Canon RP vs Panasonic LX7

The Canon EOS RP and the Panasonic Lumix DMC-LX7 are two digital cameras that were revealed to the public, respectively, in February 2019 and July 2012. The RP is a mirrorless interchangeable lens camera, while the LX7 is a fixed lens compact. The cameras are based on a full frame (RP) and a 1/1.7-inch (LX7) sensor. The Canon has a resolution of 26 megapixels, whereas the Panasonic provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon RP		Panasonic LX7
Mirrorless system camera		Fixed lens compact camera
Canon RF mount lenses		24-90mm f/1.4-2.3
26 MP – Full Frame sensor		10 MP – 1/1.7" sensor
4K/30p Video		1080/60p Video
ISO 100-40,000 (50 - 102,400)		ISO 80-6,400 (80 - 12,800)
Electronic viewfinder (2360k dots)		Viewfinder optional
3.0" LCD – 1040k dots		3.0" LCD – 920k dots
Swivel touchscreen		Fixed screen (not touch-sensitive)
5 shutter flaps per second		11 shutter flaps per second
250 shots per battery charge		330 shots per battery charge
133 x 85 x 70 mm, 485 g		111 x 68 x 46 mm, 298 g

Check RP price at
amazon.com
Check LX7 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS RP and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon RP and the Panasonic LX7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The LX7 can be obtained in two different colors (black, white), while the RP is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is considerably smaller (33 percent) than the Canon RP. In this context, it is worth noting that neither the RP nor the LX7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the RP is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the RP gets 250 shots out of its Canon LP-E17 battery, while the LX7 can take 330 images on a single charge of its Panasonic DMW-BCJ13 power pack. The power pack in the RP can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon RP	133 mm	85 mm	70 mm	485 g	250	n	Feb 2019	1,299	amazon.com
2.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
3.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
4.		Canon M5	116 mm	89 mm	61 mm	427 g	295	n	Sep 2016	979	ebay.com
5.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	2,299	ebay.com
6.		Canon R8	133 mm	86 mm	70 mm	461 g	220	n	Feb 2023	1,499	amazon.com
7.		Canon SL2	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	549	ebay.com
8.		Canon SL3	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	599	amazon.com
9.		Canon T6s	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	649	ebay.com
10.		Canon T7	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	449	amazon.com
11.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
12.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
13.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
14.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
15.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
16.		Sony RX1	113 mm	65 mm	70 mm	482 g	270	n	Sep 2012	2,799	ebay.com
17.		Sony RX1R	113 mm	65 mm	70 mm	482 g	270	n	Jun 2013	2,799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX7 was launched at a lower price than the RP, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon RP features a full frame sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 4.65. The sensor in the RP has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 26MP, the RP offers a higher resolution than the LX7 (10MP), but the RP nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the RP is a much more recent model (by 6 years and 6 months) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon RP implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RP for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The RP has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS RP has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the RP provides substantially higher image quality than the LX7, with an overall score that is 35 points higher. This advantage is based on 3.6 bits higher color depth, 0.2 EV in additional dynamic range, and 4.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon RP	Full Frame	26.0	6240	4160	4K/30p	24.3	11.9	2977	85
2.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
3.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
4.		Canon M5	APS-C	24.0	6000	4000	1080/60p	23.4	12.4	1262	77
5.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
6.		Canon R8	Full Frame	24.0	6000	4000	4k/60p	24.5	14.7	3295	93
7.		Canon SL2	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
8.		Canon SL3	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
9.		Canon T6s	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
10.		Canon T7	APS-C	24.0	6000	4000	1080/30p	23.8	13.3	1684	81
11.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
12.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
13.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
14.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
15.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
16.		Sony RX1	Full Frame	24.0	6000	4000	1080/60p	25.1	14.3	2534	93
17.		Sony RX1R	Full Frame	24.0	6000	4000	1080/60p	25.0	13.6	2537	91
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RP provides a higher video resolution than the LX7. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the RP has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The following table reports on some other key feature differences and similarities of the Canon RP, the Panasonic LX7, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon RP	2360	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	n	n
2.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
3.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
4.		Canon M5	2360	n	3.2 / 1620	tilting	Y	1/4000s	9.0/s	Y	n
5.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
6.		Canon R8	2360	n	3.0 / 1620	swivel	Y	1/4000s	6.0/s	n	n
7.		Canon SL2	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
8.		Canon SL3	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
9.		Canon T6s	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
10.		Canon T7	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
11.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
12.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
13.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
14.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
15.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
16.		Sony RX1	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
17.		Sony RX1R	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The RP has a touchscreen, while the LX7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The Canon RP and the Panasonic LX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the RP and the LX7 write their files to SDXC cards. The RP supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS RP and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon RP	Y	stereo / mono	Y	Y	micro	2.0	Y	-	Y
2.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
4.		Canon M5	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
5.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
6.		Canon R8	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
7.		Canon SL2	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
8.		Canon SL3	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
9.		Canon T6s	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
10.		Canon T7	Y	mono / mono	-	-	mini	2.0	Y	Y	-
11.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
15.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Sony RX1	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony RX1R	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the RP has a microphone port, which is missing on the LX7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

The RP is a recent model that features in the current product line-up of Canon. In contrast, the LX7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the LX7 was succeeded by the Panasonic LX10. Further information on the features and operation of the RP and LX7 can be found, respectively, in the Canon RP Manual (free pdf) or the online Panasonic LX7 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Canon RP and the Panasonic LX7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Canon EOS RP:

• More detail: Offers more megapixels (26 vs 10MP) with a 64% higher linear resolution.
• Better image quality: Scores substantially higher (35 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (3.6 bits more color depth).
• Better low-light sensitivity: Requires less light for good images (4.3 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
• More modern: Reflects 6 years and 6 months of technical progress since the LX7 launch.

Reasons to prefer the Panasonic Lumix DMC-LX7:

• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has an integrated lens, whereas the RP necessitates an extra lens.
• More compact: Is smaller (111x68mm vs 133x85mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the RP).
• Longer lasting: Gets more shots (330 versus 250) out of a single battery charge.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been around for much longer (launched in July 2012).

If the number of relative strengths (bullet points above) is taken as a guide, the RP is the clear winner of the match-up (19 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon RP and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the RP or the LX7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon RP	4/5	+	4/5	..	4.5/5	4/5	Feb 2019	1,299	amazon.com
2.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
3.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
4.		Canon M5	4/5	+	4/5	82/100	4/5	4/5	Sep 2016	979	ebay.com
5.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	2,299	ebay.com
6.		Canon R8	4.5/5	+ +	4.5/5	87/100	4/5	4.5/5	Feb 2023	1,499	amazon.com
7.		Canon SL2	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	549	ebay.com
8.		Canon SL3	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	599	amazon.com
9.		Canon T6s	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	649	ebay.com
10.		Canon T7	..	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	449	amazon.com
11.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
12.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
13.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
14.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
15.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
16.		Sony RX1	5/5	..	..	79/100	4/5	4.5/5	Sep 2012	2,799	ebay.com
17.		Sony RX1R	5/5	..	..	..	4/5	4.5/5	Jun 2013	2,799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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