Fujifilm GFX 100 vs Nikon Z6

The Fujifilm GFX 100 and the Nikon Z6 are two digital cameras that were officially introduced, respectively, in May 2019 and August 2018. Both the GFX 100 and the Z6 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100) and a full frame (Z6) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Nikon provides 24.3 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100		Nikon Z6
Mirrorless system camera		Mirrorless system camera
Fujifilm G mount lenses		Nikon Z mount lenses
101.8 MP – Medium Format sensor		24.3 MP – Full Frame sensor
4K/30p Video		4K/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 100-51,200 (50 - 204,800)
Viewfinder optional		Electronic viewfinder (3690k dots)
3.2" LCD – 2360k dots		3.2" LCD – 2100k dots
Fully flexible touchscreen		Tilting touchscreen
5 shutter flaps per second		12 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
800 shots per battery charge		310 shots per battery charge
156 x 144 x 75 mm, 1320 g		134 x 101 x 67 mm, 675 g

Check GFX 100 offers at
ebay.com
Check Z6 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Nikon Z6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 100 and the Nikon Z6. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z6 is considerably smaller (40 percent) than the Fujifilm GFX 100. Moreover, the Z6 is substantially lighter (49 percent) than the GFX 100. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100 gets 800 shots out of its Fujifilm NP-T125 battery, while the Z6 can take 310 images on a single charge of its Nikon EN-EL15b power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the Z6, Nikon provides the MB-N10 vertical grip as an optional accessory (see here on ebay). The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
2.		Nikon Z6	134 mm	101 mm	67 mm	675 g	310	Y	Aug 2018	US$ 1 999	ebay.com
3.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
4.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
5.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
6.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
7.		Fujifilm X-H1	140 mm	97 mm	86 mm	673 g	310	Y	Feb 2018	US$ 1 899	ebay.com
8.		Fujifilm X-T4	135 mm	93 mm	64 mm	607 g	500	Y	Feb 2020	US$ 1 699	ebay.com
9.		Fujifilm XP130	110 mm	71 mm	28 mm	207 g	240	Y	Jan 2018	US$ 229	ebay.com
10.		Fujifilm XP140	110 mm	71 mm	28 mm	207 g	240	Y	Feb 2019	US$ 229	ebay.com
11.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
12.		Nikon Z6 II	134 mm	101 mm	70 mm	705 g	410	Y	Oct 2020	US$ 1 999	amazon.com
13.		Nikon Z7	134 mm	101 mm	67 mm	675 g	330	Y	Aug 2018	US$ 3 399	ebay.com
14.		Nikon Zf	144 mm	103 mm	49 mm	710 g	380	Y	Sep 2023	US$ 1 999	amazon.com
15.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	US$ 1 999	ebay.com
16.		Pentax K-1 II	137 mm	110 mm	86 mm	1010 g	670	Y	Feb 2018	US$ 1 999	amazon.com
17.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	US$ 1 999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The Z6 was launched at a markedly lower price (by 80 percent) than the GFX 100, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Nikon Z6 a full frame sensor. The sensor area in the Z6 is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 100 has a native 4:3 aspect ratio, while the one in the Z6 offers a 3:2 aspect.

With 101.8MP, the GFX 100 offers a higher resolution than the Z6 (24.3MP), but the GFX 100 has smaller individual pixels (pixel pitch of 3.76μm versus 5.94μm for the Z6). However, the GFX 100 is a somewhat more recent model (by 8 months) than the Z6, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Nikon Z6 are 30.2 x 20.1 inches or 76.8 x 51.1 cm for good quality, 24.2 x 16.1 inches or 61.4 x 40.9 cm for very good quality, and 20.2 x 13.4 inches or 51.2 x 34.1 cm for excellent quality prints.

The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon Z6 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
2.		Nikon Z6	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	3299	95
3.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
4.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
5.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
6.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
7.		Fujifilm X-H1	APS-C	24.0	6000	4000	4K/30p	24.0	13.3	1806	82
8.		Fujifilm X-T4	APS-C	26.0	6240	4160	4K/60p	24.1	13.6	1995	84
9.		Fujifilm XP130	1/2.3	15.9	4608	3456	1080/60p	20.6	12.1	1000	51
10.		Fujifilm XP140	1/2.3	15.9	4608	3456	4K/15p	20.7	12.2	1102	52
11.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
12.		Nikon Z6 II	Full Frame	24.3	6048	4024	4K/60p	25.0	14.4	3303	94
13.		Nikon Z7	Full Frame	45.4	8256	5504	4K/30p	26.3	14.6	2668	99
14.		Nikon Zf	Full Frame	24.3	6048	4024	4K/60p	25.4	14.7	3243	96
15.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
16.		Pentax K-1 II	Full Frame	36.2	7360	4912	1080/60i	25.1	14.0	2698	93
17.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the Z6 has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100, the Nikon Z6, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
2.		Nikon Z6	3690	Y	3.2 / 2100	tilting	Y	1/8000s	12.0/s	n	Y
3.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
4.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
5.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
6.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
7.		Fujifilm X-H1	3690	Y	3.0 / 1040	full-flex	Y	1/8000s	14.0/s	n	Y
8.		Fujifilm X-T4	3690	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
9.		Fujifilm XP130	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
10.		Fujifilm XP140	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
11.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
12.		Nikon Z6 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	14.0/s	n	Y
13.		Nikon Z7	3690	Y	3.2 / 2100	tilting	Y	1/8000s	9.0/s	n	Y
14.		Nikon Zf	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
15.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
16.		Pentax K-1 II	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
17.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 and the Nikon Z6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100 writes its imaging data to SDXC cards, while the Z6 uses XQD cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z6 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Nikon Z6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
2.		Nikon Z6	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
3.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
4.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
5.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
6.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
7.		Fujifilm X-H1	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
8.		Fujifilm X-T4	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
9.		Fujifilm XP130	-	mono / mono	-	-	micro	2.0	Y	-	Y
10.		Fujifilm XP140	-	mono / mono	-	-	micro	2.0	Y	-	Y
11.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
12.		Nikon Z6 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
13.		Nikon Z7	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
14.		Nikon Zf	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Pentax K-1 II	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
17.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y

Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the Z6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 100 and the Z6 have been discontinued, but can regularly be found used on ebay. The Z6 was replaced by the Nikon Z6 II, while the GFX 100 was followed by the Fujifilm GFX 100 II. Further information on the features and operation of the GFX 100 and Z6 can be found, respectively, in the Fujifilm GFX 100 Manual (free pdf) or the online Nikon Z6 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Fujifilm GFX 100 or the Nikon Z6 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Fujifilm GFX 100:

• More detail: Offers more megapixels (101.8 vs 24.3MP) with a 100% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 2100k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (800 versus 310) on a single battery charge.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Is somewhat more recent (announced 8 months after the Z6).

Arguments in favor of the Nikon Z6:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (134x101mm vs 156x144mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 645g or 49 percent) and is thus easier to take along.
• More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in August 2018).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the match-up (13 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Nikon Z6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100 or the Z6. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
2.		Nikon Z6	5/5	..	5/5	89/100	4.5/5	5/5	Aug 2018	US$ 1 999	ebay.com
3.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
4.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
5.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
6.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
7.		Fujifilm X-H1	..	+	5/5	86/100	4.5/5	4.5/5	Feb 2018	US$ 1 899	ebay.com
8.		Fujifilm X-T4	5/5	+ +	5/5	88/100	5/5	5/5	Feb 2020	US$ 1 699	ebay.com
9.		Fujifilm XP130	..	o	..	..	3.5/5	4/5	Jan 2018	US$ 229	ebay.com
10.		Fujifilm XP140	..	+	..	..	3.5/5	4/5	Feb 2019	US$ 229	ebay.com
11.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
12.		Nikon Z6 II	4.5/5	..	4/5	89/100	4.5/5	4.5/5	Oct 2020	US$ 1 999	amazon.com
13.		Nikon Z7	5/5	+	4.8/5	89/100	4.5/5	5/5	Aug 2018	US$ 3 399	ebay.com
14.		Nikon Zf	4.5/5	..	4.5/5	90/100	4.5/5	5/5	Sep 2023	US$ 1 999	amazon.com
15.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	US$ 1 999	ebay.com
16.		Pentax K-1 II	..	..	4.5/5	79/100	4.5/5	4.5/5	Feb 2018	US$ 1 999	amazon.com
17.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	US$ 1 999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check GFX 100 offers at
ebay.com
Check Z6 offers at
ebay.com

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

~

Check GFX 100 offers at
ebay.com
Check Z6 offers at
ebay.com

Did you notice an error on this page? If so, please get in touch, so that we can correct the information.