Epson R-D1 vs Fujifilm X-A7
The Epson R-D1 and the Fujifilm X-A7 are two digital cameras that were revealed to the public, respectively, in March 2004 and September 2019. The R-D1 is a rangefinder-focusing mirrorless, while the X-A7 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Epson has a resolution of 6 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Epson R-D1 and the Fujifilm X-A7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Epson R-D1 and the Fujifilm X-A7. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-A7 can be obtained in four different colors (silver, graphite, brown, green), while the R-D1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-A7 is considerably smaller (36 percent) than the Epson R-D1. Moreover, the X-A7 is substantially lighter (48 percent) than the R-D1. In this context, it is worth noting that neither the R-D1 nor the X-A7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Leica M Lens Catalog (R-D1) and the Fujinon X Lens Catalog (X-A7).
The power pack in the X-A7 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Epson R-D1||142 mm||89 mm||40 mm||620 g||..||n||Mar 2004||2,999||ebay.com|
|2.||Fujifilm X-A7||119 mm||68 mm||41 mm||320 g||440||n||Sep 2019||499||amazon.com|
|3.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899||ebay.com|
|4.||Fujifilm X-T200||121 mm||84 mm||55 mm||370 g||270||n||Jan 2020||699||amazon.com|
|5.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899||ebay.com|
|6.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399||ebay.com|
|7.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899||ebay.com|
|8.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399||ebay.com|
|9.||Leica CL||131 mm||78 mm||45 mm||403 g||220||n||Nov 2017||2,795||amazon.com|
|10.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595||ebay.com|
|11.||Leica X-U Typ 113||140 mm||79 mm||88 mm||635 g||450||Y||Jan 2016||2,950||ebay.com|
|12.||Leica X Vario||133 mm||73 mm||95 mm||680 g||450||n||Jun 2013||2,850||ebay.com|
|13.||Leica M9||139 mm||80 mm||37 mm||585 g||..||n||Sep 2009||7,999||ebay.com|
|14.||Nikon D40||124 mm||94 mm||64 mm||522 g||470||n||Nov 2006||499||ebay.com|
|15.||Nikon D50||133 mm||102 mm||76 mm||620 g||400||n||Apr 2005||749||ebay.com|
|16.||Nikon D70s||140 mm||111 mm||78 mm||679 g||500||n||Apr 2005||899||ebay.com|
|17.||Nikon D70||140 mm||111 mm||78 mm||679 g||400||n||Jan 2004||999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-A7 was launched at a markedly lower price (by 83 percent) than the R-D1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the X-A7 offers a higher resolution of 24 megapixels, compared with 6 MP of the R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 7.85μm for the R-D1). However, it should be noted that the X-A7 is much more recent (by 15 years and 6 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Fujifilm X-A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-A7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The X-A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Epson R-D1 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Fujifilm X-A7 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 200-51200.
In terms of underlying technology, the R-D1 is build around a CCD sensor, while the X-A7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|10.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|11.||Leica X-U Typ 113||APS-C||16.1||4928||3264||1080/30p||23.8||13.0||1614||80|
|12.||Leica X Vario||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78|
|13.||Leica M9||Full Frame||18.1||5212||3472||none||22.5||11.7||884||69|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The X-A7 indeed provides for movie recording, while the R-D1 does not. The highest resolution format that the X-A7 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the R-D1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the X-A7 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Epson R-D1 and Fujifilm X-A7 in connection with corresponding information for a sample of similar cameras.
|1.||Epson R-D1||optical||n||2.0 / 235||fixed||n||1/2000s||1.0/s||n||n|
|2.||Fujifilm X-A7||none||n||3.5 / 2760||swivel||Y||1/4000s||6.0/s||Y||n|
|3.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5/s||Y||n|
|4.||Fujifilm X-T200||2360||n||3.5 / 2780||swivel||Y||1/4000s||8.0/s||Y||n|
|5.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|6.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|7.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0/s||n||n|
|8.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|9.||Leica CL||2360||Y||3.0 / 1040||fixed||Y||1/8000s||10.0/s||n||n|
|10.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0/s||n||n|
|11.||Leica X-U Typ 113||optional||n||3.0 / 920||fixed||n||1/2000s||5.0/s||Y||n|
|12.||Leica X Vario||optional||n||3.0 / 920||fixed||n||1/2000s||5.0/s||Y||n|
|13.||Leica M9||optical||n||2.5 / 230||fixed||n||1/4000s||2.0/s||n||n|
|14.||Nikon D40||optical||n||2.5 / 230||fixed||n||1/4000s||2.5/s||Y||n|
|15.||Nikon D50||optical||n||2.0 / 130||fixed||n||1/4000s||2.5/s||Y||n|
|16.||Nikon D70s||optical||n||2.0 / 130||fixed||n||1/8000s||3.0/s||Y||n|
|17.||Nikon D70||optical||n||1.8 / 130||fixed||n||1/8000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-A7 has a touchscreen, while the R-D1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The X-A7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the R-D1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-A7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-A7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R-D1 writes its imaging data to SDHC cards, while the X-A7 uses SDXC cards. The X-A7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the R-D1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Epson R-D1 and Fujifilm X-A7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Epson R-D1||Y||- / -||-||-||-||-||-||-||-|
|2.||Fujifilm X-A7||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|3.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|4.||Fujifilm X-T200||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|5.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|6.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|8.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Leica CL||Y||stereo / mono||-||-||-||-||Y||-||-|
|10.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|11.||Leica X-U Typ 113||Y||stereo / mono||-||-||-||2.0||-||-||-|
|12.||Leica X Vario||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Leica M9||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Nikon D40||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Nikon D50||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Nikon D70s||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Nikon D70||Y||- / -||-||-||-||1.0||-||-||-|
It is notable that the X-A7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the R-D1 does not provide wifi capability.
Studio photographers will appreciate that the Epson R-D1 (unlike the X-A7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The X-A7 is a recent model that features in the current product line-up of Fujifilm. In contrast, the R-D1 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the R-D1 from Epson. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Epson and Fujifilm websites.
So what conclusions can be drawn? Is the Epson R-D1 better than the Fujifilm X-A7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Epson R-D1:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in March 2004).
Advantages of the Fujifilm X-A7:
- More detail: Has more megapixels (24 vs 6MP), which boosts linear resolution by 100%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger screen: Has a bigger rear LCD (3.5" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2760k vs 235k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (119x68mm vs 142x89mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 300g or 48 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
- More modern: Reflects 15 years and 6 months of technical progress since the R-D1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the X-A7 is the clear winner of the contest (21 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R-D1 or the X-A7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Epson R-D1||..||..||..||..||..||..||Mar 2004||2,999||ebay.com|
|2.||Fujifilm X-A7||3/5||..||3.5/5||81/100||4/5||3.5/5||Sep 2019||499||amazon.com|
|3.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899||ebay.com|
|4.||Fujifilm X-T200||3.5/5||..||4/5||82/100||4/5||4.5/5||Jan 2020||699||amazon.com|
|5.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899||ebay.com|
|6.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399||ebay.com|
|7.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899||ebay.com|
|8.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399||ebay.com|
|9.||Leica CL||..||..||4.2/5||..||..||4/5||Nov 2017||2,795||amazon.com|
|10.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595||ebay.com|
|11.||Leica X-U Typ 113||3.5/5||..||..||..||..||3.5/5||Jan 2016||2,950||ebay.com|
|12.||Leica X Vario||3/5||..||..||..||4/5||4/5||Jun 2013||2,850||ebay.com|
|13.||Leica M9||..||..||..||..||4.5/5||..||Sep 2009||7,999||ebay.com|
|14.||Nikon D40||..||81/100||..||+ +||o||4.5/5||Nov 2006||499||ebay.com|
|15.||Nikon D50||..||78/100||..||+ +||4/5||4.5/5||Apr 2005||749||ebay.com|
|16.||Nikon D70s||..||..||..||..||..||5/5||Apr 2005||899||ebay.com|
|17.||Nikon D70||..||..||..||+ +||..||..||Jan 2004||999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 500D vs Fujifilm X-A7
- Epson R-D1 vs Panasonic FZ1000 II
- Epson R-D1 vs Panasonic GX8
- Epson R-D1 vs Sigma fp
- Epson R-D1 vs Sony A7S II
- Epson R-D1 vs Sony A99
- Epson R-D1 vs Sony RX10
- Fujifilm X-A7 vs Fujifilm X70
- Fujifilm X-A7 vs Leica M9
- Fujifilm X-A7 vs Leica X1
- Fujifilm X-A7 vs Nikon B600
- Fujifilm X-A7 vs Panasonic GF5
Specifications: Epson R-D1 vs Fujifilm X-A7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Epson R-D1||Fujifilm X-A7|
|Camera Type||Rangefinder camera||Mirrorless system camera|
|Camera Lens||Leica M mount lenses||Fujifilm X mount lenses|
|Launch Date||March 2004||September 2019|
|Launch Price||USD 2,999||USD 499|
|Sensor Specs||Epson R-D1||Fujifilm X-A7|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.7 x 15.6 mm||23.5 x 15.7 mm|
|Sensor Area||369.72 mm2||368.95 mm2|
|Sensor Diagonal||28.4 mm||28.3 mm|
|Sensor Resolution||6 Megapixels||24 Megapixels|
|Image Resolution||3008 x 2000 pixels||6000 x 4000 pixels|
|Pixel Pitch||7.85 μm||3.92 μm|
|Pixel Density||1.63 MP/cm2||6.50 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||200 - 1,600 ISO||200 - 12,800 ISO|
|ISO Boost||no Enhancement||200 - 51,200 ISO|
|Screen Specs||Epson R-D1||Fujifilm X-A7|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.5inch|
|LCD Resolution||235k dots||2760k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Epson R-D1||Fujifilm X-A7|
|Focus System||Manual Focus||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||1 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Epson R-D1||Fujifilm X-A7|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||no USB||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Epson R-D1||Fujifilm X-A7|
|In-Camera Charging||no USB charging||USB charging|
142 x 89 x 40 mm
(5.6 x 3.5 x 1.6 in)
119 x 68 x 41 mm
(4.7 x 2.7 x 1.6 in)
|Camera Weight||620 g (21.9 oz)||320 g (11.3 oz)|
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