Canon T3 vs Panasonic FZ2500
The Canon EOS Rebel T3 (called Canon 1100D in some regions) and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were revealed to the public, respectively, in February 2011 and September 2016. The T3 is a DSLR, while the FZ2500 is a fixed lens compact. The cameras are based on an APS-C (T3) and an one-inch (FZ2500) sensor. The Canon has a resolution of 12.2 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T3 and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T3 and the Panasonic FZ2500. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is notably larger (8 percent) than the Canon T3. In this context, it is worth noting that neither the T3 nor the FZ2500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the T3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T3 and their specifications in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449||ebay.com|
|2.||Panasonic FZ2500||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199||amazon.com|
|3.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||amazon.com|
|4.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|5.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||ebay.com|
|6.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429||ebay.com|
|7.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||ebay.com|
|8.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599||ebay.com|
|9.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699||ebay.com|
|10.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449||ebay.com|
|11.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799||ebay.com|
|12.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799||ebay.com|
|13.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||ebay.com|
|14.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||amazon.com|
|15.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899||amazon.com|
|16.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||ebay.com|
|17.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T3 features an APS-C sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 64 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the FZ2500 offers a higher resolution of 20 megapixels, compared with 12.2 MP of the T3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 5.15μm for the T3). However, it should be noted that the FZ2500 is much more recent (by 5 years and 7 months) than the T3, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FZ2500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2500 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon T3 are 21.4 x 14.2 inches or 54.3 x 36.2 cm for good quality, 17.1 x 11.4 inches or 43.4 x 28.9 cm for very good quality, and 14.2 x 9.5 inches or 36.2 x 24.1 cm for excellent quality prints.
The Canon EOS Rebel T3 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the T3 is build around a CMOS sensor, while the FZ2500 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the FZ2500 has a markedly higher DXO score than the T3 (overall score 8 points higher), which will translate into better image quality. The advantage is based on 1.1 bits higher color depth, 1.6 EV in additional dynamic range, and 0.5 stops of reduced low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|5.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|14.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|15.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||22.1||12.4||546||65|
|17.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ2500 provides a better video resolution than the T3. It can shoot movie footage at 4K/30p, while the Canon is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), while the T3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ2500 offers a wider field of view (100%) than the one in the T3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ2500 has a higher magnification (0.74x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon T3, the Panasonic FZ2500, and comparable cameras.
|1.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Panasonic FZ2500||2360||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|3.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9/s||Y||Y|
|6.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2/s||Y||Y|
|7.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|9.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|10.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|12.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|14.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|15.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|16.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|17.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ2500 has a touchscreen, while the T3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ2500 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the T3 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the T3 and the FZ2500 write their files to SDXC cards. The FZ2500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T3 and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Panasonic FZ2500||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|3.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|5.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|10.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|16.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ2500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the T3 does not provide wifi capability.
The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the T3 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the T3 was succeeded by the Canon T5. Further information on the features and operation of the T3 and FZ2500 can be found, respectively, in the Canon T3 Manual (free pdf) or the online Panasonic FZ2500 Manual.
So what is the bottom line? Is there a clear favorite between the Canon T3 and the Panasonic FZ2500? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS Rebel T3:
- Better low-light sensitivity: Requires less light for good images (0.5 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (700 versus 350) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in February 2011).
Reasons to prefer the Panasonic Lumix DMC-FZ2500:
- More detail: Has more megapixels (20 vs 12.2MP), which boosts linear resolution by 28%.
- Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.50x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the T3 requires a separate lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 7 months of technical progress since the T3 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ2500 is the clear winner of the contest (23 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T3 and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the T3 or the FZ2500. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449||ebay.com|
|2.||Panasonic FZ2500||..||+||..||82/100||4.5/5||5/5||Sep 2016||1,199||amazon.com|
|3.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399||amazon.com|
|4.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|5.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799||ebay.com|
|6.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429||ebay.com|
|7.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849||ebay.com|
|8.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599||ebay.com|
|9.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699||ebay.com|
|10.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449||ebay.com|
|11.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799||ebay.com|
|12.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799||ebay.com|
|13.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299||ebay.com|
|14.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249||amazon.com|
|15.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899||amazon.com|
|16.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899||ebay.com|
|17.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 90D vs Panasonic FZ2500
- Canon G3 X vs Canon T3
- Canon T3 vs Fujifilm X-A1
- Canon T3 vs Fujifilm X-A7
- Canon T3 vs Fujifilm XF10
- Canon T3 vs Olympus E-3
- Canon T3 vs Olympus E-M5 III
- Canon T7 vs Panasonic FZ2500
- Fujifilm X-A3 vs Panasonic FZ2500
- Nikon D3100 vs Panasonic FZ2500
- Panasonic FZ2500 vs Panasonic TS7
- Panasonic FZ2500 vs Sony RX100 IV
Specifications: Canon T3 vs Panasonic FZ2500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T3||Panasonic FZ2500|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-480mm f/2.8-4.5|
|Launch Date||February 2011||September 2016|
|Launch Price||USD 449||USD 1,199|
|Sensor Specs||Canon T3||Panasonic FZ2500|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.0 x 14.7 mm||13.2 x 8.8 mm|
|Sensor Area||323.4 mm2||116.16 mm2|
|Sensor Diagonal||26.5 mm||15.9 mm|
|Sensor Resolution||12.2 Megapixels||20 Megapixels|
|Image Resolution||4272 x 2848 pixels||5472 x 3648 pixels|
|Pixel Pitch||5.15 μm||2.41 μm|
|Pixel Density||3.76 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|Image Processor||DIGIC 4||Venus|
|DXO Sensor Quality (score)||62||70|
|DXO Color Depth (bits)||21.9||23|
|DXO Dynamic Range (EV)||11.0||12.6|
|DXO Low Light (ISO)||755||538|
|Screen Specs||Canon T3||Panasonic FZ2500|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.0inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon T3||Panasonic FZ2500|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon T3||Panasonic FZ2500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon T3||Panasonic FZ2500|
|Battery Life (CIPA)||700 shots per charge||350 shots per charge|
130 x 100 x 78 mm
(5.1 x 3.9 x 3.1 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||495 g (17.5 oz)||915 g (32.3 oz)|
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