Canon R7 vs Zeiss ZX1
The Canon EOS R7 and the Zeiss ZX1 are two enthusiast cameras that were revealed to the public, respectively, in May 2022 and September 2018. The R7 is a mirrorless interchangeable lens camera, while the ZX1 is a fixed lens compact. The cameras are based on an APS-C (R7) and a full frame (ZX1) sensor. The Canon has a resolution of 32.3 megapixels, whereas the Zeiss provides 37.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R7 and the Zeiss ZX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon R7 and the Zeiss ZX1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Zeiss ZX1 is notably larger (11 percent) than the Canon R7. It is worth mentioning in this context that the R7 is splash and dust resistant, while the ZX1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZX1 has a lens built in, whereas the R7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the R7 gets 660 shots out of its Canon LP-E6NH battery, while the ZX1 can take 250 images on a single charge of its Zeiss DD-PS1A power pack. The power pack in the R7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R7 | 132 mm | 90 mm | 92 mm | 612 g | 660 | Y | May 2022 | 1,499 | amazon.com | |
2. | Zeiss ZX1 | 142 mm | 93 mm | 46 mm | 800 g | 250 | n | Sep 2018 | 5,999 | ebay.com | |
3. | Canon 90D | 141 mm | 105 mm | 77 mm | 701 g | 1300 | Y | Aug 2019 | 1,199 | amazon.com | |
4. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
5. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | 2,499 | amazon.com | |
6. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | 2,499 | amazon.com | |
7. | Fujifilm X-T4 | 135 mm | 93 mm | 64 mm | 607 g | 500 | Y | Feb 2020 | 1,699 | ebay.com | |
8. | Fujifilm X-T5 | 130 mm | 91 mm | 64 mm | 557 g | 580 | Y | Nov 2022 | 1,699 | amazon.com | |
9. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
10. | Leica Q Typ 116 | 130 mm | 80 mm | 93 mm | 640 g | 300 | n | Jun 2015 | 4,249 | ebay.com | |
11. | Leica Q2 | 130 mm | 80 mm | 92 mm | 718 g | 370 | Y | Mar 2019 | 4,995 | amazon.com | |
12. | Nikon Z5 | 134 mm | 101 mm | 67 mm | 675 g | 470 | Y | Jul 2020 | 1,399 | amazon.com | |
13. | Panasonic FZ1000 | 137 mm | 99 mm | 131 mm | 831 g | 360 | n | Jun 2014 | 899 | ebay.com | |
14. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | 1,699 | amazon.com | |
15. | Sony A7 IV | 131 mm | 96 mm | 80 mm | 659 g | 580 | Y | Oct 2021 | 2,499 | amazon.com | |
16. | Sony A7C II | 124 mm | 71 mm | 63 mm | 514 g | 540 | Y | Aug 2023 | 2,199 | amazon.com | |
17. | Sony RX1R II | 113 mm | 65 mm | 72 mm | 507 g | 220 | n | Oct 2015 | 3,299 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon R7 features an APS-C sensor and the Zeiss ZX1 a full frame sensor. The sensor area in the ZX1 is 162 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 37.4MP, the ZX1 offers a higher resolution than the R7 (32.3MP), but the ZX1 nevertheless has larger individual pixels (pixel pitch of 4.81μm versus 3.20μm for the R7) due to its larger sensor. However, the R7 is a much more recent model (by 3 years and 7 months) than the ZX1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Zeiss ZX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZX1 for good quality output (200 dots per inch) amounts to 37.4 x 25 inches or 95.1 x 63.4 cm, for very good quality (250 dpi) 30 x 20 inches or 76.1 x 50.7 cm, and for excellent quality (300 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm. The corresponding values for the Canon R7 are 34.8 x 23.2 inches or 88.4 x 58.9 cm for good quality, 27.8 x 18.6 inches or 70.7 x 47.1 cm for very good quality, and 23.2 x 15.5 inches or 58.9 x 39.3 cm for excellent quality prints.
The R7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R7 has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Zeiss ZX1 are ISO 80 to ISO 51200 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R7 | APS-C | 32.3 | 6960 | 4640 | 4k/60p | 24.1 | 13.8 | 2092 | 84 | |
2. | Zeiss ZX1 | Full Frame | 37.4 | 7488 | 4992 | 4K/30p | 25.2 | 14.1 | 2759 | 94 | |
3. | Canon 90D | APS-C | 32.3 | 6960 | 4640 | 4K/30p | 24.0 | 13.5 | 1848 | 83 | |
4. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
5. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
6. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
7. | Fujifilm X-T4 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.1 | 13.6 | 1995 | 84 | |
8. | Fujifilm X-T5 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 13.9 | 2264 | 86 | |
9. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
10. | Leica Q Typ 116 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.3 | 12.7 | 2221 | 85 | |
11. | Leica Q2 | Full Frame | 46.7 | 8368 | 5584 | 4K/30p | 26.4 | 13.5 | 2491 | 96 | |
12. | Nikon Z5 | Full Frame | 24.2 | 6016 | 4016 | 4K/30p | 25.3 | 14.3 | 2929 | 95 | |
13. | Panasonic FZ1000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 11.7 | 517 | 64 | |
14. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
15. | Sony A7 IV | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3379 | 97 | |
16. | Sony A7C II | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3237 | 96 | |
17. | Sony RX1R II | Full Frame | 42.2 | 7952 | 5304 | 1080/60p | 25.8 | 13.9 | 3204 | 97 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the R7 provides a higher frame rate than the ZX1. It can shoot video footage at 4k/60p, while the Zeiss is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the ZX1 offers a substantially higher resolution than the one in the R7 (6221k vs 2360k dots). The adjacent table lists some of the other core features of the Canon R7 and Zeiss ZX1 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R7 | 2360 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
2. | Zeiss ZX1 | 6221 | n | 4.3 / 2765 | fixed | Y | 1/1000s | 3.0/s | n | n | |
3. | Canon 90D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 11.0/s | Y | n | |
4. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
5. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
6. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
7. | Fujifilm X-T4 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
8. | Fujifilm X-T5 | 3690 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 15.0/s | n | Y | |
9. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
10. | Leica Q Typ 116 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
11. | Leica Q2 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
12. | Nikon Z5 | 3690 | n | 3.2 / 1040 | tilting | Y | 1/8000s | 4.5/s | n | Y | |
13. | Panasonic FZ1000 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
14. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
15. | Sony A7 IV | 3686 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A7C II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
17. | Sony RX1R II | 2360 | n | 3.0 / 1229 | tilting | n | 1/4000s | 5.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R7 writes its imaging data to SDXC cards, while the ZX1 uses an internal SSD.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R7 and Zeiss ZX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R7 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
2. | Zeiss ZX1 | Y | stereo / mono | - | - | - | 3.1 | Y | Y | Y | |
3. | Canon 90D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | Y | |
4. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
5. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
6. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
7. | Fujifilm X-T4 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
8. | Fujifilm X-T5 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
9. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
10. | Leica Q Typ 116 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
11. | Leica Q2 | Y | stereo / mono | - | - | - | - | Y | - | Y | |
12. | Nikon Z5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
13. | Panasonic FZ1000 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
14. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
15. | Sony A7 IV | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
16. | Sony A7C II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
17. | Sony RX1R II | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - |
It is notable that the R7 has a microphone port, which is missing on the ZX1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The R7 is a recent model that features in the current product line-up of Canon. In contrast, the ZX1 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the ZX1 from Zeiss. Further information on the features and operation of the R7 and ZX1 can be found, respectively, in the Canon R7 Manual (free pdf) or the online Zeiss ZX1 Manual.
Review summary
So how do things add up? Is there a clear favorite between the Canon R7 and the Zeiss ZX1? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS R7:
- Better video: Provides higher movie framerates (4k/60p versus 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1000s) to freeze action.
- Faster burst: Shoots at higher frequency (15 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (660 versus 250) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 3.1).
- More modern: Reflects 3 years and 7 months of technical progress since the ZX1 launch.
Advantages of the Zeiss ZX1:
- More detail: Has more megapixels (37.4 vs 32.3MP), which boosts linear resolution by 8%.
- More detailed viewfinder: Has higher resolution electronic viewfinder (6221k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.72x).
- Larger screen: Has a bigger rear LCD (4.3" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2765k vs 1620k dots).
- Ready to shoot: Has an integrated lens, whereas the R7 necessitates an extra lens.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More prestigious: Has the Zeiss luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2018).
If the count of individual advantages (bullet points above) is taken as a guide, the R7 is the clear winner of the match-up (16 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R7 and the Zeiss ZX1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the R7 or the ZX1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R7 | 4.5/5 | + | 5/5 | 87/100 | 4.5/5 | 4.5/5 | May 2022 | 1,499 | amazon.com | |
2. | Zeiss ZX1 | 3/5 | .. | .. | 83/100 | 4/5 | 4/5 | Sep 2018 | 5,999 | ebay.com | |
3. | Canon 90D | 4/5 | + | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Aug 2019 | 1,199 | amazon.com | |
4. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
5. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | 2,499 | amazon.com | |
6. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | 2,499 | amazon.com | |
7. | Fujifilm X-T4 | 5/5 | + + | 5/5 | 88/100 | 5/5 | 5/5 | Feb 2020 | 1,699 | ebay.com | |
8. | Fujifilm X-T5 | 5/5 | + + | 4.5/5 | 90/100 | 4.5/5 | .. | Nov 2022 | 1,699 | amazon.com | |
9. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
10. | Leica Q Typ 116 | 5/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Jun 2015 | 4,249 | ebay.com | |
11. | Leica Q2 | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4/5 | Mar 2019 | 4,995 | amazon.com | |
12. | Nikon Z5 | 4/5 | .. | 4/5 | 89/100 | 4.5/5 | 4/5 | Jul 2020 | 1,399 | amazon.com | |
13. | Panasonic FZ1000 | 4/5 | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Jun 2014 | 899 | ebay.com | |
14. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | 1,699 | amazon.com | |
15. | Sony A7 IV | 5/5 | + + | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2021 | 2,499 | amazon.com | |
16. | Sony A7C II | 4/5 | .. | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2023 | 2,199 | amazon.com | |
17. | Sony RX1R II | 5/5 | .. | .. | 82/100 | .. | 4.5/5 | Oct 2015 | 3,299 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon R7 vs Zeiss ZX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon R7 | Zeiss ZX1 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Canon RF mount lenses | 35mm f/2.8 |
Launch Date | May 2022 | September 2018 |
Launch Price | USD 1,499 | USD 5,999 |
Sensor Specs | Canon R7 | Zeiss ZX1 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Full Frame Sensor |
Sensor Size | 22.3 x 14.8 mm | 36.0 x 24.0 mm |
Sensor Area | 330.04 mm2 | 864 mm2 |
Sensor Diagonal | 26.8 mm | 43.3 mm |
Crop Factor | 1.6x | 1.0x |
Sensor Resolution | 32.3 Megapixels | 37.4 Megapixels |
Image Resolution | 6960 x 4640 pixels | 7488 x 4992 pixels |
Pixel Pitch | 3.20 μm | 4.81 μm |
Pixel Density | 9.78 MP/cm2 | 4.33 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4k/60p Video | 4K/30p Video |
ISO Setting | 100 - 32,000 ISO | 80 - 51,200 ISO |
ISO Boost | 100 - 51,200 ISO | no Enhancement |
Screen Specs | Canon R7 | Zeiss ZX1 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.72x | 0.74x |
Viewfinder Resolution | 2360k dots | 6221k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 4.3inch |
LCD Resolution | 1620k dots | 2765k dots |
LCD Attachment | Swivel screen | Fixed screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon R7 | Zeiss ZX1 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 15 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | no handshake reduction |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SSD cards |
Single or Dual Card Slots | Dual card slots | Single SSD |
Connectivity Specs | Canon R7 | Zeiss ZX1 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 3.2 | USB 3.1 |
HDMI Port | micro HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Canon R7 | Zeiss ZX1 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Canon LP-E6NH | Zeiss DD-PS1A |
Battery Life (CIPA) | 660 shots per charge | 250 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
132 x 90 x 92 mm (5.2 x 3.5 x 3.6 in) |
142 x 93 x 46 mm (5.6 x 3.7 x 1.8 in) |
Camera Weight | 612 g (21.6 oz) | 800 g (28.2 oz) |
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