Canon RP vs Fujifilm GFX 50S
The Canon EOS RP and the Fujifilm GFX 50S are two digital cameras that were officially introduced, respectively, in February 2019 and September 2016. Both the Canon RP and the GFX 50S are mirrorless interchangeable lens cameras that are based on a full frame (Canon RP) and a medium format (GFX 50S) sensor. The Canon has a resolution of 26.2 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon RP||Fujifilm GFX 50S|
|Mirrorless system camera||Mirrorless system camera|
|Canon RF mount lenses||Fujifilm G mount lenses|
|26.2 MP, Full Frame Sensor||51.1 MP, Medium Format Sensor|
|4K/30p Video||1080/30p Video|
|ISO 100-40000 (50-102400)||ISO 100-12800 (50-102400)|
|Electronic viewfinder (2360k dots)||Viewfinder optional|
|3.0" LCD, 1040k dots||3.2" LCD, 2360k dots|
|Swivel touchscreen||Fully flexible touchscreen|
|5 shutter flaps per second||3 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|250 shots per battery charge||400 shots per battery charge|
|133 x 85 x 70 mm, 485 g||148 x 94 x 91 mm, 740 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS RP and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon RP and the Fujifilm GFX 50S. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (23 percent) than the Canon RP. Moreover, the GFX 50S is substantially heavier (53 percent) than the Canon RP. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the Canon RP does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Canon RP gets 250 shots out of its LP-E17 battery, while the GFX 50S can take 400 images on a single charge of its NP-T125 power pack. The power pack in the Canon RP can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon RP»||5.2 in||3.3 in||2.8 in||17.1 oz||250||n||Feb 2019||1,299||Canon RP|
|Fujifilm GFX 50S«||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499||Fujifilm GFX 50S|
|Canon SL3« »||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon SL3|
|Canon T7« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon T7|
|Canon R« »||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299||Canon R|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon T6i|
|Fujifilm GFX 50R« »||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499||Fujifilm GFX 50R|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599||Fujifilm X-T100|
|Hasselblad X1D II« »||5.8 in||3.8 in||2.8 in||27.0 oz||..||Y||Jun 2019||5,750||Hasselblad X1D II|
|Hasselblad X1D« »||5.9 in||3.9 in||2.8 in||25.6 oz||..||Y||Jun 2016||8,995||-||Hasselblad X1D|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595||Leica M10|
|Leica TL2« »||5.3 in||2.7 in||1.3 in||14.1 oz||250||n||Jul 2017||1,950||Leica TL2|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Canon RP was launched at a markedly lower price (by 80 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon RP features a full frame sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 68 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the Canon RP has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the Canon RP (26.2MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 5.74μm for the Canon RP). Yet, the Canon RP is a much more recent model (by 2 years and 4 months) than the GFX 50S, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Canon RP are 31.2 x 20.8 inch or 79.2 x 52.8 cm for good quality, 25 x 16.6 inch or 63.4 x 42.3 cm for very good quality, and 20.8 x 13.9 inch or 52.8 x 35.2 cm for excellent quality prints.
The Canon RP has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS RP has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon RP»||Full Frame||26.2||6240||4160||4K/30p||-||-||-||-||Canon RP|
|Fujifilm GFX 50S«||Medium Format||51.1||8256||6192||1080/30p||-||-||-||-||Fujifilm GFX 50S|
|Canon SL3« »||APS-C||24.0||6000||4000||4K/25p||-||-||-||-||Canon SL3|
|Canon T7« »||APS-C||24.0||6000||4000||1080/30p||-||-||-||-||Canon T7|
|Canon R« »||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89||Canon R|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon SL2« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon T6i|
|Fujifilm GFX 50R« »||Medium Format||51.1||8256||6192||1080/30p||-||-||-||-||Fujifilm GFX 50R|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-T100|
|Hasselblad X1D II« »||Medium Format||51.3||8272||6200||-||-||-||-||-||Hasselblad X1D II|
|Hasselblad X1D« »||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102||Hasselblad X1D|
|Leica M10« »||Full Frame||23.8||5952||3992||-||24.4||13.2||2133||86||Leica M10|
|Leica TL2« »||APS-C||24.1||6014||4014||4K/30p||-||-||-||-||Leica TL2|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the Canon RP provides a higher video resolution than the GFX 50S. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the Canon RP has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Canon RP, the Fujifilm GFX 50S, and comparable cameras.
|Canon RP»||2360||n||3.0||1040||swivel||Y||1/4000s||5.0||n||n||Canon RP|
|Fujifilm GFX 50S«||-||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n||Fujifilm GFX 50S|
|Canon SL3« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL3|
|Canon T7« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Canon R« »||3690||Y||3.2||2100||swivel||Y||1/8000s||8.0||n||n||Canon R|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon SL2« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6i|
|Fujifilm GFX 50R« »||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n||Fujifilm GFX 50R|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Hasselblad X1D II« »||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n||Hasselblad X1D II|
|Hasselblad X1D« »||2360||n||3.0||920||fixed||Y||1/2000s||2.3||n||n||Hasselblad X1D|
|Leica M10« »||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Leica TL2« »||-||n||3.7||1230||fixed||Y||1/4000s||7.0||n||n||Leica TL2|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
One feature that is present on the GFX 50S, but is missing on the Canon RP is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The Canon RP has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50S does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon RP and the Fujifilm GFX 50S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the Canon RP and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the Canon RP only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS RP and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon RP»||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Canon RP|
|Fujifilm GFX 50S«||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Fujifilm GFX 50S|
|Canon SL3« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon SL3|
|Canon T7« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Canon R« »||Y||stereo||mono||Y||-||mini||3.1||Y||-||Y||Canon R|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon SL2« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon T6i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Fujifilm GFX 50R« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Fujifilm GFX 50R|
|Fujifilm X-T100« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Hasselblad X1D II« »||Y||stereo||mono||Y||Y||-||3.0||Y||-||-||Hasselblad X1D II|
|Hasselblad X1D« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Hasselblad X1D|
|Leica M10« »||Y||-||-||-||-||-||-||Y||-||-||Leica M10|
|Leica TL2« »||Y||stereo||mono||-||-||micro||3.0||Y||-||-||Leica TL2|
|Leica SL« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the Canon RP) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the Canon RP and the GFX 50S are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Canon and Fujifilm. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So how do things add up? Which of the two cameras – the Canon RP or the Fujifilm GFX 50S – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS RP:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (133x85mm vs 148x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 255g or 34 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More modern: Reflects 2 years and 4 months of technical progress since the GFX 50S launch.
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 26.2MP), which boosts linear resolution by 38%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Longer lasting: Gets more shots (400 versus 250) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in September 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S comes out slightly ahead of the Canon RP (12 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon RP and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the Canon RP and the GFX 50S in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon RP»||+||-||4.5/5||-||4/5||Feb 2019||1,299||Canon RP|
|Fujifilm GFX 50S«||-||85/100||5/5||5/5||4.5/5||Sep 2016||6,499||Fujifilm GFX 50S|
|Canon SL3« »||o||79/100||4/5||-||4/5||Apr 2019||599||Canon SL3|
|Canon T7« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon T7|
|Canon R« »||o||79/100||4.5/5||4/5||4/5||Sep 2018||2,299||Canon R|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon SL2« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon T6i|
|Fujifilm GFX 50R« »||-||84/100||4.5/5||4.5/5||4.5/5||Sep 2018||4,499||Fujifilm GFX 50R|
|Fujifilm X-T100« »||+||79/100||4/5||-||4.5/5||May 2018||599||Fujifilm X-T100|
|Hasselblad X1D II« »||-||-||-||-||-||Jun 2019||5,750||Hasselblad X1D II|
|Hasselblad X1D« »||o||81/100||-||-||4/5||Jun 2016||8,995||-||Hasselblad X1D|
|Leica M10« »||-||-||4/5||-||4.5/5||Jan 2017||6,595||Leica M10|
|Leica TL2« »||-||-||4/5||-||4/5||Jul 2017||1,950||Leica TL2|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450||Leica SL|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Canon RP
- Canon 1D Mark II N vs Canon RP
- Canon 1D Mark III vs Canon RP
- Canon 550D vs Fujifilm GFX 50S
- Canon M10 vs Fujifilm GFX 50S
- Canon RP vs Canon T5
- Canon RP vs Hasselblad X1D II
- Canon RP vs Nikon D70s
- Canon RP vs Olympus E-M10
- Canon RP vs Olympus PEN-F
- Canon RP vs Panasonic LX7
- Canon RP vs Sony A3000
Specifications: Canon RP vs Fujifilm GFX 50S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon RP||Fujifilm GFX 50S|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Fujifilm G mount lenses|
|Launch Date||February 2019||September 2016|
|Launch Price||USD 1299||USD 6499|
|Sensor Specs||Canon RP||Fujifilm GFX 50S|
|Sensor Format||Full Frame Sensor||Medium Format Sensor|
|Sensor Size||35.9 x 24.0 mm||44.0 x 33.0 mm|
|Sensor Area||861.6 mm2||1452 mm2|
|Sensor Diagonal||43.2 mm||55 mm|
|Sensor Resolution||26.2 Megapixels||51.1 Megapixels|
|Image Resolution||6240 x 4160 pixels||8256 x 6192 pixels|
|Pixel Pitch||5.74 μm||5.33 μm|
|Pixel Density||3.01 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||100-40000 ISO||100-12800 ISO|
|ISO Boost||50-102400 ISO||50-102400 ISO|
|Image Processor||DIGIC 8||X Processor Pro|
|Screen Specs||Canon RP||Fujifilm GFX 50S|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1040k dots||2360k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Shooting Specs||Canon RP||Fujifilm GFX 50S|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-II||Dual UHS-II|
|Connectivity Specs||Canon RP||Fujifilm GFX 50S|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon RP||Fujifilm GFX 50S|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||250 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
133 x 85 x 70 mm
(5.2 x 3.3 x 2.8 in)
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
|Camera Weight||485 g (17.1 oz)||740 g (26.1 oz)|
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