Fujifilm GFX 100 II vs Panasonic S5 II

The Fujifilm GFX 100 II and the Panasonic Lumix DC-S5 II are two digital cameras that were revealed to the public, respectively, in September 2023 and January 2023. Both the GFX 100 II and the S5 II are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100 II) and a full frame (S5 II) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Panasonic provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100 II		Panasonic S5 II
Mirrorless system camera		Mirrorless system camera
Fujifilm G mount lenses		Leica L mount lenses
101.8 MP – Medium Format sensor		24 MP – Full Frame sensor
8K/30p Video		6K/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (9440k dots)		Electronic viewfinder (3680k dots)
3.2" LCD – 2360k dots		3.0" LCD – 1840k dots
Fully flexible touchscreen		Swivel touchscreen
8 shutter flaps per second		9 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
540 shots per battery charge		370 shots per battery charge
152 x 117 x 99 mm, 1030 g		134 x 102 x 90 mm, 740 g

Check GFX 100 II price at
amazon.com
Check S5 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 II and the Panasonic Lumix DC-S5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 100 II and the Panasonic S5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 II is notably smaller (23 percent) than the Fujifilm GFX 100 II. Moreover, the S5 II is markedly lighter (28 percent) than the GFX 100 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100 II gets 540 shots out of its Fujifilm NP-W235 battery, while the S5 II can take 370 images on a single charge of its Panasonic DMW-BLK22 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
2.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	US$ 1 999	amazon.com
3.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
4.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
5.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
6.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
7.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
8.		Fujifilm X-H2	136 mm	93 mm	85 mm	660 g	680	Y	Sep 2022	US$ 1 999	amazon.com
9.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	US$ 2 499	amazon.com
10.		Fujifilm X-T5	130 mm	91 mm	64 mm	557 g	580	Y	Nov 2022	US$ 1 699	amazon.com
11.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
12.		Nikon Z8	144 mm	119 mm	83 mm	910 g	340	Y	May 2023	US$ 3 999	amazon.com
13.		Nikon Zf	144 mm	103 mm	49 mm	710 g	380	Y	Sep 2023	US$ 1 999	amazon.com
14.		Panasonic G9	137 mm	97 mm	92 mm	658 g	400	Y	Nov 2017	US$ 1 699	ebay.com
15.		Panasonic G9 II	134 mm	102 mm	90 mm	658 g	390	Y	Sep 2023	US$ 1 899	amazon.com
16.		Panasonic GH6	138 mm	100 mm	100 mm	823 g	360	Y	Feb 2022	US$ 2 199	amazon.com
17.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	US$ 1 999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S5 II was launched at a markedly lower price (by 73 percent) than the GFX 100 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 II features a medium format sensor and the Panasonic S5 II a full frame sensor. The sensor area in the S5 II is 41 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 100 II has a native 4:3 aspect ratio, while the one in the S5 II offers a 3:2 aspect.

With 101.8MP, the GFX 100 II offers a higher resolution than the S5 II (24MP), but the GFX 100 II has smaller individual pixels (pixel pitch of 3.76μm versus 5.94μm for the S5 II). However, the GFX 100 II is a somewhat more recent model (by 8 months) than the S5 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 100 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Panasonic S5 II are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

Both cameras have the capacity to capture high quality composite images by combining multiple shots after shifting the sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100 II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-S5 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

In terms of underlying technology, the GFX 100 II is build around a BSI-CMOS sensor, while the S5 II uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
2.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
3.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
4.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
5.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
6.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
7.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
8.		Fujifilm X-H2	APS-C	39.8	7728	5152	8k/30p	24.3	13.9	2249	86
9.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
10.		Fujifilm X-T5	APS-C	39.8	7728	5152	6.2k/30p	24.3	13.9	2264	86
11.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
12.		Nikon Z8	Full Frame	45.4	8256	5504	8K/30p	26.3	14.2	2548	98
13.		Nikon Zf	Full Frame	24.3	6048	4024	4K/60p	25.4	14.7	3243	96
14.		Panasonic G9	Four Thirds	20.2	5184	3888	4K/60p	23.1	12.8	1138	74
15.		Panasonic G9 II	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.5	1710	78
16.		Panasonic GH6	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.4	1555	77
17.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 100 II provides a higher video resolution than the S5 II. It can shoot video footage at 8K/30p, while the Panasonic is limited to 6K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100 II offers a substantially higher resolution than the one in the S5 II (9440k vs 3680k dots). The table below summarizes some of the other core capabilities of the Fujifilm GFX 100 II and Panasonic S5 II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
2.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
3.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
4.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
6.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
7.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm X-H2	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
9.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
10.		Fujifilm X-T5	3690	n	3.0 / 1840	full-flex	Y	1/8000s	15.0/s	n	Y
11.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
12.		Nikon Z8	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
13.		Nikon Zf	3690	n	3.2 / 2100	swivel	Y	1/8000s	14.0/s	n	Y
14.		Panasonic G9	3680	Y	3.0 / 1040	swivel	Y	1/8000s	20.0/s	n	Y
15.		Panasonic G9 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	10.0/s	n	Y
16.		Panasonic GH6	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
17.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 100 II, but is missing on the S5 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 II and the Panasonic S5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100 II writes its imaging data to CFexpress (type B) or SDXC cards, while the S5 II uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 II and Panasonic Lumix DC-S5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
4.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
5.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
6.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
7.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm X-H2	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
10.		Fujifilm X-T5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
11.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
12.		Nikon Z8	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
13.		Nikon Zf	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
14.		Panasonic G9	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
15.		Panasonic G9 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
16.		Panasonic GH6	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

Studio photographers will appreciate that the Fujifilm GFX 100 II (unlike the S5 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 100 II and the S5 II are recent models that are part of the current product line-up. The S5 II replaced the earlier Panasonic S5, while the GFX 100 II followed on from the Fujifilm GFX 100. Further information on the features and operation of the GFX 100 II and S5 II can be found, respectively, in the Fujifilm GFX 100 II Manual (free pdf) or the online Panasonic S5 II Manual.

Review summary

So what conclusions can be drawn? Is the Fujifilm GFX 100 II better than the Panasonic S5 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Fujifilm GFX 100 II:

• More detail: Offers more megapixels (101.8 vs 24MP) with a 102% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (8K/30p vs 6K/30p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 3680k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (1.27x vs 0.78x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1840k dots).
• Longer lasting: Can take more shots (540 versus 370) on a single battery charge.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More modern: Is somewhat more recent (announced 8 months after the S5 II).

Advantages of the Panasonic Lumix DC-S5 II:

• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (9 vs 8 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (134x102mm vs 152x117mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 290g or 28 percent) and is thus easier to take along.
• More affordable: Was introduced into a lower priced category (73 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in January 2023).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 II is the clear winner of the match-up (14 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100 II and the Panasonic S5 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 100 II and the S5 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
2.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	US$ 1 999	amazon.com
3.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
4.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
5.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
6.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
7.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
8.		Fujifilm X-H2	5/5	+ +	5/5	89/100	5/5	5/5	Sep 2022	US$ 1 999	amazon.com
9.		Fujifilm X-H2S	5/5	+	5/5	90/100	5/5	5/5	May 2022	US$ 2 499	amazon.com
10.		Fujifilm X-T5	5/5	+ +	4.5/5	90/100	4.5/5	..	Nov 2022	US$ 1 699	amazon.com
11.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
12.		Nikon Z8	5/5	..	5/5	94/100	5/5	4.5/5	May 2023	US$ 3 999	amazon.com
13.		Nikon Zf	4.5/5	..	4.5/5	90/100	4.5/5	5/5	Sep 2023	US$ 1 999	amazon.com
14.		Panasonic G9	..	+ +	5/5	85/100	5/5	5/5	Nov 2017	US$ 1 699	ebay.com
15.		Panasonic G9 II	5/5	..	4.5/5	87/100	..	4.5/5	Sep 2023	US$ 1 899	amazon.com
16.		Panasonic GH6	5/5	+ +	5/5	87/100	5/5	5/5	Feb 2022	US$ 2 199	amazon.com
17.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	US$ 1 999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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