Canon SX420 vs Panasonic FZ2500
The Canon PowerShot SX420 IS and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were officially introduced, respectively, in January 2016 and September 2016. Both the SX420 and the FZ2500 are fixed lens compact cameras that are based on a 1/2.3-inch (SX420) and an one-inch (FZ2500) sensor. The Canon has a resolution of 19.9 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX420 IS and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX420 and the Panasonic FZ2500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The SX420 can be obtained in two different colors (black, red), while the FZ2500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is considerably larger (96 percent) than the Canon SX420. Moreover, the FZ2500 is substantially heavier (182 percent) than the SX420. In this context, it is worth noting that neither the SX420 nor the FZ2500 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon SX420||104 mm||69 mm||85 mm||325 g||195||n||Jan 2016||299|
|2.||Panasonic FZ2500||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|3.||Canon SX430||104 mm||69 mm||85 mm||323 g||195||n||Jan 2017||299|
|4.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|5.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|6.||Canon SX620||97 mm||57 mm||28 mm||182 g||295||n||May 2016||279|
|7.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379|
|8.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|9.||Canon SX410||104 mm||69 mm||85 mm||325 g||185||n||Feb 2015||279|
|10.||Canon SX610||105 mm||61 mm||27 mm||191 g||270||n||Jan 2015||249|
|11.||Canon SX710||113 mm||66 mm||35 mm||269 g||230||n||Jan 2015||349|
|12.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|13.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249|
|14.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|15.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|16.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|17.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX420 was launched at a markedly lower price (by 75 percent) than the FZ2500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX420 features a 1/2.3-inch sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the SX420 has a native 4:3 aspect ratio, while the one in the FZ2500 offers a 3:2 aspect.
With 20MP, the FZ2500 offers a higher resolution than the SX420 (19.9MP), but the FZ2500 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.19μm for the SX420) due to its larger sensor. Moreover, the FZ2500 is a somewhat more recent model (by 8 months) than the SX420, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the SX420 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon PowerShot SX420 IS has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|5.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|8.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||227||61|
|13.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|14.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||22.1||12.4||546||65|
|17.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ2500 provides a better video resolution than the SX420. It can shoot movie footage at 4K/30p, while the Canon is limited to 720/25p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX420 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon SX420 and Panasonic FZ2500 in connection with corresponding information for a sample of similar cameras.
|1.||Canon SX420||none||n||3.0 / 230||fixed||n||1/4000s||0.5/s||Y||Y|
|2.||Panasonic FZ2500||2360||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|3.||Canon SX430||none||n||3.0 / 230||fixed||n||1/4000s||0.5/s||Y||Y|
|4.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|5.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|6.||Canon SX620||none||n||3.0 / 922||fixed||n||1/2000s||2.5/s||Y||Y|
|7.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9/s||Y||Y|
|8.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|9.||Canon SX410||none||n||3.0 / 230||fixed||n||1/4000s||0.5/s||Y||Y|
|10.||Canon SX610||none||n||3.0 / 922||fixed||n||1/2000s||2.5/s||Y||Y|
|11.||Canon SX710||none||n||3.0 / 922||fixed||n||1/3200s||6.0/s||Y||Y|
|12.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|13.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|14.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|15.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|16.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|17.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ2500 has a touchscreen, while the SX420 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ2500 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SX420 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the SX420 and the FZ2500 have zoom lenses built in. The SX420 has a 24-1008mm f/3.5-6.6 optic and the FZ2500 offers a 24-480mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has less tele-photo reach at the long end. The FZ2500 offers the faster maximum aperture.
Concerning the storage of imaging data, both the SX420 and the FZ2500 write their files to SDXC cards. The FZ2500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX420 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX420 IS and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX420||-||mono / mono||-||-||-||2.0||Y||Y||-|
|2.||Panasonic FZ2500||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|3.||Canon SX430||-||mono / mono||-||-||-||2.0||Y||Y||-|
|4.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon SX620||-||mono / mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|9.||Canon SX410||-||stereo / mono||-||-||-||2.0||-||-||-|
|10.||Canon SX610||-||- / -||-||-||micro||2.0||Y||Y||-|
|11.||Canon SX710||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|12.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|14.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|15.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ2500 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The SX420 does not feature such a mic input.
The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the SX420 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX420 was succeeded by the Canon SX430. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon SX420 better than the Panasonic FZ2500 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon PowerShot SX420 IS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (104x69mm vs 138x102mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 590g or 64 percent) and hence easier to carry around.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2016).
Reasons to prefer the Panasonic Lumix DMC-FZ2500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 720/25p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 0.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.5).
- Longer lasting: Gets more shots (350 versus 195) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (8 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ2500 is the clear winner of the contest (21 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX420 and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the SX420 and the FZ2500 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX420||..||..||..||..||..||3/5||Jan 2016||299|
|2.||Panasonic FZ2500||..||+||..||82/100||4.5/5||5/5||Sep 2016||1,199|
|3.||Canon SX430||..||..||..||..||3.5/5||3.5/5||Jan 2017||299|
|4.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|5.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|6.||Canon SX620||..||..||..||..||..||4/5||May 2016||279|
|7.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379|
|8.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|9.||Canon SX410||..||o||..||..||..||..||Feb 2015||279|
|10.||Canon SX610||..||..||..||..||4/5||4/5||Jan 2015||249|
|11.||Canon SX710||..||+||..||..||4/5||3.5/5||Jan 2015||349|
|12.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|13.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249|
|14.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|15.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|16.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|17.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5DS R vs Panasonic FZ2500
- Canon R vs Panasonic FZ2500
- Canon R5 vs Panasonic FZ2500
- Canon SX420 vs Canon T6
- Canon SX420 vs Fujifilm X-E3
- Canon SX420 vs Nikon D5500
- Canon SX420 vs Nikon D600
- Canon SX420 vs Panasonic GF2
- Canon SX420 vs Panasonic GF6
- Nikon D300S vs Panasonic FZ2500
- Panasonic FZ2500 vs Panasonic G95
- Panasonic FZ2500 vs Sony RX100 VI
Specifications: Canon SX420 vs Panasonic FZ2500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX420||Panasonic FZ2500|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-1008mm f/3.5-6.6||24-480mm f/2.8-4.5|
|Launch Date||January 2016||September 2016|
|Launch Price||USD 299||USD 1,199|
|Sensor Specs||Canon SX420||Panasonic FZ2500|
|Sensor Format||1/2.3" Sensor||1" Sensor|
|Sensor Size||6.17 x 4.55 mm||13.2 x 8.8 mm|
|Sensor Area||28.0735 mm2||116.16 mm2|
|Sensor Diagonal||7.7 mm||15.9 mm|
|Sensor Resolution||19.9 Megapixels||20 Megapixels|
|Image Resolution||5152 x 3864 pixels||5472 x 3648 pixels|
|Pixel Pitch||1.19 μm||2.41 μm|
|Pixel Density||70.91 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||720/25p Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|Image Processor||DIGIC 4+||Venus|
|Screen Specs||Canon SX420||Panasonic FZ2500|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX420||Panasonic FZ2500|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||0.5 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX420||Panasonic FZ2500|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon SX420||Panasonic FZ2500|
|Battery Life (CIPA)||195 shots per charge||350 shots per charge|
104 x 69 x 85 mm
(4.1 x 2.7 x 3.3 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||325 g (11.5 oz)||915 g (32.3 oz)|
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