Epson R-D1 vs Panasonic FZ330
The Epson R-D1 and the Panasonic Lumix DMC-FZ330 (labelled Panasonic FZ300 in some countries) are two digital cameras that were revealed to the public, respectively, in March 2004 and July 2015. The R-D1 is a rangefinder-focusing mirrorless camera, while the FZ330 is a fixed lens compact. The cameras are based on an APS-C (R-D1) and a 1/2.3-inch (FZ330) sensor. The Epson has a resolution of 6 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Epson R-D1 and the Panasonic Lumix DMC-FZ330? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Epson R-D1 and the Panasonic FZ330. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ330 is somewhat smaller (4 percent) than the Epson R-D1. It is noteworthy in this context that the FZ330 is splash and dust-proof, while the R-D1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens built in, whereas the R-D1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the R-D1 and their specifications in the Leica M Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Epson R-D1||142 mm||89 mm||40 mm||620 g||..||n||Mar 2004||2,999|
|2.||Panasonic FZ330||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|3.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|4.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|5.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|6.||Leica CL||131 mm||78 mm||45 mm||403 g||220||n||Nov 2017||2,795|
|7.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|8.||Leica X-U Typ 113||140 mm||79 mm||88 mm||635 g||450||Y||Jan 2016||2,950|
|9.||Leica X Vario||133 mm||73 mm||95 mm||680 g||450||n||Jun 2013||2,850|
|10.||Leica M9||139 mm||80 mm||37 mm||585 g||..||n||Sep 2009||7,999|
|11.||Nikon D40||124 mm||94 mm||64 mm||522 g||470||n||Nov 2006||499|
|12.||Nikon D50||133 mm||102 mm||76 mm||620 g||400||n||Apr 2005||749|
|13.||Nikon D70s||140 mm||111 mm||78 mm||679 g||500||n||Apr 2005||899|
|14.||Nikon D70||140 mm||111 mm||78 mm||679 g||400||n||Jan 2004||999|
|15.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|16.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|17.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ330 was launched at a lower price than the R-D1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Epson R-D1 features an APS-C sensor and the Panasonic FZ330 a 1/2.3-inch sensor. The sensor area in the FZ330 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the R-D1 has a native 3:2 aspect ratio, while the one in the FZ330 offers a 4:3 aspect.
Despite having a smaller sensor, the FZ330 offers a higher resolution of 12 megapixels, compared with 6 MP of the R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.53μm versus 7.85μm for the R-D1). However, it should be noted that the FZ330 is much more recent (by 11 years and 4 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ330 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ330 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ330 for good quality output (200 dots per inch) amounts to 20 x 15 inches or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inches or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inches or 33.9 x 25.4 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The Epson R-D1 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ330 are ISO 100 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|3.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|7.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|8.||Leica X-U Typ 113||APS-C||16.1||4928||3264||1080/30p||23.8||13.0||1614||80|
|9.||Leica X Vario||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78|
|10.||Leica M9||Full Frame||18.1||5212||3472||none||22.5||11.7||884||69|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The FZ330 indeed provides for movie recording, while the R-D1 does not. The highest resolution format that the FZ330 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ330 has an electronic viewfinder (1440k dots), while the R-D1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Epson R-D1, the Panasonic FZ330, and comparable cameras.
|1.||Epson R-D1||optical||n||2.0 / 235||fixed||n||1/2000s||1.0/s||n||n|
|2.||Panasonic FZ330||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|3.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9/s||Y||Y|
|4.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|5.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5/s||Y||n|
|6.||Leica CL||2360||Y||3.0 / 1040||fixed||Y||1/8000s||10.0/s||n||n|
|7.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0/s||n||n|
|8.||Leica X-U Typ 113||optional||n||3.0 / 920||fixed||n||1/2000s||5.0/s||Y||n|
|9.||Leica X Vario||optional||n||3.0 / 920||fixed||n||1/2000s||5.0/s||Y||n|
|10.||Leica M9||optical||n||2.5 / 230||fixed||n||1/4000s||2.0/s||n||n|
|11.||Nikon D40||optical||n||2.5 / 230||fixed||n||1/4000s||2.5/s||Y||n|
|12.||Nikon D50||optical||n||2.0 / 130||fixed||n||1/4000s||2.5/s||Y||n|
|13.||Nikon D70s||optical||n||2.0 / 130||fixed||n||1/8000s||3.0/s||Y||n|
|14.||Nikon D70||optical||n||1.8 / 130||fixed||n||1/8000s||3.0/s||Y||n|
|15.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|16.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|17.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ330 has a touchscreen, while the R-D1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ330 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the R-D1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ330 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ330 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R-D1 writes its imaging data to SDHC cards, while the FZ330 uses SDXC cards. The FZ330 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the R-D1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Epson R-D1 and Panasonic Lumix DMC-FZ330 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Epson R-D1||Y||- / -||-||-||-||-||-||-||-|
|2.||Panasonic FZ330||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|3.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|6.||Leica CL||Y||stereo / mono||-||-||-||-||Y||-||-|
|7.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|8.||Leica X-U Typ 113||Y||stereo / mono||-||-||-||2.0||-||-||-|
|9.||Leica X Vario||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Leica M9||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Nikon D40||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Nikon D50||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Nikon D70s||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Nikon D70||Y||- / -||-||-||-||1.0||-||-||-|
|15.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
It is notable that the FZ330 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the R-D1 does not provide wifi capability.
Studio photographers will appreciate that the Epson R-D1 (unlike the FZ330) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ330 is a recent model that features in the current product line-up of Panasonic. In contrast, the R-D1 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the R-D1 from Epson. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Epson and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Epson R-D1 and the Panasonic FZ330? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Epson R-D1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in March 2004).
Reasons to prefer the Panasonic Lumix DMC-FZ330:
- More detail: Has more megapixels (12 vs 6MP), which boosts linear resolution by 38%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 235k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the R-D1 necessitates an extra lens.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 11 years and 4 months of technical progress since the R-D1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ330 is the clear winner of the contest (21 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R-D1 or the FZ330. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Epson R-D1||..||..||..||..||..||..||Mar 2004||2,999|
|2.||Panasonic FZ330||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|3.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|4.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|5.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899|
|6.||Leica CL||..||..||4.2/5||..||..||4/5||Nov 2017||2,795|
|7.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|8.||Leica X-U Typ 113||3.5/5||..||..||..||..||3.5/5||Jan 2016||2,950|
|9.||Leica X Vario||3/5||..||..||..||4/5||4/5||Jun 2013||2,850|
|10.||Leica M9||..||..||..||..||4.5/5||..||Sep 2009||7,999|
|11.||Nikon D40||..||81/100||..||+ +||o||4.5/5||Nov 2006||499|
|12.||Nikon D50||..||78/100||..||+ +||4/5||4.5/5||Apr 2005||749|
|13.||Nikon D70s||..||..||..||..||..||5/5||Apr 2005||899|
|14.||Nikon D70||..||..||..||+ +||..||..||Jan 2004||999|
|15.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|16.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|17.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 20D vs Epson R-D1
- Canon M5 vs Epson R-D1
- Canon SX740 vs Panasonic FZ330
- Epson R-D1 vs Fujifilm X10
- Epson R-D1 vs Leica S2
- Epson R-D1 vs Nikon 1 J4
- Epson R-D1 vs Nikon D3X
- Hasselblad X1D vs Panasonic FZ330
- Olympus E-M1 III vs Panasonic FZ330
- Panasonic FZ330 vs Sony HX99
- Panasonic FZ330 vs Sony NEX-C3
- Panasonic FZ330 vs Sony RX100 VI
Specifications: Epson R-D1 vs Panasonic FZ330
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Epson R-D1||Panasonic FZ330|
|Camera Type||Rangefinder camera||Fixed lens compact camera|
|Camera Lens||Leica M mount lenses||25-600mm f/2.8|
|Launch Date||March 2004||July 2015|
|Launch Price||USD 2,999||USD 599|
|Sensor Specs||Epson R-D1||Panasonic FZ330|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||23.7 x 15.6 mm||6.17 x 4.55 mm|
|Sensor Area||369.72 mm2||28.0735 mm2|
|Sensor Diagonal||28.4 mm||7.7 mm|
|Sensor Resolution||6 Megapixels||12 Megapixels|
|Image Resolution||3008 x 2000 pixels||4000 x 3000 pixels|
|Pixel Pitch||7.85 μm||1.53 μm|
|Pixel Density||1.63 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||200 - 1,600 ISO||100 - 6,400 ISO|
|DXO Sensor Quality (score)||..||38|
|DXO Color Depth (bits)||..||19.3|
|DXO Dynamic Range (EV)||..||11.0|
|DXO Low Light (ISO)||..||97|
|Screen Specs||Epson R-D1||Panasonic FZ330|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||235k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Epson R-D1||Panasonic FZ330|
|Focus System||Manual Focus||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||1 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Epson R-D1||Panasonic FZ330|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||no USB||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Epson R-D1||Panasonic FZ330|
|Environmental Sealing||not weather sealed||Weathersealed body|
142 x 89 x 40 mm
(5.6 x 3.5 x 1.6 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||620 g (21.9 oz)||691 g (24.4 oz)|
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