695	ebay.com
3.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	US$ 3 699	ebay.com
4.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	US$ 3 699	ebay.com
5.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
6.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
7.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
8.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
9.		Fujifilm X-A2	4/5	..	..	..	4.5/5	4.5/5	Jan 2015	US$ 399	ebay.com
10.		Fujifilm X-A10	..	..	..	..	4/5	4/5	Dec 2016	US$ 399	ebay.com
11.		Fujifilm X-Pro1	5/5	+ +	..	79/100	4.5/5	4.5/5	Jan 2012	US$ 1 699	ebay.com
12.		Hasselblad X1D	..	o	..	81/100	..	4/5	Jun 2016	US$ 8 995	ebay.com
13.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	US$ 5 749	ebay.com
14.		Leica M-E Typ 240	..	..	..	..	..	..	Jun 2019	US$ 3 999	ebay.com
15.		Leica Q2	..	..	4.5/5	84/100	4.5/5	4/5	Mar 2019	US$ 4 999	amazon.com
16.		Leica T	3/5	..	..	..	4/5	4/5	Apr 2014	US$ 1 849	ebay.com
17.		Leica TL2	3.5/5	..	3/5	..	4/5	4/5	Jul 2017	US$ 1 949	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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