Canon R6 Mark II vs Nikon D6

The Canon EOS R6 Mark II and the Nikon D6 are two digital cameras that were officially introduced, respectively, in November 2022 and February 2020. The R6 Mark II is a mirrorless interchangeable lens camera, while the D6 is a DSLR. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 24 megapixels, whereas the Nikon provides 20.7 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R6 Mark II		Nikon D6
Mirrorless system camera		Digital single lens reflex
Canon RF mount lenses		Nikon F mount lenses
24 MP – Full Frame sensor		20.7 MP – Full Frame sensor
4k/60p Video		4K/30p Video
ISO 100-102,400 (100 - 204,800)		ISO 100-102,400 (50 - 3,280,000)
Electronic viewfinder (3690k dots)		Optical viewfinder
3.0" LCD – 1620k dots		3.2" LCD – 2359k dots
Swivel touchscreen		Fixed touchscreen
12 shutter flaps per second		14 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
450 shots per battery charge		3580 shots per battery charge
138 x 98 x 88 mm, 670 g		160 x 163 x 92 mm, 1270 g

Check R6 Mark II price at
amazon.com
Check D6 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 Mark II and the Nikon D6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon R6 Mark II and the Nikon D6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D6 is considerably larger (93 percent) than the Canon R6 Mark II. Moreover, the D6 is substantially heavier (90 percent) than the R6 Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the R6 Mark II gets 450 shots out of its Canon LP-E6NH battery, while the D6 can take 3580 images on a single charge of its Nikon EN-EL18c power pack. As can be seen in the images above, the D6 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the R6 Mark II, Canon provides the BG-R10 vertical grip as an optional accessory (see here on ebay). The power pack in the R6 Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	US$ 2 499	amazon.com
2.		Nikon D6	160 mm	163 mm	92 mm	1270 g	3580	Y	Feb 2020	US$ 6 499	amazon.com
3.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	US$ 2 099	ebay.com
4.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	US$ 2 299	ebay.com
5.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	US$ 5 999	amazon.com
6.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	US$ 3 899	amazon.com
7.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	US$ 4 499	amazon.com
8.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	US$ 2 499	amazon.com
9.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	US$ 2 499	amazon.com
10.		Nikon D3X	160 mm	157 mm	88 mm	1260 g	4400	Y	Dec 2008	US$ 7 999	ebay.com
11.		Nikon D4	160 mm	157 mm	91 mm	1340 g	2600	Y	Jan 2012	US$ 5 999	ebay.com
12.		Nikon D4S	160 mm	157 mm	91 mm	1350 g	3020	Y	Feb 2014	US$ 6 499	ebay.com
13.		Nikon D5	160 mm	159 mm	92 mm	1415 g	3780	Y	Jan 2016	US$ 6 499	ebay.com
14.		Nikon D780	144 mm	116 mm	76 mm	840 g	2260	Y	Jan 2020	US$ 2 299	amazon.com
15.		OM System OM-1	135 mm	92 mm	73 mm	599 g	520	Y	Feb 2022	US$ 2 199	ebay.com
16.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	US$ 2 499	amazon.com
17.		Sony A99	147 mm	111 mm	78 mm	812 g	500	Y	Sep 2012	US$ 2 799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The R6 Mark II was launched at a markedly lower price (by 62 percent) than the D6, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

While the two cameras under review share the same sensor size, the R6 Mark II offers a higher resolution of 24 megapixels, compared with 20.7 MP of the D6. This megapixels advantage translates into a 8 percent gain in linear resolution. On the other hand, these sensor specs imply that the R6 Mark II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.98μm versus 6.44μm for the D6). In this context, it should be noted, however, that the R6 Mark II is much more recent (by 2 years and 8 months) than the D6, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.

The resolution advantage of the Canon R6 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R6 Mark II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D6 are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.

The R6 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS R6 Mark II has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 100-204800. The corresponding ISO settings for the Nikon D6 are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-3280000.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
2.		Nikon D6	Full Frame	20.7	5568	3712	4K/30p	25.3	14.3	2886	95
3.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
4.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
5.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
6.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
7.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
8.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
9.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
10.		Nikon D3X	Full Frame	24.4	6048	4032	none	24.7	13.7	1992	88
11.		Nikon D4	Full Frame	16.2	4928	3280	1080/30p	24.7	13.1	2965	89
12.		Nikon D4S	Full Frame	16.2	4928	3280	1080/60p	24.4	13.3	3074	89
13.		Nikon D5	Full Frame	20.7	5588	3712	4K/30p	25.1	12.3	2343	88
14.		Nikon D780	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	2877	95
15.		OM System OM-1	Four Thirds	20.2	5184	3888	4K/60p	23.4	13.4	1553	77
16.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
17.		Sony A99	Full Frame	24.0	6000	4000	1080/60p	25.0	14.0	1555	89
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the R6 Mark II provides a higher frame rate than the D6. It can shoot video footage at 4k/60p, while the Nikon is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the R6 Mark II has an electronic viewfinder (3690k dots), while the D6 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the R6 Mark II has a higher magnification than the one of the D6 (0.76x vs 0.72x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon R6 Mark II, the Nikon D6, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
2.		Nikon D6	optical	Y	3.2 / 2359	fixed	Y	1/8000s	14.0/s	n	n
3.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
4.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
5.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
6.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
7.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
8.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
9.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
10.		Nikon D3X	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0/s	n	n
11.		Nikon D4	optical	Y	3.2 / 921	fixed	n	1/8000s	11.0/s	n	n
12.		Nikon D4S	optical	Y	3.2 / 921	fixed	n	1/8000s	11.0/s	n	n
13.		Nikon D5	optical	Y	3.2 / 2359	fixed	Y	1/8000s	14.0/s	n	n
14.		Nikon D780	optical	Y	3.2 / 2359	tilting	Y	1/8000s	12.0/s	n	n
15.		OM System OM-1	5760	n	3.0 / 1640	swivel	Y	1/8000s	10.0/s	n	Y
16.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
17.		Sony A99	2359	Y	3.0 / 1229	full-flex	n	1/8000s	6.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the R6 Mark II and the D6 is in-body image stabilization (IBIS). The R6 Mark II reduces the risk of handshake-induced blur with all attached lenses, while the D6 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R6 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R6 Mark II and the Nikon D6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The R6 Mark II writes its imaging data to SDXC cards, while the D6 uses CFexpress (type B) or XQD cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 Mark II and Nikon D6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Nikon D6	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
3.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
4.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
5.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
6.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
7.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
9.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
10.		Nikon D3X	Y	- / -	-	-	mini	2.0	-	-	-
11.		Nikon D4	Y	mono / mono	Y	Y	micro	2.0	-	-	-
12.		Nikon D4S	Y	mono / mono	Y	Y	mini	2.0	-	-	-
13.		Nikon D5	Y	stereo / mono	Y	Y	mini	3.0	-	-	-
14.		Nikon D780	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
15.		OM System OM-1	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
16.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A99	Y	stereo / mono	Y	Y	mini	2.0	-	-	-

Studio photographers will appreciate that the Nikon D6 (unlike the R6 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the R6 Mark II and the D6 are recent models that are part of the current product line-up. The D6 replaced the earlier Nikon D5, while the R6 Mark II followed on from the Canon R6. Further information on the features and operation of the R6 Mark II and D6 can be found, respectively, in the Canon R6 Mark II Manual (free pdf) or the online Nikon D6 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Canon R6 Mark II or the Nikon D6 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Canon EOS R6 Mark II:

• More detail: Offers more megapixels (24 vs 20.7MP) with a 8% higher linear resolution.
• Better video: Provides higher movie framerates (4k/60p versus 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.72x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (138x98mm vs 160x163mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 600g or 47 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 3.1).
• More affordable: Was introduced into a lower priced category (62 percent cheaper at launch).
• More modern: Reflects 2 years and 8 months of technical progress since the D6 launch.

Arguments in favor of the Nikon D6:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2359k vs 1620k dots).
• Faster burst: Shoots at higher frequency (14 vs 12 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Gets more shots (3580 versus 450) out of a single battery charge.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been around for much longer (launched in February 2020).

If the count of individual advantages (bullet points above) is taken as a guide, the R6 Mark II is the clear winner of the match-up (16 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R6 Mark II and the Nikon D6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the R6 Mark II and the D6 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	US$ 2 499	amazon.com
2.		Nikon D6	..	..	4/5	..	4.5/5	4.5/5	Feb 2020	US$ 6 499	amazon.com
3.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	US$ 2 099	ebay.com
4.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	US$ 2 299	ebay.com
5.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	US$ 5 999	amazon.com
6.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	US$ 3 899	amazon.com
7.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	US$ 4 499	amazon.com
8.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	US$ 2 499	amazon.com
9.		Fujifilm X-H2S	5/5	+	5/5	90/100	5/5	5/5	May 2022	US$ 2 499	amazon.com
10.		Nikon D3X	..	..	..	86/100	4/5	5/5	Dec 2008	US$ 7 999	ebay.com
11.		Nikon D4	..	..	..	..	4.5/5	4.5/5	Jan 2012	US$ 5 999	ebay.com
12.		Nikon D4S	5/5	..	..	..	4.5/5	4.5/5	Feb 2014	US$ 6 499	ebay.com
13.		Nikon D5	..	..	4/5	89/100	4.5/5	5/5	Jan 2016	US$ 6 499	ebay.com
14.		Nikon D780	5/5	..	5/5	87/100	4.5/5	4.5/5	Jan 2020	US$ 2 299	amazon.com
15.		OM System OM-1	5/5	..	..	87/100	5/5	4.5/5	Feb 2022	US$ 2 199	ebay.com
16.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	US$ 2 499	amazon.com
17.		Sony A99	5/5	..	..	84/100	4.5/5	4.5/5	Sep 2012	US$ 2 799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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