Canon SX50 vs Panasonic L1
The Canon PowerShot SX50 HS and the Panasonic Lumix DMC-L1 are two digital cameras that were revealed to the public, respectively, in September 2012 and February 2006. The SX50 is a fixed lens compact, while the L1 is a DSLR. The cameras are based on a 1/2.3-inch (SX50) and a Four Thirds (L1) sensor. The Canon has a resolution of 12 megapixels, whereas the Panasonic provides 7.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX50 HS and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon SX50 and the Panasonic L1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is notably larger (19 percent) than the Canon SX50. In this context, it is worth noting that neither the SX50 nor the L1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX50 has a lens built in, whereas the L1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the L1 and their specifications in the Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|2.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999|
|3.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|4.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|5.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|6.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|7.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|8.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429|
|9.||Canon SX30||123 mm||92 mm||108 mm||601 g||370||n||Sep 2010||429|
|10.||Canon SX20||123 mm||88 mm||87 mm||600 g||..||n||Aug 2009||399|
|11.||Canon SX10||123 mm||88 mm||87 mm||600 g||..||n||Sep 2008||399|
|12.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|13.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499|
|14.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|15.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|16.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|17.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SX50 was launched at a lower price than the L1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX50 features a 1/2.3-inch sensor and the Panasonic L1 a Four Thirds sensor. The sensor area in the L1 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the Canon SX50 offers a higher resolution of 12 megapixels, compared with 7.4 MP of the Panasonic L1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.53μm versus 5.51μm for the L1). However, it should be noted that the SX50 is much more recent (by 6 years and 6 months) than the L1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon SX50 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SX50 for good quality output (200 dots per inch) amounts to 20 x 15 inches or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inches or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inches or 33.9 x 25.4 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The Canon PowerShot SX50 HS has a native sensitivity range from ISO 80 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic L1||Four Thirds||7.4||3136||2352||none||20.8||10.4||80||52|
|6.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|13.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||21.0||10.6||127||53|
|14.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|15.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|17.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The SX50 indeed provides movie recording capabilities, while the L1 does not. The highest resolution format that the SX50 can use is 1080/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the SX50 has an electronic viewfinder (202k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon SX50, the Panasonic L1, and comparable cameras.
|1.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2/s||Y||Y|
|2.||Panasonic L1||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|3.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|4.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|5.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1/s||Y||Y|
|6.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9/s||Y||Y|
|7.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1/s||Y||Y|
|8.||Canon SX40||202||n||2.7 / 230||swivel||n||1/3200s||10.3/s||Y||Y|
|9.||Canon SX30||202||n||2.7 / 230||swivel||n||1/3200s||0.6/s||Y||Y|
|10.||Canon SX20||202||n||2.5 / 230||swivel||n||1/3200s||0.7/s||Y||Y|
|11.||Canon SX10||202||n||2.5 / 230||swivel||n||1/3200s||0.7/s||Y||Y|
|12.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|14.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0/s||Y||n|
|15.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5/s||Y||n|
|16.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|17.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The SX50 writes its imaging data to SDXC cards, while the L1 uses SDHC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX50 HS and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Panasonic L1||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|6.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Canon SX40||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|9.||Canon SX30||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|10.||Canon SX20||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|11.||Canon SX10||Y||stereo / mono||-||-||-||2.0||-||-||-|
|12.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|14.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
Both the SX50 and the L1 have been discontinued, but can regularly be found used on eBay. The L1 was replaced by the Panasonic L10, while the SX50 was followed by the Canon SX60. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Canon SX50 or the Panasonic L1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon PowerShot SX50 HS:
- More detail: Offers more megapixels (12 vs 7.4MP) with a 28% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 1080/24p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (461k vs 207k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Comes with a built-in lens, while the L1 requires a separate lens.
- More compact: Is smaller (123x87mm vs 146x87mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the L1).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 6 years and 6 months of technical progress since the L1 launch.
Reasons to prefer the Panasonic Lumix DMC-L1:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (3 vs 2.2 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (750 versus 315) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in February 2006).
If the count of relative strengths (bullet points above) is taken as a measure, the SX50 emerges as the winner of the contest (13 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX50 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the SX50 or the L1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|2.||Panasonic L1||..||85/100||..||+||..||3.5/5||Feb 2006||999|
|3.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|4.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|5.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|6.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|7.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499|
|8.||Canon SX40||..||+||..||..||4.5/5||4/5||Sep 2011||429|
|9.||Canon SX30||3/5||+ +||..||..||3.5/5||4/5||Sep 2010||429|
|10.||Canon SX20||..||+ +||..||73/100||..||4/5||Aug 2009||399|
|11.||Canon SX10||..||+ +||..||..||..||4/5||Sep 2008||399|
|12.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899|
|13.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499|
|14.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999|
|15.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799|
|16.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|17.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark IV vs Canon SX50
- Canon 60D vs Canon SX50
- Canon 6D Mark II vs Panasonic L1
- Canon 77D vs Panasonic L1
- Canon SX50 vs Fujifilm X-T10
- Canon SX50 vs Nikon L840
- Canon SX50 vs Nikon W300
- Canon SX50 vs Panasonic GX1
- Fujifilm X-H1 vs Panasonic L1
- Nikon Z6 vs Panasonic L1
- Panasonic G90 vs Panasonic L1
- Panasonic L1 vs Panasonic LX100 II
Specifications: Canon SX50 vs Panasonic L1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX50||Panasonic L1|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-1200mm f/3.4-6.5||Four Thirds lenses|
|Launch Date||September 2012||February 2006|
|Launch Price||USD 429||USD 999|
|Sensor Specs||Canon SX50||Panasonic L1|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||7.4 Megapixels|
|Image Resolution||4000 x 3000 pixels||3136 x 2352 pixels|
|Pixel Pitch||1.53 μm||5.51 μm|
|Pixel Density||42.74 MP/cm2||3.28 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||no Video|
|ISO Setting||80 - 6,400 ISO||100 - 1,600 ISO|
|Image Processor||DIGIC 5||Venus|
|DXO Sensor Quality (score)||47||..|
|DXO Color Depth (bits)||20.3||..|
|DXO Dynamic Range (EV)||11.2||..|
|DXO Low Light (ISO)||179||..|
|Screen Specs||Canon SX50||Panasonic L1|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.5inch|
|LCD Resolution||461k dots||207k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon SX50||Panasonic L1|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||2.2 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon SX50||Panasonic L1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon SX50||Panasonic L1|
|Battery Life (CIPA)||315 shots per charge||750 shots per charge|
123 x 87 x 106 mm
(4.8 x 3.4 x 4.2 in)
146 x 87 x 64 mm
(5.7 x 3.4 x 2.5 in)
|Camera Weight||595 g (21.0 oz)||606 g (21.4 oz)|
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