Fujifilm GFX 100 vs Olympus E-PL10
The Fujifilm GFX 100 and the Olympus PEN E-PL10 are two digital cameras that were officially introduced, respectively, in May 2019 and October 2019. Both the GFX 100 and the E-PL10 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100) and a Four Thirds (E-PL10) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Olympus PEN E-PL10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm GFX 100 and the Olympus E-PL10 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The E-PL10 can be obtained in four different colors (black, brown, blue, white), while the GFX 100 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-PL10 is considerably smaller (65 percent) than the Fujifilm GFX 100. Moreover, the E-PL10 is substantially lighter (71 percent) than the GFX 100. It is worth mentioning in this context that the GFX 100 is splash and dust resistant, while the E-PL10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 100 gets 800 shots out of its NP-T125 battery, while the E-PL10 can take 350 images on a single charge of its BLS-50 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the GFX 100 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm GFX 100||156 mm||144 mm||75 mm||1320 g||800||Y||May 2019||9,999|
|2.||Olympus E-PL10||117 mm||68 mm||39 mm||380 g||350||n||Oct 2019||599|
|3.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|4.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999|
|5.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|6.||Fujifilm XP140||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229|
|7.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899|
|8.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|9.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|10.||Olympus E-PL9||117 mm||68 mm||39 mm||380 g||350||n||Feb 2018||599|
|11.||Olympus E-M10 III||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649|
|12.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549|
|13.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|14.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|15.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999|
|16.||Pentax 645Z||156 mm||117 mm||123 mm||1550 g||650||Y||Apr 2014||8,499|
|17.||Pentax 645D||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-PL10 was launched at a markedly lower price (by 94 percent) than the GFX 100, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Olympus E-PL10 a Four Thirds sensor. The sensor area in the E-PL10 is 84 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 101.8MP, the GFX 100 offers a higher resolution than the E-PL10 (15.9MP), but the GFX 100 nevertheless has the same individual pixel size (pixel pitch of 3.76μm) as the E-PL10 due to its larger sensor. Moreover, the E-PL10 is a somewhat more recent model (by 4 months) than the GFX 100, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Olympus E-PL10 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus PEN E-PL10 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||25.7||14.5||3227||99|
|2.||Olympus E-PL10||Four Thirds||15.9||4608||3456||4K/30p||23.3||13.1||1324||76|
|3.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||25.8||14.7||3391||100|
|4.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|8.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|9.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|10.||Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1162||74|
|11.||Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1120||74|
|12.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.6||1030||73|
|13.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|14.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|15.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||25.1||14.0||2698||93|
|16.||Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|17.||Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The GFX 100 and the E-PL10 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100, the Olympus E-PL10, and comparable cameras.
|1.||Fujifilm GFX 100||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|2.||Olympus E-PL10||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|3.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|4.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|5.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|6.||Fujifilm XP140||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|7.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0/s||n||Y|
|8.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|9.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|10.||Olympus E-PL9||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|11.||Olympus E-M10 III||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|12.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|13.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|14.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|15.||Pentax K-1 II||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4/s||n||Y|
|16.||Pentax 645Z||optical||Y||3.2 / 1037||tilting||n||1/4000s||3.0/s||n||n|
|17.||Pentax 645D||optical||Y||3.0 / 921||fixed||n||1/4000s||1.1/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the GFX 100, but is missing on the E-PL10 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The E-PL10 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 100 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100 and the Olympus E-PL10 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 100 and the E-PL10 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-PL10 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the E-PL10 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Olympus PEN E-PL10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 100||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|2.||Olympus E-PL10||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|5.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|6.||Fujifilm XP140||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|7.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|8.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|9.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|10.||Olympus E-PL9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|11.||Olympus E-M10 III||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Pentax K-1 II||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|16.||Pentax 645Z||Y||stereo / mono||Y||-||mini||3.0||-||-||-|
|17.||Pentax 645D||Y||stereo / -||-||-||-||2.0||-||-||-|
It is notable that the GFX 100 has a microphone port, which is missing on the E-PL10. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the E-PL10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 100 and the E-PL10 are recent models that are part of the current product line-up. The E-PL10 replaced the earlier Olympus E-PL9, while the GFX 100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So what is the bottom line? Is the Fujifilm GFX 100 better than the Olympus E-PL10 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm GFX 100:
- More detail: Offers more megapixels (101.8 vs 15.9MP) with a 153% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (800 versus 350) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in May 2019).
Reasons to prefer the Olympus PEN E-PL10:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (8.6 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (117x68mm vs 156x144mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 940g or 71 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (94 percent cheaper at launch).
- More modern: Was introduced somewhat (4 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the match-up (23 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Olympus E-PL10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GFX 100 and the E-PL10 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 100||4.5/5||+ +||4.8/5||90/100||5/5||4.5/5||May 2019||9,999|
|2.||Olympus E-PL10||..||..||4/5||77/100||..||4/5||Oct 2019||599|
|3.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999|
|4.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999|
|5.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699|
|6.||Fujifilm XP140||..||+||..||..||3.5/5||4/5||Feb 2019||229|
|7.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899|
|8.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|9.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|10.||Olympus E-PL9||..||+||..||..||4.5/5||4/5||Feb 2018||599|
|11.||Olympus E-M10 III||..||+||5/5||80/100||4.5/5||4.5/5||Aug 2017||649|
|12.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549|
|13.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|14.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|15.||Pentax K-1 II||..||..||4.5/5||79/100||4.5/5||4.5/5||Feb 2018||1,999|
|16.||Pentax 645Z||5/5||..||..||..||4.5/5||5/5||Apr 2014||8,499|
|17.||Pentax 645D||5/5||..||..||..||..||..||Mar 2010||9,995|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Fujifilm GFX 100 vs Olympus E-PL10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 100||Olympus E-PL10|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm G mount lenses||Micro Four Thirds lenses|
|Launch Date||May 2019||October 2019|
|Launch Price||USD 9,999||USD 599|
|Sensor Specs||Fujifilm GFX 100||Olympus E-PL10|
|Sensor Format||Medium Format Sensor||Four Thirds Sensor|
|Sensor Size||43.8 x 32.9 mm||17.3 x 13.0 mm|
|Sensor Area||1441.02 mm2||224.9 mm2|
|Sensor Diagonal||54.8 mm||21.6 mm|
|Sensor Resolution||101.8 Megapixels||15.9 Megapixels|
|Image Resolution||11648 x 8736 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.76 μm||3.76 μm|
|Pixel Density||7.06 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||200 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|Image Processor||X-Processor 4||TruePic VIII|
|Screen Specs||Fujifilm GFX 100||Olympus E-PL10|
|Viewfinder Type||Viewfinder optional||no viewfinder|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||1040k dots|
|LCD Attachment||Fully flexible screen||Tilting screen|
|Shooting Specs||Fujifilm GFX 100||Olympus E-PL10|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||8.6 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm GFX 100||Olympus E-PL10|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Fujifilm GFX 100||Olympus E-PL10|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||800 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
156 x 144 x 75 mm
(6.1 x 5.7 x 3.0 in)
117 x 68 x 39 mm
(4.6 x 2.7 x 1.5 in)
|Camera Weight||1320 g (46.6 oz)||380 g (13.4 oz)|
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