Fujifilm GFX 100 vs Panasonic GX9
The Fujifilm GFX 100 and the Panasonic Lumix DC-GX9 are two digital cameras that were officially introduced, respectively, in May 2019 and February 2018. Both the GFX 100 and the GX9 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100) and a Four Thirds (GX9) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Panasonic Lumix DC-GX9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm GFX 100 and the Panasonic GX9 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The GX9 can be obtained in two different colors (black, silver), while the GFX 100 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX9 is considerably smaller (60 percent) than the Fujifilm GFX 100. Moreover, the GX9 is substantially lighter (69 percent) than the GFX 100. It is worth mentioning in this context that the GFX 100 is splash and dust resistant, while the GX9 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 100 gets 800 shots out of its NP-T125 battery, while the GX9 can take 260 images on a single charge of its DMW-BLG10 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm GFX 100||156 mm||144 mm||75 mm||1320 g||800||Y||May 2019||9,999|
|2.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|3.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|4.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999|
|5.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|6.||Fujifilm XP140||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229|
|7.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899|
|8.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|9.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|10.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|11.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|12.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|13.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|14.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|15.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999|
|16.||Pentax 645Z||156 mm||117 mm||123 mm||1550 g||650||Y||Apr 2014||8,499|
|17.||Pentax 645D||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GX9 was launched at a markedly lower price (by 92 percent) than the GFX 100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Panasonic GX9 a Four Thirds sensor. The sensor area in the GX9 is 84 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 101.8MP, the GFX 100 offers a higher resolution than the GX9 (20.2MP), but the GFX 100 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 3.34μm for the GX9) due to its larger sensor. Moreover, the GFX 100 is a somewhat more recent model (by 1 year and 3 months) than the GX9, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Panasonic GX9 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-GX9 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|2.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|3.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|4.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|8.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|9.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|10.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|12.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|13.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|14.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|15.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||..||..||..||..|
|16.||Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|17.||Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GX9 has an electronic viewfinder (2760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The table below summarizes some of the other core capabilities of the Fujifilm GFX 100 and Panasonic GX9 in connection with corresponding information for a sample of similar cameras.
|1.||Fujifilm GFX 100||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|2.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0||Y||Y|
|3.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|4.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||Y|
|5.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0||n||Y|
|6.||Fujifilm XP140||none||n||3.0 / 920||fixed||n||1/2000s||10.0||Y||Y|
|7.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0||n||Y|
|8.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0||n||n|
|9.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||n|
|10.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|11.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|12.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|13.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|14.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|15.||Pentax K-1 II||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4||n||Y|
|16.||Pentax 645Z||optical||Y||3.2 / 1037||tilting||n||1/4000s||3.0||n||n|
|17.||Pentax 645D||optical||Y||3.0 / 921||fixed||n||1/4000s||1.1||n||n|
One feature that is present on the GFX 100, but is missing on the GX9 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100 and the Panasonic GX9 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 100 and the GX9 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GX9 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the GX9 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Panasonic Lumix DC-GX9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 100||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|2.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|5.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|6.||Fujifilm XP140||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|7.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|8.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|9.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|10.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|11.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|12.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|14.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|15.||Pentax K-1 II||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|16.||Pentax 645Z||Y||stereo / mono||Y||-||mini||3.0||-||-||-|
|17.||Pentax 645D||Y||stereo / -||-||-||-||2.0||-||-||-|
It is notable that the GFX 100 has a microphone port, which is missing on the GX9. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the GX9) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 100 and the GX9 are recent models that are part of the current product line-up. The GX9 replaced the earlier Panasonic GX8, while the GFX 100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Fujifilm GFX 100 and the Panasonic GX9? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Fujifilm GFX 100:
- More detail: Offers more megapixels (101.8 vs 20.2MP) with a 125% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1240k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (800 versus 260) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 1 year and 3 months after the GX9).
Reasons to prefer the Panasonic Lumix DC-GX9:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (124x72mm vs 156x144mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 913g or 69 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2018).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the match-up (20 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Panasonic GX9 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100 or the GX9. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 100||4.5/5||+ +||4.8/5||90/100||5/5||4.5/5||May 2019||9,999|
|2.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|3.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999|
|4.||Fujifilm GFX 50S II||..||..||..||87/100||..||..||Sep 2021||3,999|
|5.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699|
|6.||Fujifilm XP140||..||+||..||..||3.5/5||4/5||Feb 2019||229|
|7.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899|
|8.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|9.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|10.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|11.||Panasonic ZS200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|12.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|13.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|14.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|15.||Pentax K-1 II||..||..||4.5/5||79/100||4.5/5||4.5/5||Feb 2018||1,999|
|16.||Pentax 645Z||5/5||..||..||..||4.5/5||5/5||Apr 2014||8,499|
|17.||Pentax 645D||5/5||..||..||..||..||..||Mar 2010||9,995|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon SL3 vs Fujifilm GFX 100
- Canon XT vs Fujifilm GFX 100
- Fujifilm GFX 100 vs Nikon D610
- Fujifilm GFX 100 vs Nikon Z5
- Fujifilm GFX 100 vs Sony A7
- Fujifilm GFX 100 vs Sony RX100 IV
- Nikon 1 J4 vs Panasonic GX9
- Nikon 1 V2 vs Panasonic GX9
- Nikon D600 vs Panasonic GX9
- Olympus E-500 vs Panasonic GX9
- Panasonic GX9 vs Panasonic ZS200
- Panasonic GX9 vs Sony A850
Specifications: Fujifilm GFX 100 vs Panasonic GX9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 100||Panasonic GX9|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm G mount lenses||Micro Four Thirds lenses|
|Launch Date||May 2019||February 2018|
|Launch Price||USD 9,999||USD 849|
|Sensor Specs||Fujifilm GFX 100||Panasonic GX9|
|Sensor Format||Medium Format Sensor||Four Thirds Sensor|
|Sensor Size||43.8 x 32.9 mm||17.3 x 13.0 mm|
|Sensor Area||1441.02 mm2||224.9 mm2|
|Sensor Diagonal||54.8 mm||21.6 mm|
|Sensor Resolution||101.8 Megapixels||20.2 Megapixels|
|Image Resolution||11648 x 8736 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.76 μm||3.34 μm|
|Pixel Density||7.06 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|Image Processor||X-Processor 4||Venus|
|Screen Specs||Fujifilm GFX 100||Panasonic GX9|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2760k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||1240k dots|
|LCD Attachment||Fully flexible screen||Tilting screen|
|Shooting Specs||Fujifilm GFX 100||Panasonic GX9|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm GFX 100||Panasonic GX9|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Fujifilm GFX 100||Panasonic GX9|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||800 shots per charge||260 shots per charge|
|In-Camera Charging||USB charging||USB charging|
156 x 144 x 75 mm
(6.1 x 5.7 x 3.0 in)
124 x 72 x 47 mm
(4.9 x 2.8 x 1.9 in)
|Camera Weight||1320 g (46.6 oz)||407 g (14.4 oz)|
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