Canon SL3 vs SX520
The Canon EOS Rebel SL3 (called Canon 250D in some regions) and the Canon PowerShot SX520 HS are two digital cameras that were officially introduced, respectively, in April 2019 and July 2014. The SL3 is a DSLR, while the SX520 is a fixed lens compact. The cameras are based on an APS-C (SL3) and a 1/2.3-inch (SX520) sensor. The SL3 has a resolution of 24 megapixels, whereas the SX520 provides 15.9 MP.
As their names suggest, both the Canon EOS Rebel SL3 and the Canon PowerShot SX520 HS belong to Canon's Rebel line of DSLR cameras. This range of APS-C cameras, which started out with the Canon EOS Digital Rebel in 2003, has been a big commercial success and the backbone of Canon's dominance in the digital camera market. The popularity of the Rebel cameras is the result of them inheriting much of the sensor and shooting technology from earlier released professional DSLRs, while being sold at a much more budget-friendly price point. The strong brand reputation of Canon and the comprehensive EOS system of compatible lenses and accessories further contributes to the appeal of the Rebel cams, including the Canon SL3 and Canon SX520. Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SL3||Canon SX520|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-1008mm f/3.4-6|
|24 MP, APS-C Sensor||15.9 MP, 1/2.3" Sensor|
|4K/25p Video||1080/30p Video|
|ISO 100-25600 (100-51200)||ISO 100-3200|
|Optical viewfinder||No viewfinder, LCD framing|
|3.0" LCD, 1040k dots||3.0" LCD, 461k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|5 shutter flaps per second||1.6 shutter flaps per second|
|1070 shots per battery charge||210 shots per battery charge|
|122 x 93 x 70 mm, 449 g||120 x 82 x 92 mm, 441 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL3 and the Canon PowerShot SX520 HS? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SL3 and the Canon SX520. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The SL3 can be obtained in two different colors (black, white), while the SX520 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon SX520 is notably smaller (13 percent) than the Canon SL3. In this context, it is worth noting that neither the SL3 nor the SX520 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX520 has a lens built in, whereas the SL3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the SL3 and their specifications in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon SL3»||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon SL3|
|Canon SX520«||4.7 in||3.2 in||3.6 in||15.6 oz||210||n||Jul 2014||399||-||Canon SX520|
|Canon M50« »||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779||Canon M50|
|Canon T7« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon T7|
|Canon T100« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon T100|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon T6s|
|Canon SX530« »||4.7 in||3.2 in||3.6 in||15.6 oz||210||n||Jan 2015||429||-||Canon SX530|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Canon T5« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon T5|
|Canon SX510« »||4.1 in||2.8 in||3.1 in||12.3 oz||250||n||Aug 2013||249||-||Canon SX510|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T2i« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||-||Canon T2i|
|Nikon B600« »||4.8 in||3.2 in||3.9 in||17.6 oz||280||n||Jan 2019||349||Nikon B600|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX520 was launched at a lower price than the SL3, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SL3 features an APS-C sensor and the Canon SX520 a 1/2.3-inch sensor. The sensor area in the SX520 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the SL3 has a native 3:2 aspect ratio, while the one in the SX520 offers a 4:3 aspect.
In terms of chip-set technology, the SL3 uses a more advanced image processing engine (DIGIC 8) than the SX520 (DIGIC 4+), with benefits for noise reduction, color accuracy, and processing speed.
With 24MP, the SL3 offers a higher resolution than the SX520 (15.9MP), but the SL3 nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 1.33μm for the SX520) due to its larger sensor. Moreover, the SL3 is a much more recent model (by 4 years and 8 months) than the SX520, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the SX520 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon SL3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL3 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon SX520 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The SL3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel SL3 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon PowerShot SX520 HS are ISO 100 to ISO 3200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon SL3»||APS-C||24.0||6000||4000||4K/25p||-||-||-||-||Canon SL3|
|Canon SX520«||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Canon SX520|
|Canon M50« »||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Canon T7« »||APS-C||24.0||6000||4000||1080/30p||-||-||-||-||Canon T7|
|Canon T100« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon T100|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SL2« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon SX530« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Canon SX530|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon T5« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon SX510« »||1/2.3||15.9||4608||3456||1080/24p||-||-||-||-||Canon SX510|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T2i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon T2i|
|Nikon B600« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Nikon B600|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the SL3 provides a higher video resolution than the SX520. It can shoot video footage at 4K/25p, while the SX520 is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the SL3 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the SX520 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon SL3 and Canon SX520 in connection with corresponding information for a sample of similar cameras.
|Canon SL3»||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL3|
|Canon SX520«||-||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX520|
|Canon M50« »||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon T7« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Canon T100« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon T100|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon SL2« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon SX530« »||-||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX530|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon T5« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon SX510« »||-||n||3.0||461||fixed||n||1/1600s||3.8||Y||Y||Canon SX510|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon T2i« »||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon T2i|
|Nikon B600« »||-||n||3.0||921||fixed||n||1/4000s||7.4||Y||Y||Nikon B600|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The SL3 has a touchscreen, while the SX520 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The SL3 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the SX520 does not have a selfie-screen.
The Canon SL3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL3 and the SX520 write their files to SDXC cards. The SL3 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX520 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL3 and Canon PowerShot SX520 HS and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SL3»||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon SL3|
|Canon SX520«||-||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX520|
|Canon M50« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon T7« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Canon T100« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T100|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SL2« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon SX530« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon SX530|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon T5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon SX510« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon SX510|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T2i« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon T2i|
|Nikon B600« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon B600|
It is notable that the SL3 has a hotshoe, while the SX520 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The SL3 is a recent model that features in the current product line-up of Canon. In contrast, the SX520 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX520 was succeeded by the Canon SX530. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what conclusions can be drawn? Is the Canon SL3 better than the Canon SX520 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS Rebel SL3:
- More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better jpgs: Has a more modern image processing engine (DIGIC 8 vs DIGIC 4+).
- Better video: Provides higher definition movie capture (4K/25p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 461k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 1.6 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (1070 versus 210) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 8 months of technical progress since the SX520 launch.
Advantages of the Canon PowerShot SX520 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Comes with an integrated lens, while the SL3 requires a separate lens.
- More compact: Is smaller (120x82mm vs 122x93mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the SL3).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in July 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the SL3 is the clear winner of the match-up (25 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL3 and the Canon SX520 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the SL3 and the SX520 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SL3»||o||79/100||4/5||-||4/5||Apr 2019||599||Canon SL3|
|Canon SX520«||+||-||3.5/5||-||3.5/5||Jul 2014||399||-||Canon SX520|
|Canon M50« »||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Canon T7« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon T7|
|Canon T100« »||o||-||3.5/5||-||3.5/5||Feb 2018||399||Canon T100|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon SL2« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon T6s« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon T6s|
|Canon SX530« »||+ +||-||4/5||-||4/5||Jan 2015||429||-||Canon SX530|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon T5« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon T5|
|Canon SX510« »||+ +||-||4.5/5||-||4/5||Aug 2013||249||-||Canon SX510|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T2i« »||+ +||77/100||4/5||5/5||4.5/5||Feb 2010||699||-||Canon T2i|
|Nikon B600« »||+||-||3.5/5||-||3/5||Jan 2019||349||Nikon B600|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G7 X Mark II vs Canon SX520
- Canon SL3 vs Canon SX50
- Canon SL3 vs Canon SX510
- Canon SL3 vs Olympus E-410
- Canon SL3 vs Panasonic L1
- Canon SL3 vs Sony A7S
- Canon SX520 vs Canon XSi
- Canon SX520 vs Fujifilm XF10
- Canon SX520 vs Leica X Vario
- Canon SX520 vs Pentax 645D
- Canon SX520 vs Samsung NX30
- Canon SX520 vs Sony NEX-7
Specifications: Canon SL3 vs Canon SX520
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SL3||Canon SX520|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-1008mm f/3.4-6|
|Launch Date||April 2019||July 2014|
|Launch Price||USD 599||USD 399|
|Sensor Specs||Canon SL3||Canon SX520|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 4.55 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||15.9 Megapixels|
|Image Resolution||6000 x 4000 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.72 μm||1.33 μm|
|Pixel Density||7.22 MP/cm2||56.73 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/25p Video||1080/30p Video|
|ISO Setting||100-25600 ISO||100-3200 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Image Processor||DIGIC 8||DIGIC 4+|
|Screen Specs||Canon SL3||Canon SX520|
|Viewfinder Type||Optical viewfinder||No viewfinder|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||461k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon SL3||Canon SX520|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||1.6 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon SL3||Canon SX520|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon SL3||Canon SX520|
|Battery Life (CIPA)||1070 shots per charge||210 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
120 x 82 x 92 mm
(4.7 x 3.2 x 3.6 in)
|Camera Weight||449 g (15.8 oz)||441 g (15.6 oz)|
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