Canon RP vs Panasonic G2
The Canon EOS RP and the Panasonic Lumix DMC-G2 are two digital cameras that were officially introduced, respectively, in February 2019 and March 2010. Both the RP and the G2 are mirrorless interchangeable lens cameras that are based on a full frame (RP) and a Four Thirds (G2) sensor. The Canon has a resolution of 26 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS RP and the Panasonic Lumix DMC-G2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon RP and the Panasonic G2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The G2 can be obtained in three different colors (black, blue, red), while the RP is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G2 is notably smaller (8 percent) than the Canon RP. Moreover, the G2 is markedly lighter (12 percent) than the RP. In this context, it is worth noting that neither the RP nor the G2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the RP gets 250 shots out of its LP-E17 battery, while the G2 can take 360 images on a single charge of its DMW-BLB13 power pack. The power pack in the RP can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon RP||133 mm||85 mm||70 mm||485 g||250||n||Feb 2019||1,299||amazon.com|
|2.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599||ebay.com|
|3.||Canon T8i||131 mm||103 mm||76 mm||515 g||800||n||Feb 2020||749||amazon.com|
|4.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599||amazon.com|
|5.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||amazon.com|
|6.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299||amazon.com|
|7.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||ebay.com|
|8.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979||ebay.com|
|9.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||ebay.com|
|10.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||ebay.com|
|11.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||ebay.com|
|12.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|13.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899||ebay.com|
|14.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599||ebay.com|
|15.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799||ebay.com|
|16.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799||ebay.com|
|17.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G2 was launched at a markedly lower price (by 54 percent) than the RP, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon RP features a full frame sensor and the Panasonic G2 a Four Thirds sensor. The sensor area in the G2 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the RP has a native 3:2 aspect ratio, while the one in the G2 offers a 4:3 aspect.
With 26MP, the RP offers a higher resolution than the G2 (12MP), but the RP nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 4.33μm for the G2) due to its larger sensor. Moreover, the RP is a much more recent model (by 8 years and 11 months) than the G2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon RP implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RP for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Panasonic G2 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The RP has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS RP has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-G2 are ISO 100 to ISO 6400 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the RP provides substantially higher image quality than the G2, with an overall score that is 32 points higher. This advantage is based on 3.1 bits higher color depth, 1.6 EV in additional dynamic range, and 2.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon RP||Full Frame||26.0||6240||4160||4K/30p||24.3||11.9||2977||85|
|2.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|6.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|10.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|11.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|12.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|13.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|14.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
|15.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|16.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the RP provides a higher video resolution than the G2. It can shoot video footage at 4K/30p, while the Panasonic is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the RP offers a substantially higher resolution than the one in the G2 (2360k vs 1440k dots). The table below summarizes some of the other core capabilities of the Canon RP and Panasonic G2 in connection with corresponding information for a sample of similar cameras.
|1.||Canon RP||2360||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||n||n|
|2.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|3.||Canon T8i||optical||n||3.0 / 1040||swivel||Y||1/4000s||7.5/s||Y||n|
|4.||Canon SL3||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0/s||n||n|
|7.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0/s||Y||n|
|9.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|10.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|11.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|12.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|13.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|14.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|15.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|16.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|17.||Sony NEX-7||2359||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The G2 has one, while the RP does not. While the built-in flash of the G2 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The Canon RP has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the RP and the G2 write their files to SDXC cards. The RP supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the G2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS RP and Panasonic Lumix DMC-G2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon RP||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|2.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon T8i||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|4.||Canon SL3||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|5.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|6.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|7.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|8.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|9.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|10.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|13.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|14.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
|15.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony NEX-7||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the RP has a microphone port, which is missing on the G2. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The RP is a recent model that features in the current product line-up of Canon. In contrast, the G2 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G2 was succeeded by the Panasonic G3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon RP better than the Panasonic G2 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS RP:
- More detail: Offers more megapixels (26 vs 12MP) with a 50% higher linear resolution.
- Better image quality: Scores substantially higher (32 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.6 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.6 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Faster burst: Shoots at higher frequency (5 vs 2.6 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
- More modern: Reflects 8 years and 11 months of technical progress since the G2 launch.
Reasons to prefer the Panasonic Lumix DMC-G2:
- Less heavy: Has a lower weight (by 57g or 12 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (360 versus 250) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (54 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in March 2010).
If the number of relative strengths (bullet points above) is taken as a guide, the RP is the clear winner of the match-up (18 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon RP and the Panasonic G2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the RP or the G2 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon RP||4/5||+||4/5||..||4.5/5||4/5||Feb 2019||1,299||amazon.com|
|2.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599||ebay.com|
|3.||Canon T8i||4.5/5||+||3/5||80/100||4/5||3.5/5||Feb 2020||749||amazon.com|
|4.||Canon SL3||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599||amazon.com|
|5.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449||amazon.com|
|6.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299||amazon.com|
|7.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549||ebay.com|
|8.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979||ebay.com|
|9.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649||ebay.com|
|10.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599||ebay.com|
|11.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499||ebay.com|
|12.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|13.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899||ebay.com|
|14.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599||ebay.com|
|15.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799||ebay.com|
|16.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799||ebay.com|
|17.||Sony NEX-7||5/5||+ +||..||81/100||4.5/5||5/5||Aug 2011||1,349||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark II vs Panasonic G2
- Canon R5 C vs Canon RP
- Canon RP vs Canon T3i
- Canon RP vs Leica D-LUX Typ 109
- Canon RP vs Leica V-LUX 1
- Canon RP vs Panasonic G85
- Canon RP vs Sony NEX-7
- Canon SX730 vs Panasonic G2
- Canon T4i vs Panasonic G2
- Kodak S-1 vs Panasonic G2
- Leica Q Typ 116 vs Panasonic G2
- Panasonic G2 vs Sony A3000
Specifications: Canon RP vs Panasonic G2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon RP||Panasonic G2|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2019||March 2010|
|Launch Price||USD 1,299||USD 599|
|Sensor Specs||Canon RP||Panasonic G2|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||35.9 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||861.6 mm2||224.9 mm2|
|Sensor Diagonal||43.2 mm||21.6 mm|
|Sensor Resolution||26 Megapixels||12 Megapixels|
|Image Resolution||6240 x 4160 pixels||4000 x 3000 pixels|
|Pixel Pitch||5.76 μm||4.33 μm|
|Pixel Density||3.01 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||720/30p Video|
|ISO Setting||100 - 40,000 ISO||100 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Image Processor||DIGIC 8||Venus HD II|
|DXO Sensor Quality (score)||85||53|
|DXO Color Depth (bits)||24.3||21.2|
|DXO Dynamic Range (EV)||11.9||10.3|
|DXO Low Light (ISO)||2977||493|
|Screen Specs||Canon RP||Panasonic G2|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon RP||Panasonic G2|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||2.6 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||no|
|Connectivity Specs||Canon RP||Panasonic G2|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon RP||Panasonic G2|
|Battery Life (CIPA)||250 shots per charge||360 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
133 x 85 x 70 mm
(5.2 x 3.3 x 2.8 in)
124 x 84 x 74 mm
(4.9 x 3.3 x 2.9 in)
|Camera Weight||485 g (17.1 oz)||428 g (15.1 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.