Canon SL1 vs Panasonic ZS100
The Canon EOS Rebel SL1 (called Canon 100D in some regions) and the Panasonic Lumix DMC-ZS100 (labelled Panasonic TZ100 in some countries) are two digital cameras that were announced, respectively, in March 2013 and January 2016. The SL1 is a DSLR, while the ZS100 is a fixed lens compact. The cameras are based on an APS-C (SL1) and an one-inch (ZS100) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SL1||Panasonic ZS100|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||25-250mm f/2.8-5.9|
|17.9 MP, APS-C Sensor||20 MP, 1" Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-12,800 (100 - 25,600)||ISO 125-12,800 (80 - 25,600)|
|Optical viewfinder||Electronic viewfinder (1166k dots)|
|3.0 LCD, 1040k dots||3.0 LCD, 1040k dots|
|Fixed touchscreen||Fixed touchscreen|
|4.9 shutter flaps per second||10 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|380 shots per battery charge||300 shots per battery charge|
|117 x 91 x 69 mm, 407 g||111 x 65 x 44 mm, 312 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL1 and the Panasonic Lumix DMC-ZS100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SL1 and the Panasonic ZS100. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The SL1 can be obtained in two different colors (black, white), while the ZS100 is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS100 is considerably smaller (32 percent) than the Canon SL1. In this context, it is worth noting that neither the SL1 nor the ZS100 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS100 has a lens built in, whereas the SL1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the SL1 and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the SL1 gets 380 shots out of its LP-E12 battery, while the ZS100 can take 300 images on a single charge of its DMW-BLG10 power pack. The power pack in the ZS100 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon SL1||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549|
|Panasonic ZS100||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699|
|Canon T100||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399|
|Canon SL2||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549|
|Canon T6||5.1 in||4.0 in||3.1 in||17.1 oz||500||n||Mar 2016||449|
|Canon M10||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499|
|Canon T5||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449|
|Canon G16||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549|
|Canon T5i||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649|
|Canon M||4.3 in||2.6 in||1.3 in||10.5 oz||230||n||Jul 2012||599|
|Canon T4i||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849|
|Canon T3i||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599|
|Panasonic ZS200||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799|
|Panasonic LX10||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699|
|Sony RX100 V||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999|
|Sony RX100 III||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799|
|Sony RX100 II||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SL1 features an APS-C sensor and the Panasonic ZS100 an one-inch sensor. The sensor area in the ZS100 is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the ZS100 offers a higher resolution of 20 megapixels, compared with 17.9 MP of the SL1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.31μm for the SL1). However, it should be noted that the ZS100 is much more recent (by 2 years and 9 months) than the SL1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic ZS100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZS100 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon SL1 are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
The SL1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel SL1 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-ZS100 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the ZS100 has a markedly higher DXO score than the SL1 (overall score 7 points higher), which will translate into better image quality. The advantage is based on 1 bits higher color depth, 1.2 EV in additional dynamic range, and 0.6 stops of reduced low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the ZS100 provides a better video resolution than the SL1. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the ZS100 has an electronic viewfinder (1166k dots), while the SL1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the ZS100 offers a wider field of view (100%) than the one in the SL1 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the SL1 has a higher magnification (0.54x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon SL1 and Panasonic ZS100 in connection with corresponding information for a sample of similar cameras.
|Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic ZS100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL1 and the ZS100 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL1 and Panasonic Lumix DMC-ZS100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the SL1 has a hotshoe, while the ZS100 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the SL1 and the ZS100 have been discontinued, but can regularly be found used on eBay. The SL1 was replaced by the Canon SL2, while the ZS100 was followed by the Panasonic ZS200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon SL1 and the Panasonic ZS100? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS Rebel SL1:
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.54x vs 0.46x).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (380 versus 300) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in March 2013).
Advantages of the Panasonic Lumix DMC-ZS100:
- More detail: Has more megapixels (20 vs 17.9MP), which boosts linear resolution by 6%.
- Better image quality: Scores markedly higher (7 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Faster burst: Shoots at higher frequency (10 vs 4.9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the SL1 requires a separate lens.
- More compact: Is smaller (111x65mm vs 117x91mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the SL1).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 2 years and 9 months of technical progress since the SL1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the ZS100 is the clear winner of the contest (15 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SL1 and the Panasonic ZS100 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the SL1 or the ZS100 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SL1||+||78/100||4/5||4/5||4/5||Mar 2013||549|
|Panasonic ZS100||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699|
|Canon T100||o||..||3.5/5||..||3.5/5||Feb 2018||399|
|Canon SL2||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549|
|Canon T6||o||73/100||4/5||3.5/5||4/5||Mar 2016||449|
|Canon M10||..||..||..||o||4/5||Oct 2015||499|
|Canon T5||+||..||4/5||4/5||4.5/5||Feb 2014||449|
|Canon G16||+||..||4.5/5||4.5/5||4.5/5||Aug 2013||549|
|Canon T5i||..||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649|
|Canon M||+||..||4/5||3.5/5||4/5||Jul 2012||599|
|Canon T4i||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849|
|Canon T3i||o||77/100||4.5/5||5/5||4.5/5||Feb 2011||599|
|Panasonic ZS200||+ +||81/100||4.5/5||..||4.5/5||Feb 2018||799|
|Panasonic LX10||+ +||81/100||4/5||4.5/5||4.5/5||Sep 2016||699|
|Sony RX100 V||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX100 III||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799|
|Sony RX100 II||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon SL1 vs Panasonic ZS100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SL1||Panasonic ZS100|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-250mm f/2.8-5.9|
|Launch Date||March 2013||January 2016|
|Launch Price||USD 549||USD 699|
|Sensor Specs||Canon SL1||Panasonic ZS100|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.3 x 14.9 mm||13.2 x 8.8 mm|
|Sensor Area||332.27 mm2||116.16 mm2|
|Sensor Diagonal||26.8 mm||15.9 mm|
|Sensor Resolution||17.9 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3456 pixels||5472 x 3648 pixels|
|Pixel Pitch||4.31 μm||2.41 μm|
|Pixel Density||5.39 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||125 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||80 - 25,600 ISO|
|Image Processor||DIGIC 5||Venus|
|DXO Sensor Quality (score)||63||70|
|DXO Color Depth (bits)||21.8||22.8|
|DXO Dynamic Range (EV)||11.3||12.5|
|DXO Low Light (ISO)||843||559|
|Screen Specs||Canon SL1||Panasonic ZS100|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon SL1||Panasonic ZS100|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||4.9 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon SL1||Panasonic ZS100|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon SL1||Panasonic ZS100|
|Battery Life (CIPA)||380 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 91 x 69 mm
(4.6 x 3.6 x 2.7 in)
111 x 65 x 44 mm
(4.4 x 2.6 x 1.7 in)
|Camera Weight||407 g (14.4 oz)||312 g (11.0 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.