Canon SX60 vs Fujifilm X-H1
The Canon PowerShot SX60 HS and the Fujifilm X-H1 are two digital cameras that were revealed to the public, respectively, in September 2014 and February 2018. The SX60 is a fixed lens compact, while the X-H1 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX60) and an APS-C (X-H1) sensor. The Canon has a resolution of 14.2 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX60||Fujifilm X-H1|
|Fixed lens compact camera||Mirrorless system camera|
|21-1365mm f/3.4-6.5||Fujifilm X mount lenses|
|14.2 MP, 1/2.3" Sensor||24 MP, APS-C Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-3200 (100-6400)||ISO 200-12800 (100-51200)|
|Electronic viewfinder (922k dots)||Electronic viewfinder (3690k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 1040k dots|
|Swivel screen (not touch-sensitive)||Fully flexible touchscreen|
|6.4 shutter flaps per second||14 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|340 shots per battery charge||310 shots per battery charge|
|128 x 93 x 114 mm, 650 g||140 x 97 x 86 mm, 673 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX60 HS and the Fujifilm X-H1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon SX60 and the Fujifilm X-H1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-H1 is notably larger (14 percent) than the Canon SX60. It is noteworthy in this context that the X-H1 is splash and dust-proof, while the SX60 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX60 has a lens built in, whereas the X-H1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-H1 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the SX60 gets 340 shots out of its NB-10L battery, while the X-H1 can take 310 images on a single charge of its NP-W126S power pack. The power pack in the X-H1 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon SX60»||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Fujifilm X-H1«||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Canon SX70« »||5.0 in||3.6 in||4.6 in||21.4 oz||325||n||Sep 2018||549||Canon SX70|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||-||Canon G15|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||-||Canon SX50|
|Nikon P900« »||5.5 in||4.1 in||5.4 in||31.7 oz||360||n||Mar 2015||599||-||Nikon P900|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ300« »||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ300|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Pentax KP« »||5.2 in||4.0 in||3.0 in||24.8 oz||390||Y||Jan 2017||1,099||Pentax KP|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony HX400V« »||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499||Sony HX400V|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX60 was launched at a lower price than the X-H1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX60 features a 1/2.3-inch sensor and the Fujifilm X-H1 an APS-C sensor. The sensor area in the X-H1 is 1214 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the SX60 has a native 4:3 aspect ratio, while the one in the X-H1 offers a 3:2 aspect.
With 24MP, the X-H1 offers a higher resolution than the SX60 (14.2MP), but the X-H1 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 1.40μm for the SX60) due to its larger sensor. Moreover, the X-H1 is a much more recent model (by 3 years and 5 months) than the SX60, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-H1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-H1 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon SX60 are 23 x 15.4 inch or 58.5 x 39 cm for good quality, 18.4 x 12.3 inch or 46.8 x 31.2 cm for very good quality, and 15.4 x 10.2 inch or 39 x 26 cm for excellent quality prints.
The X-H1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot SX60 HS has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Fujifilm X-H1 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon SX60»||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Fujifilm X-H1«||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Canon SX70« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX70|
|Canon G1 X Mark II« »||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon SX50« »||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Nikon P900« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Nikon P900|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic FZ300« »||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ300|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Pentax KP« »||APS-C||24.1||6016||4000||1080/60i||-||-||-||-||Pentax KP|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony HX400V« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Sony HX400V|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X-H1 provides a better video resolution than the SX60. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the X-H1 offers a substantially higher resolution than the one in the SX60 (3690k vs 922k dots). The adjacent table lists some of the other core features of the Canon SX60 and Fujifilm X-H1 along with similar information for a selection of comparators.
|Canon SX60»||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Fujifilm X-H1«||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Canon SX70« »||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon G1 X Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon SX50« »||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Nikon P900« »||921||n||3.0||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P900|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic FZ300« »||1440||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ300|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Pentax KP« »||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony HX400V« »||210||n||3.0||921||tilting||n||1/4000s||10.0||Y||Y||Sony HX400V|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One difference between the cameras concerns the presence of an on-board flash. The SX60 has one, while the X-H1 does not. While the built-in flash of the SX60 is not very powerful, it can at times be useful as a fill-in light.The SX60 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the X-H1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-H1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-H1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX60 and the X-H1 write their files to SDXC cards. The X-H1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX60 only has one slot. The X-H1 supports UHS-II cards (on both slots), while the SX60 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX60 HS and Fujifilm X-H1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX60»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Fujifilm X-H1«||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Canon SX70« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon G1 X Mark II« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon SX50« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Nikon P900« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon P900|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic FZ300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ300|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Pentax KP« »||Y||stereo||mono||Y||-||-||2.0||Y||-||-||Pentax KP|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony HX400V« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
Studio photographers will appreciate that the Fujifilm X-H1 (unlike the SX60) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The X-H1 is a recent model that features in the current product line-up of Fujifilm. In contrast, the SX60 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX60 was succeeded by the Canon SX70. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Is the Canon SX60 better than the Fujifilm X-H1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon PowerShot SX60 HS:
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the X-H1 requires a separate lens.
- More compact: Is smaller (128x93mm vs 140x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-H1).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Arguments in favor of the Fujifilm X-H1:
- More detail: Has more megapixels (24 vs 14.2MP), which boosts linear resolution by 30%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 922k dots).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 6.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 3 years and 5 months of technical progress since the SX60 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the X-H1 is the clear winner of the contest (22 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX60 and the Fujifilm X-H1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the SX60 or the X-H1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SX60»||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Fujifilm X-H1«||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Canon SX70« »||-||-||3.5/5||-||3.5/5||Sep 2018||549||Canon SX70|
|Canon G1 X Mark II« »||+||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Canon SX50« »||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Nikon P900« »||-||77/100||4/5||4.5/5||4/5||Mar 2015||599||-||Nikon P900|
|Panasonic G9« »||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ300« »||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2015||599||Panasonic FZ300|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Pentax KP« »||-||82/100||5/5||-||4.5/5||Jan 2017||1,099||Pentax KP|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony HX400V« »||+ +||-||4/5||-||4/5||Feb 2014||499||Sony HX400V|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon D30 vs Fujifilm X-H1
- Canon SX60 vs Canon SX70
- Canon SX60 vs Leica V-LUX 3
- Canon SX60 vs Nikon D1H
- Canon SX60 vs Olympus E-M1X
- Canon SX60 vs Panasonic FZ150
- Canon SX60 vs Panasonic G2
- Canon SX60 vs Panasonic ZS70
- Canon SX60 vs Pentax MX-1
- Fujifilm X-H1 vs Nikon D800
- Fujifilm X-H1 vs Pentax 645D
- Fujifilm X-H1 vs Ricoh WG-6
Specifications: Canon SX60 vs Fujifilm X-H1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX60||Fujifilm X-H1|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||21-1365mm f/3.4-6.5||Fujifilm X mount lenses|
|Launch Date||September 2014||February 2018|
|Launch Price||USD 549||USD 1899|
|Sensor Specs||Canon SX60||Fujifilm X-H1|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.6 x 15.6 mm|
|Sensor Area||28.0735 mm2||368.16 mm2|
|Sensor Diagonal||7.7 mm||28.3 mm|
|Sensor Resolution||14.2 Megapixels||24 Megapixels|
|Image Resolution||4608 x 3072 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.40 μm||3.92 μm|
|Pixel Density||50.42 MP/cm2||6.52 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-3200 ISO||200-12800 ISO|
|ISO Boost||100-6400 ISO||100-51200 ISO|
|Image Processor||DIGIC 6||X-Processor Pro2|
|DXO Sensor Quality (score)||39||..|
|DXO Color Depth (bits)||19.2||..|
|DXO Dynamic Range (EV)||10.8||..|
|DXO Low Light (ISO)||127||..|
|Screen Specs||Canon SX60||Fujifilm X-H1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||922k dots||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1040k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX60||Fujifilm X-H1|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||6.4 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Canon SX60||Fujifilm X-H1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon SX60||Fujifilm X-H1|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||340 shots per charge||310 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
128 x 93 x 114 mm
(5.0 x 3.7 x 4.5 in)
140 x 97 x 86 mm
(5.5 x 3.8 x 3.4 in)
|Camera Weight||650 g (22.9 oz)||673 g (23.7 oz)|
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