Fujifilm GFX 100 II vs Nikon D700

The Fujifilm GFX 100 II and the Nikon D700 are two digital cameras that were announced, respectively, in September 2023 and July 2008. The GFX 100 II is a mirrorless interchangeable lens camera, while the D700 is a DSLR. The cameras are based on a medium format (GFX 100 II) and a full frame (D700) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Nikon provides 12.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100 II		Nikon D700
Mirrorless system camera		Digital single lens reflex
Fujifilm G mount lenses		Nikon F mount lenses
101.8 MP – Medium Format sensor		12.1 MP – Full Frame sensor
8K/30p Video		no Video
ISO 100-12,800 (50 - 102,400)		ISO 200-6,400 (100 - 25,600)
Electronic viewfinder (9440k dots)		Optical viewfinder
3.2" LCD – 2360k dots		3.0" LCD – 922k dots
Fully flexible touchscreen		Fixed screen (not touch-sensitive)
8 shutter flaps per second		8 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
540 shots per battery charge		1000 shots per battery charge
152 x 117 x 99 mm, 1030 g		147 x 123 x 77 mm, 1074 g

Check GFX 100 II price at
amazon.com
Check D700 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 II and the Nikon D700? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 100 II and the Nikon D700 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D700 is somewhat larger (2 percent) than the Fujifilm GFX 100 II. Moreover, the D700 is slightly heavier (4 percent) than the GFX 100 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100 II gets 540 shots out of its Fujifilm NP-W235 battery, while the D700 can take 1000 images on a single charge of its Nikon EN-EL3e power pack. The power pack in the GFX 100 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
2.		Nikon D700	147 mm	123 mm	77 mm	1074 g	1000	Y	Jul 2008	US$ 2 999	ebay.com
3.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
4.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
5.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
6.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
7.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
8.		Fujifilm X-H2	136 mm	93 mm	85 mm	660 g	680	Y	Sep 2022	US$ 1 999	amazon.com
9.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	US$ 2 499	amazon.com
10.		Fujifilm X-T5	130 mm	91 mm	64 mm	557 g	580	Y	Nov 2022	US$ 1 699	amazon.com
11.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
12.		Nikon D3	160 mm	157 mm	88 mm	1300 g	4300	Y	Aug 2007	US$ 4 999	ebay.com
13.		Nikon D3S	160 mm	157 mm	88 mm	1240 g	4200	Y	Oct 2009	US$ 5 199	ebay.com
14.		Nikon D800	146 mm	123 mm	82 mm	1000 g	900	Y	Feb 2012	US$ 2 999	ebay.com
15.		Nikon D810	146 mm	123 mm	82 mm	980 g	1200	Y	Jun 2014	US$ 3 299	ebay.com
16.		Nikon Df	144 mm	110 mm	67 mm	760 g	1400	Y	Nov 2013	US$ 2 749	ebay.com
17.		Nikon Z8	144 mm	119 mm	83 mm	910 g	340	Y	May 2023	US$ 3 999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D700 was launched at a markedly lower price (by 60 percent) than the GFX 100 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 II features a medium format sensor and the Nikon D700 a full frame sensor. The sensor area in the D700 is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 100 II has a native 4:3 aspect ratio, while the one in the D700 offers a 3:2 aspect.

With 101.8MP, the GFX 100 II offers a higher resolution than the D700 (12.1MP), but the GFX 100 II has smaller individual pixels (pixel pitch of 3.76μm versus 8.43μm for the D700). However, the GFX 100 II is a much more recent model (by 15 years and 2 months) than the D700, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Nikon D700 are 21.3 x 14.2 inches or 54.1 x 36 cm for good quality, 17 x 11.3 inches or 43.2 x 28.8 cm for very good quality, and 14.2 x 9.4 inches or 36 x 24 cm for excellent quality prints.

The GFX 100 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the D700, the GFX 100 II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100 II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D700 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.

In terms of underlying technology, the GFX 100 II is build around a BSI-CMOS sensor, while the D700 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
2.		Nikon D700	Full Frame	12.1	4256	2832	none	23.5	12.2	2303	80
3.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
4.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
5.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
6.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
7.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
8.		Fujifilm X-H2	APS-C	39.8	7728	5152	8k/30p	24.3	13.9	2249	86
9.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
10.		Fujifilm X-T5	APS-C	39.8	7728	5152	6.2k/30p	24.3	13.9	2264	86
11.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
12.		Nikon D3	Full Frame	12.1	4256	2832	none	23.5	12.2	2290	81
13.		Nikon D3S	Full Frame	12.1	4256	2832	720/24p	23.5	12.0	3253	82
14.		Nikon D800	Full Frame	36.2	7360	4912	1080/30p	25.3	14.4	2853	95
15.		Nikon D810	Full Frame	36.2	7360	4912	1080/60p	25.7	14.8	2853	97
16.		Nikon Df	Full Frame	16.2	4928	3280	none	24.6	13.1	3279	89
17.		Nikon Z8	Full Frame	45.4	8256	5504	8K/30p	26.3	14.2	2548	98
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GFX 100 II indeed provides movie recording capabilities, while the D700 does not. The highest resolution format that the GFX 100 II can use is 8K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 100 II has an electronic viewfinder (9440k dots), while the D700 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 100 II offers a wider field of view (100%) than the one in the D700 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GFX 100 II has a higher magnification (1.27x vs 0.72x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100 II, the Nikon D700, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
2.		Nikon D700	optical	Y	3.0 / 922	fixed	n	1/8000s	8.0/s	Y	n
3.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
4.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
6.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
7.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm X-H2	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
9.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
10.		Fujifilm X-T5	3690	n	3.0 / 1840	full-flex	Y	1/8000s	15.0/s	n	Y
11.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
12.		Nikon D3	optical	Y	3.0 / 922	fixed	n	1/8000s	11.0/s	n	n
13.		Nikon D3S	optical	Y	3.0 / 921	fixed	n	1/8000s	11.0/s	n	n
14.		Nikon D800	optical	Y	3.2 / 921	fixed	n	1/8000s	4.0/s	Y	n
15.		Nikon D810	optical	Y	3.2 / 1229	fixed	n	1/8000s	5.0/s	Y	n
16.		Nikon Df	optical	Y	3.2 / 921	fixed	n	1/4000s	5.5/s	n	n
17.		Nikon Z8	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the GFX 100 II and the D700 is in-body image stabilization (IBIS). The GFX 100 II reduces the risk of handshake-induced blur with all attached lenses, while the D700 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 II and the Nikon D700 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100 II writes its imaging data to CFexpress (type B) or SDXC cards, while the D700 uses Compact Flash cards. The GFX 100 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the D700 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 II and Nikon D700 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Nikon D700	Y	- / -	-	-	mini	2.0	-	-	-
3.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
4.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
5.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
6.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
7.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm X-H2	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
10.		Fujifilm X-T5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
11.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
12.		Nikon D3	Y	- / -	-	-	mini	2.0	-	-	-
13.		Nikon D3S	Y	stereo / -	-	-	mini	2.0	-	-	-
14.		Nikon D800	Y	mono / mono	Y	Y	mini	3.0	-	-	-
15.		Nikon D810	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
16.		Nikon Df	Y	- / -	-	-	mini	2.0	-	-	-
17.		Nikon Z8	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the GFX 100 II offers wifi support, while the D700 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

The GFX 100 II is a recent model that features in the current product line-up of Fujifilm. In contrast, the D700 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the D700 was succeeded by the Nikon D800. Further information on the features and operation of the GFX 100 II and D700 can be found, respectively, in the Fujifilm GFX 100 II Manual (free pdf) or the online Nikon D700 Manual.

Review summary

So how do things add up? Which of the two cameras – the Fujifilm GFX 100 II or the Nikon D700 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Fujifilm GFX 100 II:

• More detail: Offers more megapixels (101.8 vs 12.1MP) with a 185% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can record not only still images but also 8K/30p movies.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (1.27x vs 0.72x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 922k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Reflects 15 years and 2 months of technical progress since the D700 launch.

Reasons to prefer the Nikon D700:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Longer lasting: Gets more shots (1000 versus 540) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in July 2008).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 II is the clear winner of the match-up (25 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100 II and the Nikon D700 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GFX 100 II or the D700 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
2.		Nikon D700	..	89/100	..	+ +	4.5/5	4.5/5	Jul 2008	US$ 2 999	ebay.com
3.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
4.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
5.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
6.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
7.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
8.		Fujifilm X-H2	5/5	+ +	5/5	89/100	5/5	5/5	Sep 2022	US$ 1 999	amazon.com
9.		Fujifilm X-H2S	5/5	+	5/5	90/100	5/5	5/5	May 2022	US$ 2 499	amazon.com
10.		Fujifilm X-T5	5/5	+ +	4.5/5	90/100	4.5/5	..	Nov 2022	US$ 1 699	amazon.com
11.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
12.		Nikon D3	..	..	..	+ +	5/5	4.5/5	Aug 2007	US$ 4 999	ebay.com
13.		Nikon D3S	5/5	..	..	89/100	4.5/5	5/5	Oct 2009	US$ 5 199	ebay.com
14.		Nikon D800	5/5	+ +	..	82/100	5/5	5/5	Feb 2012	US$ 2 999	ebay.com
15.		Nikon D810	5/5	..	5/5	86/100	5/5	4.5/5	Jun 2014	US$ 3 299	ebay.com
16.		Nikon Df	4/5	..	..	81/100	4/5	4/5	Nov 2013	US$ 2 749	ebay.com
17.		Nikon Z8	5/5	..	5/5	94/100	5/5	4.5/5	May 2023	US$ 3 999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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