Canon SX530 vs Sony A3000
The Canon PowerShot SX530 HS and the Sony Alpha A3000 are two digital cameras that were officially introduced, respectively, in January 2015 and August 2013. The SX530 is a fixed lens compact, while the A3000 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX530) and an APS-C (A3000) sensor. The Canon has a resolution of 15.9 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX530 HS and the Sony Alpha A3000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX530 and the Sony A3000 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A3000 is notably larger (18 percent) than the Canon SX530. In this context, it is worth noting that neither the SX530 nor the A3000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX530 has a lens built in, whereas the A3000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A3000 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the SX530 gets 210 shots out of its NB-6LH battery, while the A3000 can take 470 images on a single charge of its NP-FW50 power pack. The power pack in the A3000 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon SX530||120 mm||82 mm||92 mm||442 g||210||n||Jan 2015||429|
|2.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329|
|3.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|4.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399|
|5.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379|
|6.||Canon SX520||120 mm||82 mm||92 mm||441 g||210||n||Jul 2014||399|
|7.||Canon SX700||113 mm||66 mm||35 mm||269 g||250||n||Feb 2014||349|
|8.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|9.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|10.||Nikon L840||113 mm||78 mm||96 mm||538 g||590||n||Feb 2015||299|
|11.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|12.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899|
|13.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429|
|14.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|15.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
|16.||Sony NEX-6||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999|
|17.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX530 features a 1/2.3-inch sensor and the Sony A3000 an APS-C sensor. The sensor area in the A3000 is 1175 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the SX530 has a native 4:3 aspect ratio, while the one in the A3000 offers a 3:2 aspect.
With 19.8MP, the A3000 offers a higher resolution than the SX530 (15.9MP), but the A3000 nevertheless has larger individual pixels (pixel pitch of 4.25μm versus 1.33μm for the SX530) due to its larger sensor. However, the SX530 is a somewhat more recent model (by 1 year and 4 months) than the A3000, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the SX530 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A3000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A3000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Canon SX530 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Canon PowerShot SX530 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Alpha A3000 are ISO 100 to ISO 16000 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|15.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A3000 provides a faster frame rate than the SX530. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A3000 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX530 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon SX530 and Sony A3000 in connection with corresponding information for a sample of similar cameras.
|1.||Canon SX530||none||n||3.0 / 461||fixed||n||1/2000s||1.6/s||Y||Y|
|2.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5/s||Y||n|
|3.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon SX540||none||n||3.0 / 461||fixed||n||1/2000s||5.9/s||Y||Y|
|5.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9/s||Y||Y|
|6.||Canon SX520||none||n||3.0 / 461||fixed||n||1/2000s||1.6/s||Y||Y|
|7.||Canon SX700||none||n||3.0 / 922||fixed||n||1/3200s||8.5/s||Y||Y|
|8.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|9.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|10.||Nikon L840||none||n||3.0 / 921||tilting||n||1/4000s||7.4/s||Y||Y|
|11.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|12.||Sony A6400||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||n|
|13.||Sony HX90V||638||n||3.0 / 921||tilting||n||1/2000s||10.0/s||Y||Y|
|14.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|15.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|16.||Sony NEX-6||2359||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||n|
|17.||Sony NEX-7||2359||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The SX530 writes its imaging data to SDXC cards, while the A3000 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX530 HS and Sony Alpha A3000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX530||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|2.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon SX540||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon SX520||-||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon SX700||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|9.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Nikon L840||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|11.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Sony A6400||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|13.||Sony HX90V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Sony NEX-6||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|17.||Sony NEX-7||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the SX530 offers wifi support, while the A3000 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the SX530 and the A3000 have been discontinued, but can regularly be found used on eBay. The SX530 was replaced by the Canon SX540, while the A3000 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is the Canon SX530 better than the Sony A3000 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot SX530 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (461k vs 230k dots).
- Ready to shoot: Has a lens built-in, whereas the A3000 requires a separate lens.
- More compact: Is smaller (120x82mm vs 128x91mm) and thus needs less room in the bag.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Is somewhat more recent (announced 1 year and 4 months after the A3000).
Reasons to prefer the Sony Alpha A3000:
- More detail: Has more megapixels (19.8 vs 15.9MP), which boosts linear resolution by 14%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (2.5 vs 1.6 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (470 versus 210) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in August 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the A3000 is the clear winner of the contest (15 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX530 and the Sony A3000 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the SX530 or the A3000 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX530||..||+ +||..||..||4/5||4/5||Jan 2015||429|
|2.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329|
|3.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|4.||Canon SX540||..||..||..||..||..||..||Jan 2016||399|
|5.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379|
|6.||Canon SX520||..||+||..||..||3.5/5||3.5/5||Jul 2014||399|
|7.||Canon SX700||..||+ +||..||..||4/5||4/5||Feb 2014||349|
|8.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|9.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|10.||Nikon L840||..||+ +||..||..||3.5/5||4/5||Feb 2015||299|
|11.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|12.||Sony A6400||4/5||+||4/5||85/100||4.5/5||4/5||Jan 2019||899|
|13.||Sony HX90V||4/5||+ +||..||..||4/5||4.5/5||Apr 2015||429|
|14.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|15.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799|
|16.||Sony NEX-6||5/5||+ +||..||78/100||4.5/5||4.5/5||Sep 2012||999|
|17.||Sony NEX-7||5/5||+ +||..||81/100||4.5/5||5/5||Aug 2011||1,349|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon SX530 vs Canon T7i
- Canon SX530 vs Fujifilm X30
- Canon SX530 vs Kodak AZ901
- Canon SX530 vs Panasonic FZ2500
- Canon SX530 vs Panasonic GH3
- Canon SX530 vs Pentax 645D
- Canon XC10 vs Sony A3000
- Leica D-LUX 6 vs Sony A3000
- Leica X1 vs Sony A3000
- Panasonic GF1 vs Sony A3000
- Panasonic GX8 vs Sony A3000
- Sony A3000 vs Sony A9
Specifications: Canon SX530 vs Sony A3000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX530||Sony A3000|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-1200mm f/3.4-6.5||Sony E mount lenses|
|Launch Date||January 2015||August 2013|
|Launch Price||USD 429||USD 329|
|Sensor Specs||Canon SX530||Sony A3000|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.2 x 15.4 mm|
|Sensor Area||28.0735 mm2||357.28 mm2|
|Sensor Diagonal||7.7 mm||27.8 mm|
|Sensor Resolution||15.9 Megapixels||19.8 Megapixels|
|Image Resolution||4608 x 3456 pixels||5456 x 3632 pixels|
|Pixel Pitch||1.33 μm||4.25 μm|
|Pixel Density||56.73 MP/cm2||5.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100 - 3,200 ISO||100 - 16,000 ISO|
|Image Processor||DIGIC 4+||BIONZ|
|DXO Sensor Quality (score)||..||78|
|DXO Color Depth (bits)||..||23.7|
|DXO Dynamic Range (EV)||..||12.8|
|DXO Low Light (ISO)||..||1068|
|Screen Specs||Canon SX530||Sony A3000|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||461k dots||230k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon SX530||Sony A3000|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||1.6 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon SX530||Sony A3000|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon SX530||Sony A3000|
|Battery Life (CIPA)||210 shots per charge||470 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
120 x 82 x 92 mm
(4.7 x 3.2 x 3.6 in)
128 x 91 x 85 mm
(5.0 x 3.6 x 3.3 in)
|Camera Weight||442 g (15.6 oz)||411 g (14.5 oz)|
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