Canon R vs Sony A99 II
The Canon EOS R and the Sony Alpha ALT-A99 II are two digital cameras that were announced, respectively, in September 2018 and September 2016. The Canon R is a mirrorless interchangeable lens camera, while the A99 II is a DSLR. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 30.1 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon R||Sony A99 II|
|Mirrorless system camera||Digital single lens reflex|
|Canon RF mount lenses||Sony A mount lenses|
|30.1 MP, Full Frame Sensor||42.2 MP, Full Frame Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-40000 (50-102400)||ISO 100-25600|
|Electronic viewfinder (3690k dots)||Electronic viewfinder (2400k dots)|
|3.2" LCD, 2100k dots||3.0" LCD, 1229k dots|
|Swivel touchscreen||Fully flexible screen (no touchscreen)|
|8 shutter flaps per second||12 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|370 shots per battery charge||490 shots per battery charge|
|139 x 98 x 84 mm, 660 g||143 x 104 x 76 mm, 849 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Canon R vs Sony A99 II
The side-by-side display below illustrates the physical size and weight of the Canon R and the Sony A99 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is notably larger (9 percent) than the Canon R. Moreover, the A99 II is markedly heavier (29 percent) than the Canon R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Canon R gets 370 shots out of its LP-E6N battery, while the A99 II can take 490 images on a single charge of its NP-FM500H power pack. The power pack in the Canon R can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon R»||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299||Canon R|
|Sony A99 II«||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Canon RP« »||5.2 in||3.3 in||2.8 in||17.1 oz||250||n||Feb 2019||1,299||Canon RP|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Leica Q2« »||5.1 in||3.1 in||3.6 in||25.3 oz||370||Y||Mar 2019||4,995||Leica Q2|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon Df« »||5.7 in||4.3 in||2.6 in||26.8 oz||1400||Y||Nov 2013||2,749||Nikon Df|
|Pentax K-1« »||5.4 in||4.3 in||3.4 in||35.6 oz||760||Y||Feb 2016||1,799||-||Pentax K-1|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Sony A99« »||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799||-||Sony A99|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Canon R was launched at a markedly lower price (by 28 percent) than the A99 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon R vs Sony A99 II
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A99 II offers a higher resolution of 42.2 megapixels, compared with 30.1 MP of the Canon R. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.52μm versus 5.36μm for the Canon R). Moreover, it should be noted that the Canon R is a somewhat more recent model (by 1 year and 11 months) than the A99 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A99 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inch or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inch or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inch or 67.3 x 44.9 cm. The corresponding values for the Canon R are 33.6 x 22.4 inch or 85.3 x 56.9 cm for good quality, 26.9 x 17.9 inch or 68.3 x 45.5 cm for very good quality, and 22.4 x 14.9 inch or 56.9 x 37.9 cm for excellent quality prints.
The Canon EOS R has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon R»||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89||Canon R|
|Sony A99 II«||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Canon RP« »||Full Frame||26.2||6240||4160||4K/30p||-||-||-||-||Canon RP|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Leica Q2« »||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96||Leica Q2|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon Df« »||Full Frame||16.2||4928||3280||-||24.6||13.1||3279||89||Nikon Df|
|Pentax K-1« »||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96||Pentax K-1|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
|Sony A99« »||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Canon R vs Sony A99 II
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Canon R offers a substantially higher resolution than the one in the A99 II (3690k vs 2400k dots). The table below summarizes some of the other core capabilities of the Canon R and Sony A99 II in connection with corresponding information for a sample of similar cameras.
|Canon R»||3690||Y||3.2||2100||swivel||Y||1/8000s||8.0||n||n||Canon R|
|Sony A99 II«||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Canon RP« »||2360||n||3.0||1040||swivel||Y||1/4000s||5.0||n||n||Canon RP|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Leica Q2« »||3680||n||3.0||1040||fixed||Y||1/2000s||20.0||n||Y||Leica Q2|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Nikon Df« »||optical||Y||3.2||921||fixed||n||1/4000s||5.5||n||n||Nikon Df|
|Pentax K-1« »||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y||Pentax K-1|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
|Sony A99« »||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The Canon R has a touchscreen, while the A99 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Canon R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R writes its imaging data to SDXC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. The A99 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the Canon R only has one slot. The Canon R supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A99 II can use UHS-I cards (up to 104 MB/s).
Connectivity comparison: Canon R vs Sony A99 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon R»||Y||stereo||mono||Y||-||mini||3.1||Y||-||Y||Canon R|
|Sony A99 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Canon RP« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Canon RP|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Leica Q2« »||Y||stereo||mono||-||-||-||-||Y||-||Y||Leica Q2|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon Df« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon Df|
|Pentax K-1« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
|Sony A99« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
It is notable that the A99 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The Canon R lacks such a headphone port.
Studio photographers will appreciate that the Sony A99 II (unlike the Canon R) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the Canon R and the A99 II are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Canon and Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
Review summary: Canon R vs Sony A99 II
So what is the bottom line? Is there a clear favorite between the Canon R and the Sony A99 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS R:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2400k dots).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1229k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Less heavy: Is lighter (by 189g or 22 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (28 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 11 months after the A99 II).
Advantages of the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 30.1MP), which boosts linear resolution by 18%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.76x).
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (490 versus 370) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the Canon R comes out slightly ahead of the A99 II (12 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the Canon R and the A99 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Canon R vs Sony A99 II
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon R»||o||79/100||4.5/5||4/5||4/5||Sep 2018||2,299||Canon R|
|Sony A99 II«||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Canon RP« »||+||-||4.5/5||-||4/5||Feb 2019||1,299||Canon RP|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5D Mark IV« »||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Leica Q2« »||-||84/100||-||-||-||Mar 2019||4,995||Leica Q2|
|Nikon Z6« »||-||-||4.5/5||-||5/5||Aug 2018||1,999||Nikon Z6|
|Nikon D750« »||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Nikon Df« »||-||81/100||4/5||4/5||4/5||Nov 2013||2,749||Nikon Df|
|Pentax K-1« »||-||84/100||5/5||4.5/5||5/5||Feb 2016||1,799||-||Pentax K-1|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7R« »||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Sony A99« »||-||84/100||4.5/5||o||4.5/5||Sep 2012||2,799||-||Sony A99|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark II vs Sony A99 II
- Canon 7D II vs Canon R
- Canon G9 X Mark II vs Sony A99 II
- Canon R vs Canon SX70
- Canon R vs Canon T6s
- Canon R vs Fujifilm X20
- Canon SL2 vs Sony A99 II
- Nikon D3500 vs Sony A99 II
- Panasonic GX85 vs Sony A99 II
- Panasonic GX9 vs Sony A99 II
- Sony A6400 vs Sony A99 II
- Sony A99 II vs Sony NEX-7
Specifications: Canon R vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R||Sony A99 II|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Canon RF mount lenses||Sony A mount lenses|
|Launch Date||September 2018||September 2016|
|Launch Price||USD 2299||USD 3199|
|Sensor Specs||Canon R||Sony A99 II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.9 x 24.0 mm|
|Sensor Area||864 mm2||861.6 mm2|
|Sensor Diagonal||43.3 mm||43.2 mm|
|Sensor Resolution||30.1 Megapixels||42.2 Megapixels|
|Image Resolution||6720 x 4480 pixels||7952 x 5304 pixels|
|Pixel Pitch||5.36 μm||4.52 μm|
|Pixel Density||3.48 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-40000 ISO||100-25600 ISO|
|ISO Boost||50-102400 ISO||50-25600 ISO|
|Image Processor||DIGIC 8||BIONZ X|
|DXO Sensor Quality (score)||89||92|
|DXO Color Depth (bits)||24.5||25.4|
|DXO Dynamic Range (EV)||13.5||13.4|
|DXO Low Light (ISO)||2742||2317|
|Screen Specs||Canon R||Sony A99 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||2400k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||2100k dots||1229k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon R||Sony A99 II|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||8 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||300 000 actuations|
|Electronic Shutter||YES||no E-Shutter|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Canon R||Sony A99 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon R||Sony A99 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||LP-E6N power pack||NP-FM500H power pack|
|Battery Life (CIPA)||370 shots per charge||490 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
139 x 98 x 84 mm
(5.5 x 3.9 x 3.3 in)
143 x 104 x 76 mm
(5.6 x 4.1 x 3.0 in)
|Camera Weight||660 g (23.3 oz)||849 g (29.9 oz)|
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