Fujifilm GFX 100 II vs Pentax K-3 III

The Fujifilm GFX 100 II and the Pentax K-3 III are two digital cameras that were announced, respectively, in September 2023 and March 2021. The GFX 100 II is a mirrorless interchangeable lens camera, while the K-3 III is a DSLR. The cameras are based on a medium format (GFX 100 II) and an APS-C (K-3 III) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Pentax provides 25.6 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100 II		Pentax K-3 III
Mirrorless system camera		Digital single lens reflex
Fujifilm G mount lenses		Pentax K mount lenses
101.8 MP – Medium Format sensor		25.6 MP – APS-C sensor
8K/30p Video		4K/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 100-160,000
Electronic viewfinder (9440k dots)		Optical viewfinder
3.2" LCD – 2360k dots		3.2" LCD – 1620k dots
Fully flexible touchscreen		Fixed touchscreen
8 shutter flaps per second		12 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
540 shots per battery charge		800 shots per battery charge
152 x 117 x 99 mm, 1030 g		135 x 104 x 74 mm, 820 g

Check GFX 100 II price at
amazon.com
Check K-3 III price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 II and the Pentax K-3 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 100 II and the Pentax K-3 III. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The K-3 III can be obtained in two different colors (black, silver), while the GFX 100 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 III is notably smaller (21 percent) than the Fujifilm GFX 100 II. Moreover, the K-3 III is markedly lighter (20 percent) than the GFX 100 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100 II gets 540 shots out of its Fujifilm NP-W235 battery, while the K-3 III can take 800 images on a single charge of its Pentax D-LI90 power pack. The power pack in the GFX 100 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
2.		Pentax K-3 III	135 mm	104 mm	74 mm	820 g	800	Y	Mar 2021	US$ 1 999	amazon.com
3.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
4.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
5.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
6.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
7.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
8.		Fujifilm X-H1	140 mm	97 mm	86 mm	673 g	310	Y	Feb 2018	US$ 1 899	ebay.com
9.		Fujifilm X-H2	136 mm	93 mm	85 mm	660 g	680	Y	Sep 2022	US$ 1 999	amazon.com
10.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	US$ 2 499	amazon.com
11.		Fujifilm X-T5	130 mm	91 mm	64 mm	557 g	580	Y	Nov 2022	US$ 1 699	amazon.com
12.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
13.		Nikon Z8	144 mm	119 mm	83 mm	910 g	340	Y	May 2023	US$ 3 999	amazon.com
14.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	US$ 1 299	ebay.com
15.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	US$ 1 099	ebay.com
16.		Pentax K-70	126 mm	93 mm	74 mm	688 g	410	Y	Jun 2016	US$ 649	ebay.com
17.		Pentax KP	132 mm	101 mm	76 mm	703 g	390	Y	Jan 2017	US$ 1 099	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The K-3 III was launched at a markedly lower price (by 73 percent) than the GFX 100 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 II features a medium format sensor and the Pentax K-3 III an APS-C sensor. The sensor area in the K-3 III is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 100 II has a native 4:3 aspect ratio, while the one in the K-3 III offers a 3:2 aspect.

With 101.8MP, the GFX 100 II offers a higher resolution than the K-3 III (25.6MP), but the GFX 100 II nevertheless has the same individual pixel size (pixel pitch of 3.76μm) as the K-3 III due to its larger sensor. It is noteworthy in this context that the GFX 100 II is a mch more recent model (by 2 years and 5 months) than the K-3 III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 100 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Pentax K-3 III are 31 x 20.6 inches or 78.6 x 52.4 cm for good quality, 24.8 x 16.5 inches or 62.9 x 41.9 cm for very good quality, and 20.6 x 13.8 inches or 52.4 x 35 cm for excellent quality prints.

The GFX 100 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Both cameras have the capacity to capture high quality composite images by combining multiple shots after shifting the sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100 II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Pentax K-3 III are ISO 100 to ISO 160000 (no boost).

In terms of underlying technology, the GFX 100 II is build around a BSI-CMOS sensor, while the K-3 III uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
2.		Pentax K-3 III	APS-C	25.6	6192	4128	4K/30p	24.2	13.7	2083	85
3.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
4.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
5.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
6.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
7.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
8.		Fujifilm X-H1	APS-C	24.0	6000	4000	4K/30p	24.0	13.3	1806	82
9.		Fujifilm X-H2	APS-C	39.8	7728	5152	8k/30p	24.3	13.9	2249	86
10.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
11.		Fujifilm X-T5	APS-C	39.8	7728	5152	6.2k/30p	24.3	13.9	2264	86
12.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
13.		Nikon Z8	Full Frame	45.4	8256	5504	8K/30p	26.3	14.2	2548	98
14.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
15.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
16.		Pentax K-70	APS-C	24.0	6000	4000	1080/60i	23.8	13.1	1639	80
17.		Pentax KP	APS-C	24.1	6016	4000	1080/60i	23.9	13.2	1699	81
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GFX 100 II provides a higher video resolution than the K-3 III. It can shoot video footage at 8K/30p, while the Pentax is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 100 II has an electronic viewfinder (9440k dots), while the K-3 III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 100 II has a higher magnification than the one of the K-3 III (1.27x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100 II, the Pentax K-3 III, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
2.		Pentax K-3 III	optical	Y	3.2 / 1620	fixed	Y	1/8000s	12.0/s	n	Y
3.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
4.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
6.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
7.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm X-H1	3690	Y	3.0 / 1040	full-flex	Y	1/8000s	14.0/s	n	Y
9.		Fujifilm X-H2	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
10.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
11.		Fujifilm X-T5	3690	n	3.0 / 1840	full-flex	Y	1/8000s	15.0/s	n	Y
12.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
13.		Nikon Z8	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
14.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
15.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
16.		Pentax K-70	optical	n	3.0 / 921	swivel	n	1/6000s	6.0/s	Y	Y
17.		Pentax KP	optical	n	3.0 / 921	tilting	n	1/6000s	7.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 II and the Pentax K-3 III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100 II writes its imaging data to CFexpress (type B) or SDXC cards, while the K-3 III uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both the GFX 100 II and the K-3 III support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s (the second slot of the K-3 III only offers slower UHS-I transfer rates, though).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 II and Pentax K-3 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Pentax K-3 III	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
4.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
5.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
6.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
7.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm X-H1	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
9.		Fujifilm X-H2	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
11.		Fujifilm X-T5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
12.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
13.		Nikon Z8	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
15.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
16.		Pentax K-70	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
17.		Pentax KP	Y	stereo / mono	Y	-	-	2.0	Y	-	-

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Travel and landscape photographers will find it useful that the K-3 III has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the GFX 100 II and the K-3 III are recent models that are part of the current product line-up. The K-3 III replaced the earlier Pentax K-3 II, while the GFX 100 II followed on from the Fujifilm GFX 100. Further information on the features and operation of the GFX 100 II and K-3 III can be found, respectively, in the Fujifilm GFX 100 II Manual (free pdf) or the online Pentax K-3 III Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Fujifilm GFX 100 II and the Pentax K-3 III? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Fujifilm GFX 100 II:

• More detail: Offers more megapixels (101.8 vs 25.6MP) with a 96% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (8K/30p vs 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (1.27x vs 0.70x).
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1620k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• More modern: Reflects 2 years and 5 months of technical progress since the K-3 III launch.

Arguments in favor of the Pentax K-3 III:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (135x104mm vs 152x117mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 210g or 20 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (800 versus 540) out of a single battery charge.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• More affordable: Was introduced into a lower priced category (73 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in March 2021).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 II is the clear winner of the match-up (16 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100 II and the Pentax K-3 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GFX 100 II or the K-3 III perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
2.		Pentax K-3 III	4/5	..	3/5	..	4.5/5	..	Mar 2021	US$ 1 999	amazon.com
3.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
4.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
5.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
6.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
7.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
8.		Fujifilm X-H1	..	+	5/5	86/100	4.5/5	4.5/5	Feb 2018	US$ 1 899	ebay.com
9.		Fujifilm X-H2	5/5	+ +	5/5	89/100	5/5	5/5	Sep 2022	US$ 1 999	amazon.com
10.		Fujifilm X-H2S	5/5	+	5/5	90/100	5/5	5/5	May 2022	US$ 2 499	amazon.com
11.		Fujifilm X-T5	5/5	+ +	4.5/5	90/100	4.5/5	..	Nov 2022	US$ 1 699	amazon.com
12.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
13.		Nikon Z8	5/5	..	5/5	94/100	5/5	4.5/5	May 2023	US$ 3 999	amazon.com
14.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	US$ 1 299	ebay.com
15.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	US$ 1 099	ebay.com
16.		Pentax K-70	4.5/5	..	4/5	79/100	4.5/5	4.5/5	Jun 2016	US$ 649	ebay.com
17.		Pentax KP	4/5	..	3/5	82/100	5/5	4.5/5	Jan 2017	US$ 1 099	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check GFX 100 II price at
amazon.com
Check K-3 III price at
amazon.com

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Check GFX 100 II price at
amazon.com
Check K-3 III price at
amazon.com

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