Canon SX620 vs Sony A5000
The Canon PowerShot SX620 HS and the Sony Alpha A5000 are two digital cameras that were revealed to the public, respectively, in May 2016 and January 2014. The SX620 is a fixed lens compact, while the A5000 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX620) and an APS-C (A5000) sensor. The Canon has a resolution of 20.2 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX620||Sony A5000|
|Fixed lens compact camera||Mirrorless system camera|
|25-625mm f/3.2-6.6||Sony E mount lenses|
|20.2 MP, 1/2.3" Sensor||19.8 MP, APS-C Sensor|
|1080/30p Video||1080/60i Video|
|ISO 80-3200||ISO 100-16000|
|No viewfinder, LCD framing||No viewfinder, LCD framing|
|3.0" LCD, 922k dots||3.0" LCD, 461k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|2.5 shutter flaps per second||3.5 shutter flaps per second|
|295 shots per battery charge||420 shots per battery charge|
|97 x 57 x 28 mm, 182 g||110 x 63 x 36 mm, 269 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX620 HS and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SX620 and the Sony A5000. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The SX620 can be obtained in three different colors (black, silver, red), while the A5000 is also available in three color-versions, but different ones (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is notably larger (25 percent) than the Canon SX620. In this context, it is worth noting that neither the SX620 nor the A5000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX620 has a lens built in, whereas the A5000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A5000 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the SX620 gets 295 shots out of its NB-13L battery, while the A5000 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon SX620»||3.8 in||2.2 in||1.1 in||6.4 oz||295||n||May 2016||279||Canon SX620|
|Sony A5000«||4.3 in||2.5 in||1.4 in||9.5 oz||420||n||Jan 2014||449||-||Sony A5000|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||-||Canon G7 X Mark II|
|Canon SX420« »||4.1 in||2.7 in||3.3 in||11.5 oz||195||n||Jan 2016||299||Canon SX420|
|Canon SX540« »||4.7 in||3.2 in||3.6 in||15.6 oz||205||n||Jan 2016||399||Canon SX540|
|Canon SX720« »||4.3 in||2.5 in||1.4 in||9.5 oz||250||n||Feb 2016||379||-||Canon SX720|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||-||Canon G9 X|
|Canon M10« »||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499||-||Canon M10|
|Canon SX410« »||4.1 in||2.7 in||3.3 in||11.5 oz||185||n||Feb 2015||279||-||Canon SX410|
|Canon SX610« »||4.1 in||2.4 in||1.1 in||6.7 oz||270||n||Jan 2015||249||-||Canon SX610|
|Canon SX710« »||4.4 in||2.6 in||1.4 in||9.5 oz||230||n||Jan 2015||349||-||Canon SX710|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||-||Nikon D3300|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony A5100« »||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549||Sony A5100|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||-||Sony NEX-3N|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX620 was launched at a lower price than the A5000, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX620 features a 1/2.3-inch sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 1175 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the SX620 has a native 4:3 aspect ratio, while the one in the A5000 offers a 3:2 aspect.
Despite having a smaller sensor, the Canon SX620 offers a higher resolution of 20.2 megapixels, compared with 19.8 MP of the Sony A5000. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 4.25μm for the A5000). However, it should be noted that the SX620 is much more recent (by 2 years and 4 months) than the A5000, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the SX620 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon PowerShot SX620 HS has a native sensitivity range from ISO 80 to ISO 3200. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon SX620»||1/2.3||20.2||5184||3888||1080/30p||-||-||-||-||Canon SX620|
|Sony A5000«||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79||Sony A5000|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon SX420« »||1/2.3||19.9||5152||3864||720/25p||-||-||-||-||Canon SX420|
|Canon SX540« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX540|
|Canon SX720« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX720|
|Canon G9 X« »||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon M10« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Canon SX410« »||1/2.3||19.9||5152||3864||720/25p||-||-||-||-||Canon SX410|
|Canon SX610« »||1/2.3||20.2||5184||3888||1080/30p||-||-||-||-||Canon SX610|
|Canon SX710« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX710|
|Nikon D3300« »||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A5000 provides a faster frame rate than the SX620. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The SX620 and the A5000 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Canon SX620 and Sony A5000 in connection with corresponding information for a sample of similar cameras.
|Canon SX620»||-||n||3.0||922||fixed||n||1/2000s||2.5||Y||Y||Canon SX620|
|Sony A5000«||-||n||3.0||461||tilting||n||1/4000s||3.5||Y||n||Sony A5000|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon SX420« »||-||n||3.0||230||fixed||n||1/4000s||0.5||Y||Y||Canon SX420|
|Canon SX540« »||-||n||3.0||461||fixed||n||1/2000s||5.9||Y||Y||Canon SX540|
|Canon SX720« »||-||n||3.0||922||fixed||n||1/3200s||5.9||Y||Y||Canon SX720|
|Canon G9 X« »||-||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon M10« »||-||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Canon SX410« »||-||n||3.0||230||fixed||n||1/4000s||0.5||Y||Y||Canon SX410|
|Canon SX610« »||-||n||3.0||922||fixed||n||1/2000s||2.5||Y||Y||Canon SX610|
|Canon SX710« »||-||n||3.0||922||fixed||n||1/3200s||6.0||Y||Y||Canon SX710|
|Nikon D3300« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3300|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony A5100« »||-||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
The SX620 writes its imaging data to SDXC cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. The A5000 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX620 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX620 HS and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX620»||-||mono||mono||-||-||micro||2.0||Y||Y||-||Canon SX620|
|Sony A5000«||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5000|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon SX420« »||-||mono||mono||-||-||-||2.0||Y||Y||-||Canon SX420|
|Canon SX540« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon SX540|
|Canon SX720« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX720|
|Canon G9 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon M10« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Canon SX410« »||-||stereo||mono||-||-||-||2.0||-||-||-||Canon SX410|
|Canon SX610« »||-||-||-||-||-||micro||2.0||Y||Y||-||Canon SX610|
|Canon SX710« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX710|
|Nikon D3300« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
The SX620 is a recent model that features in the current product line-up of Canon. In contrast, the A5000 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A5000 was succeeded by the Sony A5100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Which of the two cameras – the Canon SX620 or the Sony A5000 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon PowerShot SX620 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (922k vs 461k dots).
- Ready to shoot: Has a lens built-in, whereas the A5000 requires a separate lens.
- More compact: Is smaller (97x57mm vs 110x63mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A5000).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 4 months of technical progress since the A5000 launch.
Reasons to prefer the Sony Alpha A5000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (3.5 vs 2.5 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (420 versus 295) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been around for much longer (launched in January 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the A5000 is the clear winner of the contest (14 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX620 and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the SX620 and the A5000 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SX620»||-||-||-||-||4/5||May 2016||279||Canon SX620|
|Sony A5000«||+||-||4.5/5||o||4.5/5||Jan 2014||449||-||Sony A5000|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||-||Canon G7 X Mark II|
|Canon SX420« »||-||-||-||-||-||Jan 2016||299||Canon SX420|
|Canon SX540« »||-||-||-||-||-||Jan 2016||399||Canon SX540|
|Canon SX720« »||+||-||4/5||-||4.5/5||Feb 2016||379||-||Canon SX720|
|Canon G9 X« »||+ +||-||4.5/5||4/5||4.5/5||Oct 2015||529||-||Canon G9 X|
|Canon M10« »||-||-||-||o||4/5||Oct 2015||499||-||Canon M10|
|Canon SX410« »||o||-||-||-||-||Feb 2015||279||-||Canon SX410|
|Canon SX610« »||-||-||4/5||-||4/5||Jan 2015||249||-||Canon SX610|
|Canon SX710« »||+||-||4/5||-||3.5/5||Jan 2015||349||-||Canon SX710|
|Nikon D3300« »||+||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499||-||Nikon D3300|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony A5100« »||+||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon M100 vs Canon SX620
- Canon SX620 vs Nikon Coolpix A
- Canon SX620 vs Olympus E-420
- Canon SX620 vs Panasonic LX15
- Canon SX620 vs Panasonic TZ200
- Canon SX620 vs Pentax Q
- Fujifilm X70 vs Sony A5000
- Leica TL2 vs Sony A5000
- Samsung NX30 vs Sony A5000
- Sony A5000 vs Sony H200
- Sony A5000 vs Sony NEX-7
- Sony A5000 vs Sony RX100 V
Specifications: Canon SX620 vs Sony A5000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX620||Sony A5000|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-625mm f/3.2-6.6||Sony E mount lenses|
|Launch Date||May 2016||January 2014|
|Launch Price||USD 279||USD 449|
|Sensor Specs||Canon SX620||Sony A5000|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.2 x 15.4 mm|
|Sensor Area||28.0735 mm2||357.28 mm2|
|Sensor Diagonal||7.7 mm||27.8 mm|
|Sensor Resolution||20.2 Megapixels||19.8 Megapixels|
|Image Resolution||5184 x 3888 pixels||5456 x 3632 pixels|
|Pixel Pitch||1.18 μm||4.25 μm|
|Pixel Density||71.80 MP/cm2||5.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||80-3200 ISO||100-16000 ISO|
|Image Processor||DIGIC 4+||BIONZ X|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||23.8|
|DXO Dynamic Range (EV)||..||13.0|
|DXO Low Light (ISO)||..||1089|
|Screen Specs||Canon SX620||Sony A5000|
|Viewfinder Type||No viewfinder||No viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||461k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon SX620||Sony A5000|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/4000/s|
|Continuous Shooting||2.5 shutter flaps/s||3.5 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX620||Sony A5000|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon SX620||Sony A5000|
|Battery Life (CIPA)||295 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
97 x 57 x 28 mm
(3.8 x 2.2 x 1.1 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||182 g (6.4 oz)||269 g (9.5 oz)|
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