Canon T5 vs Panasonic FZ200

The Canon EOS Rebel T5 (called Canon 1200D in some regions) and the Panasonic Lumix DMC-FZ200 are two digital cameras that were officially introduced, respectively, in February 2014 and July 2012. The T5 is a DSLR, while the FZ200 is a fixed lens compact. The cameras are based on an APS-C (T5) and a 1/2.3-inch (FZ200) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon T5		Panasonic FZ200
Digital single lens reflex		Fixed lens compact camera
Canon EF mount lenses		25-600mm f/2.8
17.9 MP – APS-C sensor		12 MP – 1/2.3" sensor
1080/30p Video		1080/60p Video
ISO 100-6,400 (100 - 12,800)		ISO 100-3,200 (100 - 6,400)
Optical viewfinder		Electronic viewfinder (1312k dots)
3.0" LCD – 460k dots		3.0" LCD – 460k dots
Fixed screen (not touch-sensitive)		Swivel screen (not touch-sensitive)
3 shutter flaps per second		12 shutter flaps per second
500 shots per battery charge		540 shots per battery charge
130 x 100 x 78 mm, 480 g		125 x 87 x 110 mm, 588 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T5 and the Panasonic Lumix DMC-FZ200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon T5 and the Panasonic FZ200 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ200 is notably smaller (16 percent) than the Canon T5. In this context, it is worth noting that neither the T5 nor the FZ200 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ200 has a lens built in, whereas the T5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T5 and their specifications in the Canon EF Lens Catalog.

Concerning battery life, the T5 gets 500 shots out of its Canon LP-E10 battery, while the FZ200 can take 540 images on a single charge of its Panasonic DMW-BLC12 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon T5	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	449	ebay.com
2.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
3.		Canon SL1	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	549	ebay.com
4.		Canon SX50	123 mm	87 mm	106 mm	595 g	315	n	Sep 2012	429	ebay.com
5.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	549	ebay.com
6.		Canon T2i	129 mm	98 mm	62 mm	530 g	440	n	Feb 2010	699	ebay.com
7.		Canon T3	130 mm	100 mm	78 mm	495 g	700	n	Feb 2011	449	ebay.com
8.		Canon T3i	133 mm	100 mm	80 mm	570 g	440	n	Feb 2011	599	ebay.com
9.		Canon T4i	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	849	ebay.com
10.		Canon T5i	133 mm	100 mm	79 mm	580 g	440	n	Mar 2013	649	ebay.com
11.		Canon T6	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	449	ebay.com
12.		Canon T6i	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	749	ebay.com
13.		Canon T6s	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	649	ebay.com
14.		Canon T100	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	399	amazon.com
15.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	499	ebay.com
16.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
17.		Panasonic FZ300	132 mm	92 mm	117 mm	691 g	380	Y	Jul 2015	599	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon T5 features an APS-C sensor and the Panasonic FZ200 a 1/2.3-inch sensor. The sensor area in the FZ200 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the T5 has a native 3:2 aspect ratio, while the one in the FZ200 offers a 4:3 aspect.

With 17.9MP, the T5 offers a higher resolution than the FZ200 (12MP), but the T5 nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 1.53μm for the FZ200) due to its larger sensor. Moreover, the T5 is a somewhat more recent model (by 1 year and 6 months) than the FZ200, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Canon T5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T5 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic FZ200 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Canon EOS Rebel T5 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ200 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.

In terms of underlying technology, the T5 is build around a CMOS sensor, while the FZ200 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the T5 provides substantially higher image quality than the FZ200, with an overall score that is 26 points higher. This advantage is based on 2.8 bits higher color depth, 0.5 EV in additional dynamic range, and 2.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon T5	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
2.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
3.		Canon SL1	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
4.		Canon SX50	1/2.3	12.0	4000	3000	1080/24p	20.3	11.2	179	47
5.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
6.		Canon T2i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	784	66
7.		Canon T3	APS-C	12.2	4272	2848	720/30p	21.9	11.0	755	62
8.		Canon T3i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	793	65
9.		Canon T4i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
10.		Canon T5i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	681	61
11.		Canon T6	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
12.		Canon T6i	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
13.		Canon T6s	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
14.		Canon T100	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
15.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
16.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
17.		Panasonic FZ300	1/2.3	12.0	4000	3000	4K/30p	19.3	11.0	97	38
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ200 provides a faster frame rate than the T5. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ200 has an electronic viewfinder (1312k dots), while the T5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ200 offers a wider field of view (100%) than the one in the T5 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the T5 has a higher magnification (0.50x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon T5, the Panasonic FZ200, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon T5	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
2.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
3.		Canon SL1	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
4.		Canon SX50	202	n	3.0 / 461	swivel	n	1/2000s	2.2/s	Y	Y
5.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
6.		Canon T2i	optical	n	3.0 / 1040	fixed	n	1/4000s	3.7/s	Y	n
7.		Canon T3	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
8.		Canon T3i	optical	n	3.0 / 1040	swivel	n	1/4000s	3.7/s	Y	n
9.		Canon T4i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
10.		Canon T5i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
11.		Canon T6	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
12.		Canon T6i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
13.		Canon T6s	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
14.		Canon T100	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
15.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
16.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
17.		Panasonic FZ300	1440	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

Concerning the storage of imaging data, both the T5 and the FZ200 write their files to SDXC cards. The FZ200 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T5 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T5 and Panasonic Lumix DMC-FZ200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon T5	Y	mono / mono	-	-	mini	2.0	-	-	-
2.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Canon SL1	Y	mono / mono	Y	-	mini	2.0	-	-	-
4.		Canon SX50	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
6.		Canon T2i	Y	stereo / -	Y	-	mini	2.0	-	-	-
7.		Canon T3	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Canon T3i	Y	mono / mono	Y	-	mini	2.0	-	-	-
9.		Canon T4i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
10.		Canon T5i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
11.		Canon T6	Y	mono / mono	-	-	mini	2.0	Y	Y	-
12.		Canon T6i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
13.		Canon T6s	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
14.		Canon T100	Y	mono / mono	-	-	mini	2.0	Y	Y	-
15.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
17.		Panasonic FZ300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-

It is notable that the FZ200 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The T5 does not feature such a mic input.

Both the T5 and the FZ200 have been discontinued, but can regularly be found used on ebay. The FZ200 was replaced by the Panasonic FZ300, while the T5 was followed by the Canon T6. Further information on the features and operation of the T5 and FZ200 can be found, respectively, in the Canon T5 Manual (free pdf) or the online Panasonic FZ200 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Canon T5 and the Panasonic FZ200? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Canon EOS Rebel T5:

• More detail: Offers more megapixels (17.9 vs 12MP) with a 25% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Scores substantially higher (26 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2.8 bits more color depth).
• Better low-light sensitivity: Requires less light for good images (2.7 stops ISO advantage).
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.50x vs 0.46x).
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• More modern: Is somewhat more recent (announced 1 year and 6 months after the FZ200).

Arguments in favor of the Panasonic Lumix DMC-FZ200:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
• Ready to shoot: Comes with an integrated lens, while the T5 requires a separate lens.
• More compact: Is smaller (125x87mm vs 130x100mm) and will fit more readily into a bag.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More heavily discounted: Has been on the market for longer (launched in July 2012).

If the count of individual advantages (bullet points above) is taken as a guide, the FZ200 is the clear winner of the contest (13 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon T5 and the Panasonic FZ200 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the T5 or the FZ200 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon T5	3/5	+	..	..	4/5	4.5/5	Feb 2014	449	ebay.com
2.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
3.		Canon SL1	4/5	+	..	78/100	4/5	4/5	Mar 2013	549	ebay.com
4.		Canon SX50	3/5	+ +	..	72/100	4.5/5	4.5/5	Sep 2012	429	ebay.com
5.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	549	ebay.com
6.		Canon T2i	..	+ +	..	77/100	4/5	4.5/5	Feb 2010	699	ebay.com
7.		Canon T3	..	80/100	..	69/100	4/5	4.5/5	Feb 2011	449	ebay.com
8.		Canon T3i	3/5	o	..	77/100	4.5/5	4.5/5	Feb 2011	599	ebay.com
9.		Canon T4i	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	849	ebay.com
10.		Canon T5i	..	..	..	76/100	4.5/5	4.5/5	Mar 2013	649	ebay.com
11.		Canon T6	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	449	ebay.com
12.		Canon T6i	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	749	ebay.com
13.		Canon T6s	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	649	ebay.com
14.		Canon T100	..	o	3/5	..	3.5/5	3.5/5	Feb 2018	399	amazon.com
15.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	499	ebay.com
16.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
17.		Panasonic FZ300	..	+ +	..	..	4.5/5	4.5/5	Jul 2015	599	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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